{"id":375019,"date":"2019-01-31T20:19:51","date_gmt":"2019-02-01T00:19:51","guid":{"rendered":"https:\/\/myscena.org\/?p=375019"},"modified":"2019-01-31T20:19:51","modified_gmt":"2019-02-01T00:19:51","slug":"cd-tim-brady-music-for-large-ensemble","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/benjamin-goron\/cd-tim-brady-music-for-large-ensemble\/","title":{"rendered":"CD – Tim Brady – Music For Large Ensemble"},"content":{"rendered":"

Tim Brady – Music For Large Ensemble \/\u00a0<\/span>Bradyworks Large Ensemble, dir. Cristian Gort \/\u00a0<\/span>Starkland ST-230, 2018<\/span><\/p>\n

On retrouve sur cet album deux \u0153uvres de Tim Brady enregistr\u00e9es au Studio 270 quelques jours apr\u00e8s leur cr\u00e9ation au Festival de musique actuelle de Victoriaville en 2017. <\/span><\/p>\n

D\u00e9sir<\/i> est un concerto en trois mouvements pour guitare \u00e9lectrique et orchestre de chambre. Le premier mouvement, \u00ab\u00a0Ecstasy\u00a0\u00bb, arbore une \u00e9criture minimaliste tr\u00e9pidante, ax\u00e9e sur des motifs rythmiques martel\u00e9s, \u00e9chang\u00e9s entre soliste et orchestre. \u00ab\u00a0Beauty\u00a0\u00bb est une exploration texturale tr\u00e8s suggestive, la guitare m\u00e9lodique semble se frayer un chemin \u00e0 travers un univers de plus en plus lugubre, magnifi\u00e9 par des interventions solistes \u00e0 travers l\u2019orchestre. \u00ab\u00a0Wisdom\u00a0\u00bb est une longue mont\u00e9e en intensit\u00e9 o\u00f9 les motifs du premier mouvement se r\u00e9inventent. L\u2019univers tr\u00e8s dense et foisonnant de Tim Brady est admirablement rendu par le Bradyworks Large Ensemble dirig\u00e9 par Cristian Gort, et le guitariste s\u2019y r\u00e9v\u00e8le \u00e0 des sommets d\u2019inspiration et de virtuosit\u00e9.<\/span><\/p>\n

\"\"<\/a>

Photo : Martin Morissette<\/p><\/div>\n

Les Eight Songs about: Symphony #7 <\/i>sont des commentaires fictifs de l\u2019\u0153uvre de Chostakovitch par divers personnages assistant \u00e0 la cr\u00e9ation de l\u2019\u0153uvre en 1942 et \u00e9voluant au sein des textures denses de Brady. Les textes de Douglas Smith sont teint\u00e9s d\u2019humour et d\u2019ironie, mais prennent souvent l\u2019auditeur un peu trop par la main. Sarah Albu (soprano)\u00a0 <\/span>et Vincent Ranallo (baryton) sont tr\u00e8s convaincants dans leurs diff\u00e9rents personnages.\u00a0<\/span>www.timbrady.ca<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Tim Brady – Music For Large Ensemble \/\u00a0Bradyworks Large Ensemble, dir. Cristian Gort \/\u00a0Starkland ST-230, 2018 On retrouve sur cet album deux \u0153uvres de Tim Brady enregistr\u00e9es au Studio 270 quelques jours apr\u00e8s leur cr\u00e9ation au Festival de musique actuelle de Victoriaville en 2017. D\u00e9sir est un concerto en trois mouvements pour guitare \u00e9lectrique et<\/p>\n

Read More<\/a><\/div>\n","protected":false},"author":3381,"featured_media":375024,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17265,17038],"tags":[38591,38592,38593],"class_list":{"0":"post-375019","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-contemporaine","8":"category-critiques-de-disques-et-livres","9":"tag-cristian-gort","10":"tag-starkland","11":"tag-tim-brady-fr","12":"type-critique-de-disque","13":"volume-volume-24","14":"issue-vol-24-issue-5-fr","15":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/01\/tim-brady-1024x1019.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/01\/tim-brady-300x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/01\/tim-brady-1024x1019.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/375019"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/3381"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=375019"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/375019\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/375024"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=375019"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=375019"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=375019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}