{"id":368410,"date":"2018-08-27T15:43:32","date_gmt":"2018-08-27T19:43:32","guid":{"rendered":"https:\/\/myscena.org\/?p=368410\/"},"modified":"2018-08-27T15:43:32","modified_gmt":"2018-08-27T19:43:32","slug":"chostakovitch-symphonies-4-and-11-deutsche-grammophon","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/chostakovitch-symphonies-4-and-11-deutsche-grammophon\/","title":{"rendered":"Chostakovitch\u00a0: Symphonies 4 and 11 (Deutsche Grammophon)"},"content":{"rendered":"

Deux symphonies probl\u00e9matiques d’un compositeur tortur\u00e9 sont exp\u00e9di\u00e9es par le Boston Symphony et son chef d’orchestre letton avec une quasi-nonchalance.<\/span><\/p>\n

La 4e Symphonie, conserv\u00e9e par le compositeur pendant un quart de si\u00e8cle \u00e0 cause de l\u2019attaque de Staline contre Lady Macbeth de Mtsensk, est ultra-mahl\u00e9rienne dans son orchestration et son ironie et refuse totalement de suivre le positivisme \u00e0 outrance pr\u00e9conis\u00e9 par le parti. Le secret des intentions du compositeur \u00e9chappe \u00e0 de nombreux chefs d’orchestre. Andris Nelsons adopte une sorte de neutralit\u00e9 balte en minimisant les \u00e9motions extr\u00eames de la partition dans l\u2019espoir de ne pas \u00eatre attaqu\u00e9 par l\u2019ours russe. C’est une belle performance qui manque d\u2019une pointe de t\u00e9m\u00e9rit\u00e9.<\/span><\/p>\n

La 11e Symphonie est une autre affaire, une r\u00e9v\u00e9lation. Nomm\u00e9e \u00ab\u00a0L\u2019Ann\u00e9e 1905\u00a0\u00bb apr\u00e8s la premi\u00e8re r\u00e9volution russe et destin\u00e9e \u00e0 tenir les commissaires \u00e0 l’\u00e9cart du compositeur, la symphonie est largement m\u00e9comprise comme son approbation au r\u00e9gime de Staline, alors qu’il n’en \u00e9tait rien. En prenant l’Adagio d’ouverture \u00e0 un rythme d’escargot, Nelsons ouvre les textures int\u00e9rieures pour exposer la tr\u00e9pidation \u00e0 la place de la c\u00e9l\u00e9bration, l’humanit\u00e9 cach\u00e9e plut\u00f4t que les fanfaronnades politiques. La survie est le plus grand imp\u00e9ratif moral. Les musiciens de l\u2019Orchestre symphonique de Boston suivent les tempi et nuances indiqu\u00e9es par Nelsons, le tout avec une pr\u00e9cision terrifiante. C\u2019est peut-\u00eatre le plus bel enregistrement de la 11e\u00a0Symphonie. Frappant\u00a0!<\/span><\/p>\n

Traduit par Benjamin Goron<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Deux symphonies probl\u00e9matiques d’un compositeur tortur\u00e9 sont exp\u00e9di\u00e9es par le Boston Symphony et son chef d’orchestre letton avec une quasi-nonchalance. La 4e Symphonie, conserv\u00e9e par le compositeur pendant un quart de si\u00e8cle \u00e0 cause de l\u2019attaque de Staline contre Lady Macbeth de Mtsensk, est ultra-mahl\u00e9rienne dans son orchestration et son ironie et refuse totalement de<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":368163,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17261,17038,34360,394,17275],"tags":[14973,36790,15018,13576,1702],"class_list":{"0":"post-368410","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-classique-fr","8":"category-critiques-de-disques-et-livres","9":"category-lhebdo-lebrecht","10":"category-musique-classique","11":"category-musique-orchestrale","12":"tag-andris-nelsons","13":"tag-benjamin-goron","14":"tag-boston-symphony-orchestra","15":"tag-deutsche-grammophon","16":"tag-staline","17":"type-critique-de-disque"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/08\/Shostakovitch-4-11-DG.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/08\/Shostakovitch-4-11-DG-300x174.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/08\/Shostakovitch-4-11-DG.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/368410"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=368410"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/368410\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/368163"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=368410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=368410"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=368410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}