{"id":369734,"date":"2018-09-21T11:30:45","date_gmt":"2018-09-21T15:30:45","guid":{"rendered":"http:\/\/myscena.org\/?p=369734\/"},"modified":"2018-09-21T11:31:53","modified_gmt":"2018-09-21T15:31:53","slug":"apogee-farshid-samandari-redshift-records-2018","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/benjamin-goron\/apogee-farshid-samandari-redshift-records-2018\/","title":{"rendered":"Apogee – Farshid Samandari – Redshift Records, 2018"},"content":{"rendered":"

Apogee<\/i> est un album de cinq pi\u00e8ces du compositeur canadien d\u2019origine iranienne Farshid Samandari. \u00c0 l\u2019instar des savants orientaux des si\u00e8cles pass\u00e9s, Samandari s\u2019inspire des arts, de la litt\u00e9rature, de la philosophie et des sciences pour trouver les concepts-cl\u00e9s de ses \u0153uvres. Des haikus de Bash\u014d \u00e0 la po\u00e9sie mystique de R\u00fbm\u00ee, du th\u00e9\u00e2tre n\u00f4 japonais \u00e0 la physique des particules, le compositeur nous propose un voyage d\u2019influences color\u00e9es, en t\u00e9moigne la pochette o\u00f9 figure une magnifique peinture \u00e0 dominante bleue du calligraphe iranien Mehrdad Shoghi.<\/span><\/p>\n

\"\"<\/a>

Farshid Samandari. Photo : Lyle Stafford, Times Columnist<\/p><\/div>\n

\u00c9tabli \u00e0 Vancouver, Farshid Samandari est compositeur en r\u00e9sidence du Vancouver Inter-Cultural Orchestra, lui permettant de cr\u00e9er des ponts entre artistes \u00e0 travers le monde. Un heureux m\u00e9lange de cultures \u00e9galement visible \u00e0 travers ses \u0153uvres. Ainsi, la pi\u00e8ce pour fl\u00fbte seule \u00ab\u00a0Apogee\u00a0\u00bb cr\u00e9e un contraste entre des emprunts aux gammes et aux modes persans classiques et un discours r\u00e9solument contemporain o\u00f9 la fl\u00fbte de Mark Takeshi McGregor explore un vaste nuancier de textures et de modes de jeux. On retrouve la fl\u00fbte sur toutes les pistes, du solo au quatuor\u00a0; elle conf\u00e8re \u00e0 cet opus un caract\u00e8re myst\u00e9rieux, m\u00e9ditatif et preste. Dans le triptyque \u00ab\u00a0From Fire To Water\u00a0\u00bb, Samandari d\u00e9peint \u00ab\u00a0le voyage d\u2019un soi fougueux vers l\u2019\u00e2me calme et apaisante\u00a0\u00bb. Empruntant l\u00e0 encore un vocabulaire issu de la tradition musicale persane, il d\u00e9veloppe un discours tr\u00e8s a\u00e9r\u00e9 o\u00f9 les quatre instruments (fl\u00fbte alto, alto, harpe et percussion) s\u2019\u00e9panouissent en un mouvement d\u2019attirance et de r\u00e9pulsion, se rejoignant \u00e0 l\u2019occasion de silences ou de motifs rythmiques brefs. <\/span><\/p>\n

Au fil de ces 70 minutes, les interpr\u00e9tations sont impeccables, riches en intonations et en dynamiques, d\u2019une agr\u00e9able nettet\u00e9 et pr\u00e9cision sonores. Le compositeur fait montre d\u2019une grande ma\u00eetrise des silences, des r\u00e9sonances ainsi que des divers modes des jeux des instruments qu\u2019il met \u00e0 contribution. Son discours a\u00e9r\u00e9 marqu\u00e9 par une grande recherche sur les timbres nous captive et nous surprend. Une tr\u00e8s belle d\u00e9couverte musicale et cr\u00e9ative.<\/span><\/p>\n

www.farshidsamandari.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Apogee est un album de cinq pi\u00e8ces du compositeur canadien d\u2019origine iranienne Farshid Samandari. \u00c0 l\u2019instar des savants orientaux des si\u00e8cles pass\u00e9s, Samandari s\u2019inspire des arts, de la litt\u00e9rature, de la philosophie et des sciences pour trouver les concepts-cl\u00e9s de ses \u0153uvres. Des haikus de Bash\u014d \u00e0 la po\u00e9sie mystique de R\u00fbm\u00ee, du th\u00e9\u00e2tre n\u00f4<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":3381,"featured_media":369735,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17265,17038],"tags":[],"class_list":{"0":"post-369734","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-contemporaine","8":"category-critiques-de-disques-et-livres","9":"type-critique-de-disque"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/09\/Apogee-Samandari-1024x1024.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/09\/Apogee-Samandari-300x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/09\/Apogee-Samandari-1024x1024.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"group_select","label":"Group","value":""},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/369734"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/3381"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=369734"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/369734\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/369735"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=369734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=369734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=369734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}