{"id":369045,"date":"2018-09-07T10:22:04","date_gmt":"2018-09-07T14:22:04","guid":{"rendered":"https:\/\/myscena.org\/norman-lebrecht\/bartok-concerto-pour-violon-no-1-enesco-octuor-a-cordes-warner-classics\/"},"modified":"2018-09-07T10:53:48","modified_gmt":"2018-09-07T14:53:48","slug":"bartok-concerto-pour-violon-no-1-enesco-octuor-a-cordes-warner-classics","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/bartok-concerto-pour-violon-no-1-enesco-octuor-a-cordes-warner-classics\/","title":{"rendered":"Bartok, Concerto pour violon no 1 ; Enesco, Octuor \u00e0 cordes (Warner Classics)"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">La seule chose qui m\u2019emp\u00eache de d\u00e9cerner cinq \u00e9toiles \u00e0 cet album, c&#8217;est qu&#8217;il est \u00e0 l&#8217;envers. Il d\u00e9bute par une performance tout \u00e0 fait d\u00e9cente du <i>Concerto pour violon no\u00a01<\/i> de B\u00e9la Bart\u00f3k par la virtuose norv\u00e9gienne Vilde Frang, avec l&#8217;Orchestre philharmonique de Radio France dirig\u00e9 par Mikko Franck. Frang, qui a 32 ans, se produit depuis l&#8217;\u00e2ge de dix ans. Tout ce qu\u2019elle fait est parfaitement charmant et agr\u00e9able. Le premier concerto de Bartok, \u0153uvre de jeunesse, effusion d&#8217;amour innocent, ne va pas changer nos vies.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">L&#8217;<i>Octuor<\/i>, lui, pourrait. Georges Enesco \u00e9tait l&#8217;un des plus grands violonistes de tous les temps, un p\u00e9dagogue brillant qui impr\u00e9gnait ses \u00e9l\u00e8ves de belles valeurs humaines et musicales. L\u2019<i>Octuor \u00e0 cordes<\/i>, \u00e9crit \u00e0 la m\u00eame \u00e9poque que la\u00a0<i>Verkl\u00e4rte Nacht<\/i> de Schoenberg, est une conversation libre entre des amis tr\u00e8s opini\u00e2tres.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Frang est premier violon d\u2019une section de quatre, Lawrence Power et Lily Francis sont \u00e0 l\u2019alto, Nicolas Altstaedt et Jan-Erik Gustafsson au violoncelle. Les m\u00e9lodies roumaines sous-jacentes chez Enesco sont des cousines des pi\u00e8ces folkloriques de Bart\u00f3k et la pi\u00e8ce se base sur des tensions cr\u00e9\u00e9es lorsqu\u2019une section d\u00e9cide de faire bande \u00e0 part. C\u2019est une querelle palpitante et Frang la m\u00e8ne avec l\u2019autorit\u00e9 impartiale d\u2019un parlementaire en chambre. Inconnu pour moi avant cet enregistrement, l\u2019<i>Octuor<\/i>\u00a0d\u2019Enesco m\u00e9rite d\u2019\u00eatre hiss\u00e9 au niveau de ceux de Schubert et de Mendelssohn. Je suis vraiment reconnaissant \u00e0 Vilde Frang de l&#8217;avoir port\u00e9 jusqu\u2019\u00e0 nos oreilles. Je vous le conseille vivement.<\/span><\/p>\n<p>Traduit par Benjamin Goron<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La seule chose qui m\u2019emp\u00eache de d\u00e9cerner cinq \u00e9toiles \u00e0 cet album, c&#8217;est qu&#8217;il est \u00e0 l&#8217;envers. Il d\u00e9bute par une performance tout \u00e0 fait d\u00e9cente du Concerto pour violon no\u00a01 de B\u00e9la Bart\u00f3k par la virtuose norv\u00e9gienne Vilde Frang, avec l&#8217;Orchestre philharmonique de Radio France dirig\u00e9 par Mikko Franck. Frang, qui a 32 ans,<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/norman-lebrecht\/bartok-concerto-pour-violon-no-1-enesco-octuor-a-cordes-warner-classics\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":369041,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17261,17038,34360,394,17273,17275],"tags":[37052,37053,37057,37056,37055,37054],"class_list":{"0":"post-369045","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-classique-fr","8":"category-critiques-de-disques-et-livres","9":"category-lhebdo-lebrecht","10":"category-musique-classique","11":"category-musique-de-chambre","12":"category-musique-orchestrale","13":"tag-bela-bartok-fr","14":"tag-georges-enesco","15":"tag-mikko-franck-fr","16":"tag-octuor-a-cordes","17":"tag-radio-france-philharmonic-orchestra-fr","18":"tag-vilde-frang-fr","19":"type-critique-de-disque"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/09\/Bartok-Enescu-WarnerClassics.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/09\/Bartok-Enescu-WarnerClassics-300x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/09\/Bartok-Enescu-WarnerClassics.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/369045"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=369045"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/369045\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/369041"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=369045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=369045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=369045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}