{"id":377867,"date":"2019-03-19T09:36:45","date_gmt":"2019-03-19T13:36:45","guid":{"rendered":"https:\/\/myscena.org\/?p=377867"},"modified":"2019-03-19T09:36:45","modified_gmt":"2019-03-19T13:36:45","slug":"anne-sophie-mutter-et-lambert-orkis-pianissimo","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/benjamin-goron\/anne-sophie-mutter-et-lambert-orkis-pianissimo\/","title":{"rendered":"Anne-Sophie Mutter et Lambert Orkis, pianissimo."},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">La Maison symphonique accueillait vendredi dernier la violoniste Anne-Sophie Mutter et le pianiste Lambert Orkis pour un r\u00e9cital de sonates de Mozart, Debussy, Ravel et Poulenc. L\u2019OSM et Pro Musica ont vis\u00e9 juste en invitant deux grands interpr\u00e8tes de notre temps, qui ont livr\u00e9 un concert vibrant d\u2019\u00e9motion et d\u2019intensit\u00e9.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Les deux musiciens collaborent depuis trente ans et ont su forger leur esth\u00e9tique propre, mais aussi un son ais\u00e9ment reconnaissable, v\u00e9ritable velours o\u00f9 les pianissimos sont autant de caresses duveteuses pour les oreilles. Le jeu de Lambert Orkis peut rappeler Nelson Freire, alliance de la vivacit\u00e9 et d\u2019une infinie d\u00e9licatesse, particuli\u00e8rement appr\u00e9ciable dans le r\u00e9pertoire de Mozart, o\u00f9 les deux musiciens se permettent de nombreuses libert\u00e9s pour rendre le texte de mani\u00e8re tr\u00e8s a\u00e9r\u00e9e.<\/span><\/p>\n<div id=\"attachment_377868\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/03\/image1.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-377868\" class=\"size-full wp-image-377868\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/03\/image1.jpeg\" alt=\"\" width=\"1000\" height=\"668\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/03\/image1.jpeg 1000w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/03\/image1-300x200.jpeg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/03\/image1-600x401.jpeg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/03\/image1-768x513.jpeg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><p id=\"caption-attachment-377868\" class=\"wp-caption-text\">Photo : Antoine Saito<\/p><\/div>\n<p class=\"p1\"><span class=\"s1\">Le r\u00e9pertoire fran\u00e7ais est assez \u00e9vocateur des ann\u00e9es de guerre. Les sonates de Debussy (1917) et Poulenc (1942-43) sont \u00e9crites en pleine guerre et celle de Ravel (1923-27) s\u2019inspire du blues et des musiques afro-am\u00e9ricaines alors tr\u00e8s en vogue en France. Si les deux musiciens jouent beaucoup avec les contrastes chez Debussy, ils s\u2019ouvrent aux couleurs et aux r\u00e9sonances chez Ravel, dont le deuxi\u00e8me mouvement peut para\u00eetre anecdotique aux oreilles d\u2019aujourd\u2019hui. Poulenc est pris \u00e0 un train d\u2019enfer, avec un \u00e9lan de virtuosit\u00e9 contagieuse, faisant ressortir les influences du tango. L\u2019\u00e9criture de Poulenc est magistrale, avec un tr\u00e8s bel \u00e9quilibre entre les instruments et des dialogues incessants (comme chez Mozart d\u2019ailleurs), \u00e0 la fois chatoyante et pleine de raffinement. Les deux musiciens en dessinent des contours vertigineux pour clore ce programme, ponctu\u00e9 de deux rappels dont une pi\u00e8ce-hommage \u00e0 Andr\u00e9 Pr\u00e9vin, grand chef d\u2019orchestre d\u00e9c\u00e9d\u00e9 le mois dernier et ex-mari de la violoniste. Le public a assist\u00e9 \u00e0 une performance \u00e0 couper le souffle et a fait preuve d\u2019une \u00e9coute intense. La Maison symphonique n\u2019est pas pr\u00eate d\u2019oublier les d\u00e9licieux pianissimos d\u2019Anne-Sophie Mutter et de Lambert Orkis. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Maison symphonique accueillait vendredi dernier la violoniste Anne-Sophie Mutter et le pianiste Lambert Orkis pour un r\u00e9cital de sonates de Mozart, Debussy, Ravel et Poulenc. L\u2019OSM et Pro Musica ont vis\u00e9 juste en invitant deux grands interpr\u00e8tes de notre temps, qui ont livr\u00e9 un concert vibrant d\u2019\u00e9motion et d\u2019intensit\u00e9. Les deux musiciens collaborent depuis<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/benjamin-goron\/anne-sophie-mutter-et-lambert-orkis-pianissimo\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":3381,"featured_media":377870,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17036,17273,17267,17271],"tags":[39310,39309,22516,39308,29563,24166,24139,39311,24068,870],"class_list":{"0":"post-377867","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-spectacles","8":"category-musique-de-chambre","9":"category-piano-fr","10":"category-violon","11":"tag-andre-previn-fr","12":"tag-anne-sophie-mutter-fr","13":"tag-debussy-fr-7","14":"tag-lambert-orkis","15":"tag-maison-symphonique","16":"tag-mozart-fr-44","17":"tag-osm-fr-39","18":"tag-poulenc-fr","19":"tag-pro-musica-fr-14","20":"tag-ravel","21":"type-critique"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/03\/image4.jpeg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/03\/image4-300x200.jpeg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/03\/image4.jpeg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/377867"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/3381"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=377867"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/377867\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/377870"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=377867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=377867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=377867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}