{"id":375701,"date":"2019-02-11T15:51:58","date_gmt":"2019-02-11T19:51:58","guid":{"rendered":"https:\/\/myscena.org\/?p=375701"},"modified":"2019-02-21T09:31:55","modified_gmt":"2019-02-21T13:31:55","slug":"critique-cassandra-miller-par-quatuor-bozzini","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/benjamin-goron\/critique-cassandra-miller-par-quatuor-bozzini\/","title":{"rendered":"Critique – Cassandra Miller par le Quatuor Bozzini"},"content":{"rendered":"

Cette r\u00e9cente parution rassemble des \u0153uvres de la compositrice canadienne \u00e9tablie \u00e0 Londres Cassandra Miller, \u00e9crites entre 2008 et 2015. Le Quatuor Bozzini, qui en a cr\u00e9\u00e9 la plupart, est sans doute le mieux plac\u00e9 pour nous ouvrir la porte de cet univers d\u00e9licat. Les quatre \u0153uvres au programme r\u00e9v\u00e8lent la mani\u00e8re de Cassandra Miller qui, \u00e0 l\u2019image de l\u2019\u00e9crivain puisant son inspiration dans des coupures de journaux, est \u00e0 l\u2019aff\u00fbt du mat\u00e9riau musical ambiant comme base de son travail de composition. Ainsi, Warblework <\/em>part de chants d\u2019oiseaux pour nous offrir un univers aux textures changeantes avec un traitement du silence et des intervalles justes d\u2019une remarquable efficacit\u00e9. About Bach<\/em>, qui a remport\u00e9 le prix Jules-L\u00e9ger en 2016, reprend des motifs d\u2019une chaconne \u00e0 travers une \u00e9volution lin\u00e9aire empreinte de nostalgie, superposition d\u2019une lente plainte au violon dans les suraigus et d\u2019un socle stable et durable dans les graves.<\/p>\n

Si la compositrice appose son empreinte gr\u00e2ce \u00e0 ses emprunts, elle nous propose un univers a\u00e9r\u00e9, m\u00e9ditatif et sensible. Elle arrive, en peu de notes, \u00e0 capter toute notre attention et \u00e0 nous plonger dans sa perception du temps. Le Quatuor Bozzini \u00e9pouse cette musique avec un naturel d\u00e9routant. La subtilit\u00e9 des nuances et la coh\u00e9sion du groupe sont des \u00e9l\u00e9ments essentiels pour traduire fid\u00e8lement le discours de Cassandra Miller. Si l\u2019absence de livret est regrettable dans une optique de transmission et de m\u00e9diation, Just\u00a0So<\/em> reste une tr\u00e8s belle r\u00e9ussite et une invitation \u00e0 repenser le temps et l\u2019\u00e9coute musicale.<\/p>\n

www.anothertimbre.com<\/a>, www.quatuorbozzini.ca<\/a>.<\/p>\n

Cassandra Miller, Just So \/ <\/em>Quatuor Bozzini \/ Another Timbre at 129, 2018<\/p>\n","protected":false},"excerpt":{"rendered":"

Cette r\u00e9cente parution rassemble des \u0153uvres de la compositrice canadienne \u00e9tablie \u00e0 Londres Cassandra Miller, \u00e9crites entre 2008 et 2015. Le Quatuor Bozzini, qui en a cr\u00e9\u00e9 la plupart, est sans doute le mieux plac\u00e9 pour nous ouvrir la porte de cet univers d\u00e9licat. Les quatre \u0153uvres au programme r\u00e9v\u00e8lent la mani\u00e8re de Cassandra Miller<\/p>\n

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