{"id":370465,"date":"2018-10-05T12:01:17","date_gmt":"2018-10-05T16:01:17","guid":{"rendered":"http:\/\/myscena.org\/?p=370465\/"},"modified":"2018-10-05T13:43:51","modified_gmt":"2018-10-05T17:43:51","slug":"calendrier-theatre-francophone","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/nathalie-de-han\/calendrier-theatre-francophone\/","title":{"rendered":"Calendrier Th\u00e9\u00e2tre\/Theatre Calendar"},"content":{"rendered":"
Th\u00e9\u00e2tre francophone – Automne 2018<\/h5>\n
Octobre<\/strong><\/h5>\n

\"\"<\/a>Frappante partition contemporaine, Le reste vous le connaissez par le cin\u00e9ma<\/em> est la version de Martin Crimp des Ph\u00e9niciennes<\/em> d\u2019Euripide. Pour cette le\u00e7on de mythologie, le brillant Christian Lapointe convoque quatorze com\u00e9diens dans une classe o\u00f9 les questions deviennent les armes d\u2019une r\u00e9volte en marche. Pr\u00e9sent\u00e9 jusqu\u2019au 6 octobre. www.espacego.com<\/p>\n

\"\"<\/a>R\u00e9compens\u00e9 par le Tony de la meilleure pi\u00e8ce, Oslo<\/em> est un thriller humaniste et piquant de l\u2019auteur am\u00e9ricain J.T. Rivers que la prolifique \u00c9dith Patenaude am\u00e8nera sur sc\u00e8ne. Avec une douzaine de com\u00e9diens \u2013 et une discussion publique pour souligner le 25e<\/sup> anniversaire de ces accords historiques. Pr\u00e9sent\u00e9 jusqu\u2019au 13 octobre. www.duceppe.com<\/p>\n

La trop rare Alice\u00a0Ronfard s\u2019attaque \u00e0 la mise en sc\u00e8ne de Candide ou l’optimisme<\/em> de Voltaire. Avec Emmanuel Schwartz, Val\u00e9rie Blais et une \u00e9quipe du tonnerre. Pr\u00e9sent\u00e9 jusqu\u2019au 6 octobre. www.tnm.qc.ca.<\/p>\n

\"\"<\/a>Contemporain des guerres de religion, Rabelais pr\u00f4nait la tol\u00e9rance et l\u2019\u00e9ducation. Les prouesses et \u00e9pouvantables digestions du redout\u00e9 Pantagruel<\/em> nous entra\u00eenent dans l\u2019univers d\u00e9brid\u00e9 du premier romancier moderne. Adaptation Gabriel Plante, mise en sc\u00e8ne Philippe Cyr.<\/strong> Pr\u00e9sent\u00e9 jusqu\u2019au 20 octobre. www.denise-pelletier.qc.ca<\/a><\/p>\n

Un quarantenaire d\u00e9couvre ses penchants \u00e9picuriens et en est terriblement troubl\u00e9. Avec humour, Mathieu Quesnel raconte ce voyage initiatique dans Je suis mixte<\/em>. Du 1er<\/sup> au 19 octobre. www.theatrelalicorne.com.<\/p>\n

Inspir\u00e9e par l\u2019\u0153uvre d\u2019Anton Tchekhov, Clara Pr\u00e9vost pr\u00e9sente La place rouge<\/em>, un premier texte. Du 9 au 27 octobre. www.denise-pelletier.qc.ca<\/a><\/p>\n

\"\"<\/a>Jocelyne convoque les siens \u00e0 une r\u00e9union familiale, mais la rencontre vire \u00e0 l\u2019affrontement.\u00a0 L\u2019in\u00e9narrable Fabien Cloutier propose Bonne retraite, Jocelyne<\/em>, un texte qui questionne l\u2019expression d\u00e9complex\u00e9e des pires pr\u00e9jug\u00e9s. Du 9 octobre au 10 novembre. www.theatrelalicorne.com<\/a>.<\/p>\n

\"\"<\/a>Le com\u00e9dien Vincent-Guillaume Otis met en sc\u00e8ne et Des souris et des hommes<\/em><\/strong> de <\/strong>John Steinbeck, une fable sur l\u2019amiti\u00e9 avec, en filigrane, le mythe du r\u00eave am\u00e9ricain et ses laiss\u00e9s-pour-compte. Du 24 octobre au 1er<\/sup> d\u00e9cembre. www.duceppe.com.<\/p>\n

Dogme ou torture, l\u2019orthographe d\u00e9cha\u00eene les passions. L\u2019iconoclaste conf\u00e9rence-spectacle La convivialit\u00e9<\/em> scrute l\u2019orthographe et la langue fran\u00e7aise dans ce qu\u2019elles ont de plus sensible. Belge, joyeux et subversif. Du 30 octobre au 10 novembre. www.denise-pelletier.qc.ca<\/a>.<\/p>\n

Novembre<\/strong><\/h5>\n

Les femmes sont Souveraines<\/em> et de N\u00e9fertiti \u00e0 Hillary Clinton, le pouvoir f\u00e9minin se r\u00e9invente. Texte Rose-Ma\u00eft\u00e9 Erkoneka, mise en sc\u00e8ne Marie-Jos\u00e9e Bastien. Du 20 novembre au 8 d\u00e9cembre. www.quatsous.com<\/a><\/p>\n

Avec Platonov, amour, haine et angles morts<\/em>, Angela Konrad plonge dans Tchekhov pour montrer la part obscure des relations humaines. Du 20 novembre au 15 d\u00e9cembre. www.theatreprospero.com
\n<\/a><\/p>\n

 <\/p>\n

English Theatre \u2013 Fall 2018<\/h3>\n
October<\/strong><\/h5>\n

\"\"<\/a>Toronto emcee, performer and playwright Donna-Michelle St. Bernard<\/strong> offers Sound of the Beast<\/em><\/strong>, a solo performance. Her name sounds familiar? St. Bernard<\/strong>\u2019s Gas Girls<\/em> was a Governor General\u2019s Literary Award finalist in 2011. A Theatre Passe Muraille collaboration with Black Theatre Workshop, this runs Oct 3 to 14 at MAI (Montreal, arts interculturels). www.m-a-i.qc.ca<\/a>.<\/p>\n

Director and choreographer Amy Blackmore revisits The Rocky Horror Show<\/em><\/strong>, Richard O\u2019Brien\u2019s parody tribute to sci-fi and glam-rock horror with a full cast, band and dancers. Get your ticket early and put the MainLine Theatre Halloween party down on your agenda! For ages 18 plus. At the MainLine Theatre Oct. 18 to 31 www.mainlinetheatre.ca<\/a>.\u00a0<\/strong><\/p>\n

November<\/strong><\/h5>\n

\"\"<\/a>Teesri Duniya Theatre presents Birthmark<\/em><\/strong>, a political thriller and dark comedy that describes the cultural division between Canada\u2019s Jewish and Palestinian diasporas. Written by Stephen Orlov, directed by Liz Valdez and Michelle Soicher, Birthmark<\/em> challenges mainstream representations of the Israeli-Palestinian conflict and youth radicalization in Canada. Nov. 3 to 18 at the MAI www.m-a-i.qc.ca.<\/p>\n

\"\"<\/a>Written by Lucas Hnath, directed\u00a0by Caitlin Murphy, the bold new Tony-nominated play A Doll’s House, Part 2 <\/em><\/strong>is a continuation of Ibsen’s exploration of traditional gender roles and a clever reading of human relationships. At the Segal Centre Nov. 18 to Dec. 9 www.segalcentre.org<\/a>.<\/p>\n

Kate and Sam have been best friends forever. But a tragic misuse of social media betrays them. Written by Rhiannon Collett, directed by Michel Lefebvre, The Kissing Game<\/em><\/strong> was developed as part of Toronto\u2019s Young People\u2019s Theatre 2017-18 season. For teenagers. <\/strong>At Th\u00e9\u00e2tre Rouge du Conservatoire Nov. 27 to 30 www.youngpeoplestheatre.ca<\/a><\/p>\n

December<\/strong><\/h5>\n

\"\"<\/a>W<\/strong>ritten by Hannah Moscovitch and directed\u00a0by Christian Barry, 2b Theatre Company and the National Arts Centre present Old Stock: A Refugee Love Story<\/em><\/strong>. <\/strong>Songs by Ben Caplan and\u00a0Christian Barry. Inspired by the true stories of two Jewish Romanian refugees coming to Canada in 1908, this klezmer-folk music-theatre hybrid stars the unique Ben Caplan. Presented in association with Montreal Fringe at the Segal Centre Studio Dec. 4 to 16 www.segalcentre.org.<\/p>\n

Urbi et Orbi\u2019s Urban Tales<\/em><\/strong> defies seasonal conventions and traditions. Written and narrated by Montreal artists and directed by Harry Standjofski, the show this year concentrates on the 12 Days of Christmas. At the Centaur Dec. 5 to 15 www.centaurtheatre.com<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Th\u00e9\u00e2tre francophone – Automne 2018 Octobre Frappante partition contemporaine, Le reste vous le connaissez par le cin\u00e9ma est la version de Martin Crimp des Ph\u00e9niciennes d\u2019Euripide. Pour cette le\u00e7on de mythologie, le brillant Christian Lapointe convoque quatorze com\u00e9diens dans une classe o\u00f9 les questions deviennent les armes d\u2019une r\u00e9volte en marche. Pr\u00e9sent\u00e9 jusqu\u2019au 6 octobre.<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2943,"featured_media":370484,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[401],"tags":[37501,18743,30010,17518,30009,17194,37502],"class_list":{"0":"post-370465","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-theatre-fr","8":"tag-montreal-arts-interculturels","9":"tag-theatre-de-quatsous","10":"tag-theatre-denise-pelletier","11":"tag-theatre-jean-duceppe","12":"tag-theatre-la-licorne","13":"tag-theatre-prospero","14":"tag-theatre-rouge-du-conservatoire","15":"type-evenements-prochains","16":"volume-volume-24","17":"issue-vol-24-issue-2-fr","18":"section-a-venir","19":"section-la-scena-arts-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/10\/Bonne-retraite-Jocelyne-1024x576.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/10\/Bonne-retraite-Jocelyne-300x169.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/10\/Bonne-retraite-Jocelyne-1024x576.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/370465"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2943"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=370465"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/370465\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/370484"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=370465"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=370465"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=370465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}