{"id":380715,"date":"2019-05-17T16:56:44","date_gmt":"2019-05-17T20:56:44","guid":{"rendered":"http:\/\/myscena.org\/norman-lebrecht\/lesprit-des-six-claves\/"},"modified":"2019-05-20T11:07:34","modified_gmt":"2019-05-20T15:07:34","slug":"lesprit-des-six-claves","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/lesprit-des-six-claves\/","title":{"rendered":"L\u2019Esprit des Six (Claves)"},"content":{"rendered":"<p>Votre d\u00e9fi du week-end\u00a0: nommez chaque membre du groupe des Six.<a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/05\/Lesprit-des-six-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-380732 alignright\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/05\/Lesprit-des-six-1-300x300.jpg\" alt=\"\" width=\"251\" height=\"251\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/05\/Lesprit-des-six-1-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/05\/Lesprit-des-six-1-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/05\/Lesprit-des-six-1-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/05\/Lesprit-des-six-1-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/05\/Lesprit-des-six-1-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/05\/Lesprit-des-six-1.jpg 1024w\" sizes=\"(max-width: 251px) 100vw, 251px\" \/><\/a><\/p>\n<ol>\n<li>Poulenc et Milhaud\u00a0? Pas mal.<\/li>\n<li>Arthur Honegger\u00a0? Bien (sauf si vous \u00eates Suisse).<\/li>\n<li>Germaine Tailleferre\u00a0? Tr\u00e8s bien.<\/li>\n<li>Georges Auric\u00a0? Excellent.<\/li>\n<\/ol>\n<p>Alors, qui avons-nous oubli\u00e9\u00a0? Louis Durey (1888-1979). Personne ne se souvient de Durey.<\/p>\n<p>Les Six sont apparus dans le Paris des ann\u00e9es 1920 en tant qu&#8217;acolytes de l&#8217;iconoclaste Erik Satie. Ils ont bri\u00e8vement captur\u00e9 l\u2019esprit du temps avant de partir chacun dans sa direction. Ce disque ing\u00e9nieux est constitu\u00e9 de musique \u00e0 la clarinette et au piano compos\u00e9e durant une p\u00e9riode ou l\u2019autre de leur carri\u00e8re. On peut entendre Francis Poulenc, le plus lyrique des Six et le seul \u00e0 avoir un op\u00e9ra majeur \u00e0 son actif, dans des sonates de 1918, 1922 et 1962, la plus ancienne \u00e9tant un andante des plus accrocheurs, le genre que les gens fredonnaient en partant fonder de nouvelles colonies.<\/p>\n<p>Darius Milhaud, qui pouvait facilement \u00e9crire pour n&#8217;importe quel instrument, a atteint son centi\u00e8me opus \u00e0 la mi-trentaine, une sonatine au centre d\u00e9licieusement fondant. Auric, qui passa sa vie \u00e0 \u00e9crire des partitions de musique de film, a donn\u00e9 <em>Imagin\u00e9es pour clarinette et piano <\/em>de 1971. Tailleferre, qui a v\u00e9cu le plus longtemps, a \u00e9crit une <em>Arabesque<\/em> en 1973. Honegger est repr\u00e9sent\u00e9 par la belle <em>Sonatine<\/em> de 1921-1922. Et Durey\u00a0? Il n&#8217;y a rien de Durey. Il n&#8217;y a jamais rien de Durey.<\/p>\n<p>Davide Bandieri, clarinette solo de l&#8217;Orchestre de chambre de Lausanne, est la force motrice de ce groupe. Le pianiste Guillaume Hersperger s\u2019essouffle pour suivre. C\u2019est un disque amusant qui rappelle l\u2019esprit des ann\u00e9es 1920. Levez le regard et vous verrez peut-\u00eatre un b\u0153uf sur le toit.<\/p>\n<p>NL<\/p>\n<p>Inscrivez-vous aux actualit\u00e9s du blogue\u00a0: <a href=\"http:\/\/www.slippedisc.com\">www.slippedisc.com<\/a><\/p>\n<p>Visitez le site web\u00a0: <a href=\"http:\/\/www.normanlebrecht.co\">www.normanlebrecht<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Traduction\u00a0: Andr\u00e9anne Venne<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Votre d\u00e9fi du week-end\u00a0: nommez chaque membre du groupe des Six. Poulenc et Milhaud\u00a0? Pas mal. Arthur Honegger\u00a0? Bien (sauf si vous \u00eates Suisse). Germaine Tailleferre\u00a0? Tr\u00e8s bien. Georges Auric\u00a0? Excellent. Alors, qui avons-nous oubli\u00e9\u00a0? Louis Durey (1888-1979). Personne ne se souvient de Durey. Les Six sont apparus dans le Paris des ann\u00e9es 1920 en<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/norman-lebrecht\/lesprit-des-six-claves\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":380550,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[34360],"tags":[39869,39870,39868],"class_list":{"0":"post-380715","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lhebdo-lebrecht","8":"tag-davide-bandieri-fr","9":"tag-guillaume-hersperger-fr","10":"tag-les-six-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/05\/les-six-2.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/05\/les-six-2-300x225.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/05\/les-six-2.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":"Inscrivez-vous aux actualit\u00e9s du blogue : www.slippedisc.com "},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/380715"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=380715"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/380715\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/380550"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=380715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=380715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=380715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}