{"id":370709,"date":"2018-10-10T15:44:06","date_gmt":"2018-10-10T19:44:06","guid":{"rendered":"http:\/\/myscena.org\/norman-lebrecht\/dussek-concertos-pour-piano-hyperion\/"},"modified":"2018-10-10T15:44:06","modified_gmt":"2018-10-10T19:44:06","slug":"dussek-concertos-pour-piano-hyperion","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/dussek-concertos-pour-piano-hyperion\/","title":{"rendered":"Dussek : Concertos pour piano, Hyperion"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Jan Ladislav Dussek aurait pu \u00eatre un bon candidat si seulement Mozart \u00e9tait n\u00e9 ailleurs et \u00e0 une autre \u00e9poque. Dussek (1760-1812) n\u2019a ni les bonnes dates, ni les bonnes comp\u00e9tences. Toutes les deux mesures, il choisit une note que Mozart aurait rejet\u00e9e pour un meilleur choix et, m\u00eame si Dussek peut se relever et nous offrir ce qui passerait pour du tr\u00e8s bon Clementi, votre oreille appr\u00e9hende d\u00e9j\u00e0 le prochain faux pas.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Parmi les trois concertos propos\u00e9s ici, deux sont contemporains de la fin de Mozart en 1787 et 1791, mais ont seulement les num\u00e9ros d\u2019opus 3 et 14. Dussek produisait peut-\u00eatre \u00e0 un rythme assez lent. L\u2019Andantino de l\u2019opus 3 ouvre avec une d\u00e9claration tr\u00e8s int\u00e9ressante, qui retombe vite sur des banalit\u00e9s, faute d\u2019\u00eatre soutenue.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Le troisi\u00e8me concerto, datant de 1801, montre une plus grande confiance et l&#8217;adagio a une ampleur presque beethov\u00e9nienne, m\u00eame si le th\u00e8me n\u2019est pas aussi accrocheur. Ceci dit, je trouve fascinant de voir \u00e0 quelle fr\u00e9quence Dussek manque sa chance, se contentant d\u2019une phrase acceptable l\u00e0 o\u00f9 Mozart aurait trouv\u00e9 la <\/span><i><span style=\"font-weight: 400;\">note juste<\/span><\/i><span style=\"font-weight: 400;\">. Howard Shelley joue avec une conviction superbe et le Ulster Orchestra sonne vraiment bien. Dussek ou pas, vous ne perdrez pas votre temps.<\/span><\/p>\n<p>Traduit par Benjamin Goron<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jan Ladislav Dussek aurait pu \u00eatre un bon candidat si seulement Mozart \u00e9tait n\u00e9 ailleurs et \u00e0 une autre \u00e9poque. Dussek (1760-1812) n\u2019a ni les bonnes dates, ni les bonnes comp\u00e9tences. Toutes les deux mesures, il choisit une note que Mozart aurait rejet\u00e9e pour un meilleur choix et, m\u00eame si Dussek peut se relever et<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/norman-lebrecht\/dussek-concertos-pour-piano-hyperion\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":370396,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,34360,17267],"tags":[],"class_list":{"0":"post-370709","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-lhebdo-lebrecht","9":"category-piano-fr","10":"type-critique-de-disque"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/10\/Dussek-piano-concertos-1.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/10\/Dussek-piano-concertos-1-300x182.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/10\/Dussek-piano-concertos-1.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/370709"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=370709"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/370709\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/370396"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=370709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=370709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=370709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}