{"id":374992,"date":"2019-01-31T12:34:18","date_gmt":"2019-01-31T16:34:18","guid":{"rendered":"https:\/\/myscena.org\/?p=374992"},"modified":"2019-01-31T12:34:18","modified_gmt":"2019-01-31T16:34:18","slug":"losm-en-concert-au-carnegie-hall-le-24-mars-2020","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/losm-en-concert-au-carnegie-hall-le-24-mars-2020\/","title":{"rendered":"L\u2019OSM en concert au Carnegie Hall le 24 mars 2020"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">Montr\u00e9al, 30 janvier 2019 &#8211; Ce mois-ci, l\u2019OSM poursuit d\u2019abord une tradition, celle de consacrer une semaine \u00e0 l\u2019univers musical d\u2019un compositeur. Ainsi, du 7 au 10 f\u00e9vrier, <\/span><span class=\"s2\">LE SEPTI\u00c8ME ART ET BRAHMS <\/span><span class=\"s1\">proposera l\u2019int\u00e9grale des symphonies de Brahms en plus de quatre nouvelles moutures de courts m\u00e9trages dirig\u00e9s par Kent Nagano. Aussi, le public est attendu \u00e0 <\/span><span class=\"s2\">DON JUAN SYMPHONIQUE, <\/span><span class=\"s1\">une nouvelle proposition de ce grand spectacle populaire, orchestr\u00e9e par le chef Simon Leclerc. De plus, f\u00e9vrier sera l\u2019occasion d\u2019assister \u00e0 une rencontre tout \u00e0 fait inusit\u00e9e alors que l\u2019on pr\u00e9sentera <\/span><span class=\"s2\">IMPRO ET ORGUE<\/span><span class=\"s1\">, une rencontre musicale et th\u00e9\u00e2trale entre com\u00e9diens et musiciens! Finalement, mentionnons\u00a0<\/span><span class=\"s2\">LE SACRE DU PRINTEMPS<\/span><span class=\"s1\"> dont la puissance fera de nouveau vibrer les spectateurs et le retour du pianiste polonais le plus remarquable de la jeune g\u00e9n\u00e9ration, Rafa\u0142 Blechacz, qui livrera le Concerto pour piano n<\/span><span class=\"s3\"><sup>o<\/sup><\/span><span class=\"s1\"> 23 lors du concert <\/span><span class=\"s2\">MOZART SELON KENT NAGANO.\u00a0<\/span><\/p>\n<p><span class=\"s1\">UN RETOUR AU CARNEGIE HALL! <\/span><span class=\"s2\">C\u2019est aujourd\u2019hui que le Carnegie Hall annon\u00e7ait sa programmation\u00a02019-2020 : l\u2019OSM et Maestro Nagano seront de retour sur la sc\u00e8ne de la prestigieuse salle new-yorkaise\u00a0le 24 mars 2020! Micka\u00ebl Pletnev y pr\u00e9sentera le Concerto pour piano, op. 54 en la mineur de Schumann alors que deux ch\u0153urs d\u2019hommes de l\u2019universit\u00e9 de l\u2019Illinois et le bassiste Alexander Vinogradov se joindront \u00e0 l\u2019Orchestre pour interpr\u00e9ter la Symphonie no 13 de Chostakovitch qui rend hommage aux victimes du massacre de Babi Yar, \u0153uvre inspir\u00e9e par le po\u00e8me de l\u2019\u00e9crivain sovi\u00e9tique Evgueni Evtouchenko. Rappelons que l\u2019OSM montera sur la sc\u00e8ne du Carnegie Hall pour une 45<\/span><span class=\"s3\"><sup>e<\/sup><\/span><span class=\"s2\"> fois, afin d\u2019y pr\u00e9senter un 29<\/span><span class=\"s3\"><sup>e<\/sup><\/span><span class=\"s2\"> programme.\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/01\/KentNaganoLive_avec_noise40JuliaMarois-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-374996\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/01\/KentNaganoLive_avec_noise40JuliaMarois-2-1024x683.jpg\" alt=\"\" width=\"702\" height=\"468\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/01\/KentNaganoLive_avec_noise40JuliaMarois-2-1024x683.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/01\/KentNaganoLive_avec_noise40JuliaMarois-2-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/01\/KentNaganoLive_avec_noise40JuliaMarois-2-600x400.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/01\/KentNaganoLive_avec_noise40JuliaMarois-2-768x512.jpg 768w\" sizes=\"(max-width: 702px) 100vw, 702px\" \/><\/a><\/p>\n<p><span class=\"s1\">\u00c9galement \u00e0 ne pas manquer en f\u00e9vrier<\/span><\/p>\n<p><span class=\"s1\">Le 23 f\u00e9vrier, Kent Nagano dirigera <\/span><span class=\"s2\">L\u2019OSM AUX COULEURS DE L\u2019AM\u00c9RIQUE DU SUD<\/span><span class=\"s1\">, un concert qui traverse les \u00e9poques et les territoires ! Apr\u00e8s deux suites de danses de Bach et Ravel, place \u00e0 l\u2019Am\u00e9rique latine, notamment avec le Concerto pour violon de Ginastera (Argentin) interpr\u00e9t\u00e9 par le violon solo de l\u2019OSM, Andrew Wan, et les Bachianas Brasileiras no 5 de Villa-Lobos (Br\u00e9silien). Aussi, l\u2019OSM attend les familles nombreuses \u00e0 la 6e \u00e9dition de son <\/span><span class=\"s2\">BAL DES ENFANTS <\/span><span class=\"s1\">qui se tiendra le 2 mars 2019 avec la pr\u00e9sentation d\u2019un spectacle intitul\u00e9 <\/span><span class=\"s2\">LE TOUR DU MONDE EN 80 JOURS\u2026<\/span> <span class=\"s2\">OU PRESQUE <\/span><span class=\"s1\">! De Londres \u00e0 San Francisco, en passant par Bombay et Tokyo, on verra l\u2019OSM sous la direction de maestro Nagano transporter grands et petits dans une aventure pleine de rebondissements ! Cet \u00e9v\u00e9nement-b\u00e9n\u00e9fice a pour but d\u2019amasser des fonds pour soutenir la mission \u00e9ducative et d\u2019accessibilit\u00e9 de l\u2019OSM.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Montr\u00e9al, 30 janvier 2019 &#8211; Ce mois-ci, l\u2019OSM poursuit d\u2019abord une tradition, celle de consacrer une semaine \u00e0 l\u2019univers musical d\u2019un compositeur. Ainsi, du 7 au 10 f\u00e9vrier, LE SEPTI\u00c8ME ART ET BRAHMS proposera l\u2019int\u00e9grale des symphonies de Brahms en plus de quatre nouvelles moutures de courts m\u00e9trages dirig\u00e9s par Kent Nagano. Aussi, le public<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/newswire\/losm-en-concert-au-carnegie-hall-le-24-mars-2020\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":374994,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[16922,394],"tags":[38581,23885,24139],"class_list":{"0":"post-374992","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-communiques","8":"category-musique-classique","9":"tag-carnagie-hall","10":"tag-kent-nagano","11":"tag-osm-fr-39","12":"type-communique-de-presse"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/01\/OSMauCarnegieHall-18octobre2017-photoAntoineSaito236-1024x683.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/01\/OSMauCarnegieHall-18octobre2017-photoAntoineSaito236-300x200.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/01\/OSMauCarnegieHall-18octobre2017-photoAntoineSaito236-1024x683.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/374992"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=374992"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/374992\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/374994"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=374992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=374992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=374992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}