{"id":372769,"date":"2018-11-09T10:43:11","date_gmt":"2018-11-09T14:43:11","guid":{"rendered":"http:\/\/myscena.org\/norman-lebrecht\/requiem-the-pity-of-war-warner\/"},"modified":"2018-11-09T10:43:11","modified_gmt":"2018-11-09T14:43:11","slug":"requiem-the-pity-of-war-warner","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/requiem-the-pity-of-war-warner\/","title":{"rendered":"Requiem, the pity of war (Warner)"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">Un autre album \u00e0 th\u00e8me, mais pour une fois un th\u00e8me d&#8217;actualit\u00e9. Ian Bostridge a choisi des \u0153uvres de deux compositeurs tu\u00e9s lors de la Premi\u00e8re Guerre mondiale et de deux autres qui ont connu la terreur de la guerre sans l&#8217;avoir v\u00e9cue. Les chansons de George Butterworth d\u2019apr\u00e8s le recueil de po\u00e8mes de A. E. Houseman <i>A Shropshire Lad<\/i> illustre \u00e0 la fois l\u2019intemporalit\u00e9 du paysage anglais et le d\u00e9sespoir des jeunes hommes dans les tranch\u00e9es. Bostridge est d\u00e9chirant dans ses lignes de falsetto dans \u00ab\u00a0<\/span><span class=\"s2\">Is my team ploughing?\u00a0<\/span><span class=\"s1\">\u00bb, l\u2019appel d\u2019un soldat tomb\u00e9 au combat. Butterworth est mort d\u2019une balle de sniper \u00e0 la bataille de la Somme en ao\u00fbt 1916.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Rudi Stephan avait 28 ans quand il a \u00e9t\u00e9 tu\u00e9 par un Russe pr\u00e8s de Tarnopol, sur le front de l\u2019est. Compositeur audacieux, il se rapproche de l\u2019atonalit\u00e9 et plonge dans la zone \u00e9rotique dans <\/span><span class=\"s2\"><i>Ich will dir singen ein Hohelied (<\/i>J\u2019aimerais te chanter des louanges).<\/span><span class=\"s1\"> Les arrangements de Kurt Weill des chansons de Walt Whitman sur la guerre civile am\u00e9ricaine sont peu connus. On retrouve l\u2019esprit de Charles Ives dans l\u2019approche de Weill, un d\u00e9tour par rapport \u00e0 sa carri\u00e8re naissante \u00e0 Broadway. Quatre chansons de jeunesse de Gustav Mahler compl\u00e8tent le r\u00e9cital. Antonio Pappano est un pianiste sensible, peut-\u00eatre un tantinet trop dramatique quand Bostridge est plus mod\u00e9r\u00e9, mais ensemble, ils sont tout \u00e0 fait stimulants, voire transcendants.<\/span><\/p>\n<p>Traduction par Benjamin Goron<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un autre album \u00e0 th\u00e8me, mais pour une fois un th\u00e8me d&#8217;actualit\u00e9. Ian Bostridge a choisi des \u0153uvres de deux compositeurs tu\u00e9s lors de la Premi\u00e8re Guerre mondiale et de deux autres qui ont connu la terreur de la guerre sans l&#8217;avoir v\u00e9cue. Les chansons de George Butterworth d\u2019apr\u00e8s le recueil de po\u00e8mes de A.<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/norman-lebrecht\/requiem-the-pity-of-war-warner\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":372768,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,34360],"tags":[38008,38010,38006,38009,38007,38011,38005],"class_list":{"0":"post-372769","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-lhebdo-lebrecht","9":"tag-antonio-pappano-fr","10":"tag-george-butterworth-fr","11":"tag-gustav-mahler-fr","12":"tag-ian-bostridge-fr","13":"tag-kurt-weill-fr","14":"tag-rudi-stephan-fr","15":"tag-warner-fr","16":"type-critique-de-disque"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/11\/Lebrecht-requiem-pity.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/11\/Lebrecht-requiem-pity-300x175.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/11\/Lebrecht-requiem-pity.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/372769"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=372769"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/372769\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/372768"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=372769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=372769"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=372769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}