{"id":378116,"date":"2019-03-21T16:26:40","date_gmt":"2019-03-21T20:26:40","guid":{"rendered":"https:\/\/myscena.org\/newswire\/devoilement-dune-autre-partie-de-la-programmation-du-42e-festival-de-lanaudiere-litterature-romantisme-et-periple-italien\/"},"modified":"2019-03-21T16:26:40","modified_gmt":"2019-03-21T20:26:40","slug":"devoilement-dune-autre-partie-de-la-programmation-du-42e-festival-de-lanaudiere-litterature-romantisme-et-periple-italien","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/devoilement-dune-autre-partie-de-la-programmation-du-42e-festival-de-lanaudiere-litterature-romantisme-et-periple-italien\/","title":{"rendered":"D\u00e9voilement d&#8217;une autre partie de la programmation du 42e Festival de Lanaudi\u00e8re : Litt\u00e9rature, romantisme et p\u00e9riple italien"},"content":{"rendered":"<h4 style=\"text-align: left;\" align=\"center\"><b>Au menu, de grands artistes d&#8217;ici, mais \u00e9galement d&#8217;Italie et d&#8217;Allemagne<\/b><\/h4>\n<p style=\"text-align: left;\" align=\"center\">Joliette, le 21 mars 2019 \u2013 Renaud Loranger, directeur artistique du Festival de Lanaudi\u00e8re, annonce quatre nouveaux concerts de la 42<sup>e<\/sup> \u00e9dition avec l&#8217;<a href=\"https:\/\/www.solutions-emailing.com\/i\/?id=2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8ptaFxwBZMoismll7rTyJWwzjFPsPlVKqvXwuPuAIR9YjPVemLbduyOBQV2vKVOtd\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.solutions-emailing.com\/i\/?id%3D2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8ptaFxwBZMoismll7rTyJWwzjFPsPlVKqvXwuPuAIR9YjPVemLbduyOBQV2vKVOtd&amp;source=gmail&amp;ust=1553285629451000&amp;usg=AFQjCNGyZujnyyJi7b6B1-ohFJ6Kww-eFQ\">Orchestre symphonique de Montr\u00e9al<\/a> (OSM), l&#8217;<a href=\"https:\/\/www.solutions-emailing.com\/i\/?id=2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8uzc0bA_2bFeMNVc_2f8w17WdW1zfYFA1TIspfmkVMKtihiNxVo5_2fBzcDdabj6yXHWxWyD5l8ymPFsnQh9haDDbHaiQ_3d_3d\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.solutions-emailing.com\/i\/?id%3D2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8uzc0bA_2bFeMNVc_2f8w17WdW1zfYFA1TIspfmkVMKtihiNxVo5_2fBzcDdabj6yXHWxWyD5l8ymPFsnQh9haDDbHaiQ_3d_3d&amp;source=gmail&amp;ust=1553285629451000&amp;usg=AFQjCNHKaOJhkUqt1khu90n65y6_SHP1hA\">Orchestre M\u00e9tropolitain<\/a> (OM), l&#8217;<a href=\"https:\/\/www.solutions-emailing.com\/i\/?id=2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8Lh95EQrohZ7iu1IHpJMOQCCmICef6_2bqBP2QeZ65_2blqewABePtFaCk4tRkh_2fY6Obu4OrLlvNOa_2fBV_2fpjJGJp1ZQ_3d_3d\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.solutions-emailing.com\/i\/?id%3D2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8Lh95EQrohZ7iu1IHpJMOQCCmICef6_2bqBP2QeZ65_2blqewABePtFaCk4tRkh_2fY6Obu4OrLlvNOa_2fBV_2fpjJGJp1ZQ_3d_3d&amp;source=gmail&amp;ust=1553285629451000&amp;usg=AFQjCNG-jvE45zl18VO_Zcox1gELuboc2w\">Orchestre baroque de Venise<\/a> et le violoniste <a href=\"https:\/\/www.solutions-emailing.com\/i\/?id=2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8Lh95EQrohZ6_2b2H36E1Wc0IkB1GKQBCdOuW7yKB6NqNZFBll7hY2Mdc4hIlH5vGfzoLRbqBl_2bfuHkYOfpGLrv2g_3d_3d\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.solutions-emailing.com\/i\/?id%3D2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8Lh95EQrohZ6_2b2H36E1Wc0IkB1GKQBCdOuW7yKB6NqNZFBll7hY2Mdc4hIlH5vGfzoLRbqBl_2bfuHkYOfpGLrv2g_3d_3d&amp;source=gmail&amp;ust=1553285629451000&amp;usg=AFQjCNFZi-KcSlgNqv1lWGq2RDcbaQPzOA\">Christian Tetzlaff<\/a>. Cette ann\u00e9e, l&#8217;\u00e9v\u00e9nement se d\u00e9roulera du 5 juillet au 4 ao\u00fbt.<b>\u00a0<\/b><\/p>\n<p style=\"text-align: left;\">L&#8217;OSM est invit\u00e9 \u00e0 ouvrir le Festival, le vendredi 5 juillet. Le r\u00e9put\u00e9 chef fran\u00e7ais <a href=\"https:\/\/www.solutions-emailing.com\/i\/?id=2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8Lh95EQrohZ5X0V_2bSld331LJj0pFekSxrh65OJ7CAja_2b1w5gmCA8q324Nyb0YCQIN1RyCRbLEbKrZFWP3Je3L7g_3d_3d\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.solutions-emailing.com\/i\/?id%3D2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8Lh95EQrohZ5X0V_2bSld331LJj0pFekSxrh65OJ7CAja_2b1w5gmCA8q324Nyb0YCQIN1RyCRbLEbKrZFWP3Je3L7g_3d_3d&amp;source=gmail&amp;ust=1553285629451000&amp;usg=AFQjCNG5e4NAmePe0L6XwpkvBfRoqs7V_Q\">Alain Altinoglu<\/a> sera de retour apr\u00e8s une premi\u00e8re pr\u00e9sence tr\u00e8s remarqu\u00e9e \u00e0 l&#8217;OSM l&#8217;automne dernier. Le pianiste <a href=\"https:\/\/www.solutions-emailing.com\/i\/?id=2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8WfmXn8V0ni9eqrpIrYy_2fHDaLX_2fjI9j3jDSg33nzGUKAWXyQjb9BBVvZj46iQHcQsz74GRmdgrEM_3d\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.solutions-emailing.com\/i\/?id%3D2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8WfmXn8V0ni9eqrpIrYy_2fHDaLX_2fjI9j3jDSg33nzGUKAWXyQjb9BBVvZj46iQHcQsz74GRmdgrEM_3d&amp;source=gmail&amp;ust=1553285629451000&amp;usg=AFQjCNE_-k3zYo_2NYcll_LX96BLOAL3WQ\">Francesco Piemontesi<\/a>, qui fait ses d\u00e9buts au Qu\u00e9bec et \u00e0 Lanaudi\u00e8re, se joindra \u00e0 eux. Au programme, des \u0153uvres tir\u00e9es des grands classiques de la litt\u00e9rature\u00a0: <i>Songe d&#8217;une nuit d&#8217;\u00e9t\u00e9<\/i> et Concerto pour piano n<sup>o<\/sup> 1 de Felix Mendelssohn, <i>Pr\u00e9lude<\/i> <i>et<\/i> <i>Mort d&#8217;Isolde<\/i> de Richard Wagner et <i>Till Eulenspiegel<\/i> de Richard Strauss.<\/p>\n<p style=\"text-align: left;\">Le samedi 6 juillet, l&#8217;Amphith\u00e9\u00e2tre Fernand-Lindsay accueillera l&#8217;OM, dirig\u00e9 par <a href=\"https:\/\/www.solutions-emailing.com\/i\/?id=2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8npE2dnL4q_2fwsOksPYbxZ56JBBeo0tBWa5Fq55GBx2PsAeLiuBL63PfLmf3S1G66b7e2VTsYsWqs_3d\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.solutions-emailing.com\/i\/?id%3D2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8npE2dnL4q_2fwsOksPYbxZ56JBBeo0tBWa5Fq55GBx2PsAeLiuBL63PfLmf3S1G66b7e2VTsYsWqs_3d&amp;source=gmail&amp;ust=1553285629451000&amp;usg=AFQjCNFcBHYyPQ0mebD639QtVGCKPJGowQ\">Yannick N\u00e9zet-S\u00e9guin<\/a> et la grande dame de l&#8217;op\u00e9ra fran\u00e7ais, <a href=\"https:\/\/www.solutions-emailing.com\/i\/?id=2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8I65hiX5ONKBLrDu0uKxnTXin8f3Nf_2fD_2bmDlXZVO_2fW7wtRjKoNlUOugG1LCYKLNsu\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.solutions-emailing.com\/i\/?id%3D2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8I65hiX5ONKBLrDu0uKxnTXin8f3Nf_2fD_2bmDlXZVO_2fW7wtRjKoNlUOugG1LCYKLNsu&amp;source=gmail&amp;ust=1553285629451000&amp;usg=AFQjCNET8oORUazDCnrEMVn_SCRn4y9EIw\">Susan Graham<\/a>. L&#8217;OM interpr\u00e9tera la Symphonie n<sup>o<\/sup> 2 de Louise Farrenc, compositrice contemporaine. La mezzo-soprano Susan Graham se joindra par la suite \u00e0 l&#8217;orchestre et ils nous entra\u00eeneront dans un monde de personnages mythiques et l\u00e9gendaires en nous offrant <i>La mort de Cl\u00e9op\u00e2tre <\/i>d&#8217;Hector Berlioz<i>. <\/i>Le concert se terminera par des extraits de <i>Rom\u00e9o et Juliette<\/i> du m\u00eame compositeur. Ce concert est le premier de la saison \u00e0 souligner le 150<sup>e<\/sup> anniversaire de la mort de Berlioz (#Berlioz150). Cette soir\u00e9e sera plac\u00e9e sous le signe du romantisme le plus pur!<\/p>\n<p style=\"text-align: left;\">Le dimanche 7 juillet, de retour au Qu\u00e9bec apr\u00e8s une absence prolong\u00e9e, l&#8217;exceptionnel Orchestre baroque de Venise nous entra\u00eene dans un v\u00e9ritable p\u00e9riple entre Naples et Venise \u00e0 l&#8217;\u00e9poque de Vivaldi, explorant la flamboyante beaut\u00e9 de ces \u0153uvres et de ses contemporains, dont les c\u00e9l\u00e9brissimes <i>Quatre saisons<\/i>. Feux d&#8217;artifice au rendez-vous\u00a0!<\/p>\n<p style=\"text-align: left;\">Enfin, le violoniste allemand Christian Tetzlaff se produira \u00e0 l&#8217;\u00c9glise de la Purification, \u00e0 Repentigny, le lundi 29 juillet, pour son unique concert de l&#8217;\u00e9t\u00e9 au Canada. Le programme sera compos\u00e9 d&#8217;essentiels du r\u00e9pertoire pour violon seul\u00a0: Sonate pour violon seul d&#8217;Eug\u00e8ne Ysa\u00ffe, la Sonate n<sup>o<\/sup> 3 de Johann Sebastian Bach, plusieurs \u0153uvres de Gy\u00f6rgy Kurt\u00e1g et Sonate pour violon seul de B\u00e9la Bart\u00f3k.<\/p>\n<p style=\"text-align: left;\"><b>Les billets pour ces quatre concerts incontournables seront en vente d\u00e8s le jeudi 21 mars prochain \u00e0 <\/b><a href=\"https:\/\/www.solutions-emailing.com\/i\/?id=2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8Lh95EQrohZ65_2bPJYZFs06AEhJWl2tT39qQO_2fASZXcIdevH8qSALWqKC8SjXjg_2bJS\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.solutions-emailing.com\/i\/?id%3D2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8Lh95EQrohZ65_2bPJYZFs06AEhJWl2tT39qQO_2fASZXcIdevH8qSALWqKC8SjXjg_2bJS&amp;source=gmail&amp;ust=1553285629451000&amp;usg=AFQjCNFTuX3QVyGKLOZDshD3yARjjlUjoA\"><b>lanaudiere.org<\/b><\/a>, \u00e0 la billetterie de la Place des Arts, au 514 842-2112 et au 1 866 842-2112, ou \u00e0 <a href=\"https:\/\/www.solutions-emailing.com\/i\/?id=2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8Lh95EQrohZ7lN32R0FXnL2gBSzo0LNNSGVbG2rdCs64J_2fRoW5FY9eTeJzIYky6Hj\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.solutions-emailing.com\/i\/?id%3D2GXvq_2bgJV7htCIQ1IJqHj7GAS_2bpU_2fL_2bEqJyzK_2bJ4Ji1_2f70KQLB_2bXAd61r_2b4JMx_2b8Lh95EQrohZ7lN32R0FXnL2gBSzo0LNNSGVbG2rdCs64J_2fRoW5FY9eTeJzIYky6Hj&amp;source=gmail&amp;ust=1553285629451000&amp;usg=AFQjCNHMqzczH6PQ7STh9XuDOnS1pNxM-w\">placedesarts.com<\/a>.<\/p>\n<p style=\"text-align: left;\">La programmation compl\u00e8te de la saison 2019 sera d\u00e9voil\u00e9e en mai.<\/p>\n<h4 style=\"text-align: left;\"><b>\u00c0 propos du Festival de Lanaudi\u00e8re<\/b><\/h4>\n<p style=\"text-align: left;\">Le Festival de Lanaudi\u00e8re est le plus important festival de musique classique au Canada et membre du Regroupement des \u00e9v\u00e9nements majeurs internationaux. D&#8217;ann\u00e9e en ann\u00e9e, il enregistre plus de 50 000 participations pour l&#8217;ensemble de ses activit\u00e9s. Sa programmation est accessible et compos\u00e9e de grands artistes de r\u00e9putation mondiale et de niveau international. La sc\u00e8ne principale du Festival est l&#8217;Amphith\u00e9\u00e2tre Fernand-Lindsay, lequel comprend 2000 si\u00e8ges sous un toit et 5000 places sur la pelouse.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Au menu, de grands artistes d&#8217;ici, mais \u00e9galement d&#8217;Italie et d&#8217;Allemagne Joliette, le 21 mars 2019 \u2013 Renaud Loranger, directeur artistique du Festival de Lanaudi\u00e8re, annonce quatre nouveaux concerts de la 42e \u00e9dition avec l&#8217;Orchestre symphonique de Montr\u00e9al (OSM), l&#8217;Orchestre M\u00e9tropolitain (OM), l&#8217;Orchestre baroque de Venise et le violoniste Christian Tetzlaff. Cette ann\u00e9e, l&#8217;\u00e9v\u00e9nement se<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/newswire\/devoilement-dune-autre-partie-de-la-programmation-du-42e-festival-de-lanaudiere-litterature-romantisme-et-periple-italien\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":378112,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17259,394,17275],"tags":[22761,24090,39364,39365,39366],"class_list":{"0":"post-378116","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ancienne-et-baroque","8":"category-musique-classique","9":"category-musique-orchestrale","10":"tag-festival-de-lanaudiere-fr-7","11":"tag-orchestre-metropolitain-fr-45","12":"tag-christian-tetzlaff-fr","13":"tag-osm-fr-2","14":"tag-venice-baroque-orchestra-fr","15":"type-communique","16":"section-actualites-fr","17":"section-festivals"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/03\/unnamed-1-683x1024.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/03\/unnamed-1-200x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/03\/unnamed-1-683x1024.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/378116"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=378116"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/378116\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/378112"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=378116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=378116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=378116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}