{"id":359010,"date":"2018-04-16T16:11:59","date_gmt":"2018-04-16T20:11:59","guid":{"rendered":"http:\/\/myscena.org\/paul-robinson\/cd-review-encounters\/"},"modified":"2018-04-16T16:15:37","modified_gmt":"2018-04-16T20:15:37","slug":"cd-review-encounters","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/paul-e-robinson\/cd-review-encounters\/","title":{"rendered":"Critique de Disque &#8211; Rencontres"},"content":{"rendered":"<h6 class=\"LSMCDDESCRIPTION\"><span class=\"CDdescription\">RENCONTRES. Staniland: Phi, Caelestis. Liz\u00e9e: Keep Driving, I\u2019m Dreaming. Lau: Dark Angels.<br \/>\nNational Arts Centre Orchestra\/Alexander Shelley.\u00a0<\/span><span class=\"CDdescription\">Analekta AN2 8871-2 (2 CDs).\u00a0<\/span><span class=\"CDdescription\">Dur\u00e9e totale\u00a0: 87 min 2 s<\/span><\/h6>\n<h6>\n<a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/ENCOUNTERS.-Staniland-Phi-Caelestis.-Lize\u0301e.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-359007\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/ENCOUNTERS.-Staniland-Phi-Caelestis.-Lize\u0301e.jpg\" alt=\"\" width=\"1500\" height=\"1500\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/ENCOUNTERS.-Staniland-Phi-Caelestis.-Lize\u0301e.jpg 1500w, https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/ENCOUNTERS.-Staniland-Phi-Caelestis.-Lize\u0301e-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/ENCOUNTERS.-Staniland-Phi-Caelestis.-Lize\u0301e-600x600.jpg 600w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/a><\/h6>\n<p>Il y a quelques ann\u00e9es, le Centre national des Arts a mis sur pied le projet <em>Encounters<\/em> afin de jumeler trois compositeurs et trois chor\u00e9graphes dans le cadre de la comm\u00e9moration du 150<sup>e<\/sup> anniversaire du Canada. Ces trois collaborations ont pris la forme d\u2019un spectacle r\u00e9unissant trois ballets en un acte, dont la premi\u00e8re eut lieu en avril 2017. Id\u00e9alement, ces cr\u00e9ations auraient d\u00fb \u00eatre film\u00e9es et enregistr\u00e9es, ce qui aurait permis d\u2019appr\u00e9cier la fusion entre danse et musique. On suppose que cela n\u2019a pas \u00e9t\u00e9 possible par manque de fonds. Mais avec ce CD d\u2019Analekta, on a au moins la chance d\u2019appr\u00e9cier trois nouvelles compositions musicales importantes.<\/p>\n<p>La musique de ballet qui a le plus retenu mon attention est <em>Dark Angels<\/em> de Kevin Lau. Des trois \u0153uvres que l\u2019on trouve sur l\u2019album, c\u2019est la plus classique. D\u2019abord parce qu\u2019elle est tonale, mais aussi par sa forme (d\u00e9but, milieu et fin d\u00e9finis) et son d\u00e9veloppement de th\u00e8mes musicaux. Lau a \u00e9t\u00e9 le compositeur en r\u00e9sidence du Toronto Symphony de 2012 \u00e0 2014. Il a \u00e9galement produit pas moins de quinze trames sonores de films. Si <em>Dark Angels<\/em> avait \u00e9t\u00e9 une musique de film, ce que l\u2019on peut croire \u00e0 tort, laissez-moi dire que j\u2019aurais aim\u00e9 voir le film\u00a0! Cette \u0153uvre poss\u00e8de des id\u00e9es m\u00e9lodiques belles et \u00e9vocatrices qui nous entra\u00eenent \u00e0 plusieurs reprises vers des sommets excitants. Elle traduit \u00e9galement une grande ma\u00eetrise de l\u2019orchestration. Enfin, c\u2019est probablement le seul morceau de l\u2019album qui peut conna\u00eetre un avenir prometteur comme pi\u00e8ce de concert.<\/p>\n<p>Les trois \u0153uvres ont droit \u00e0 une interpr\u00e9tation magistrale de l\u2019Orchestre du Centre national des Arts, et plus particuli\u00e8rement dans Dark Angels. PR<\/p>\n","protected":false},"excerpt":{"rendered":"<p>RENCONTRES. Staniland: Phi, Caelestis. Liz\u00e9e: Keep Driving, I\u2019m Dreaming. Lau: Dark Angels. National Arts Centre Orchestra\/Alexander Shelley.\u00a0Analekta AN2 8871-2 (2 CDs).\u00a0Dur\u00e9e totale\u00a0: 87 min 2 s Il y a quelques ann\u00e9es, le Centre national des Arts a mis sur pied le projet Encounters afin de jumeler trois compositeurs et trois chor\u00e9graphes dans le cadre de<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/paul-e-robinson\/cd-review-encounters\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":2769,"featured_media":359008,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[394],"tags":[35391,35392],"class_list":{"0":"post-359010","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musique-classique","8":"tag-alexander-shelley-fr","9":"tag-national-arts-centre-fr","10":"type-critique-de-disque","11":"volume-volume-23","12":"issue-vol-23-issue-6-fr","13":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/ENCOUNTERS.-Staniland-Phi-Caelestis.-Lize\u0301e.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/ENCOUNTERS.-Staniland-Phi-Caelestis.-Lize\u0301e.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/ENCOUNTERS.-Staniland-Phi-Caelestis.-Lize\u0301e.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"group_select","label":"Group","value":"null"},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Editor\u2019s Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/359010"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2769"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=359010"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/359010\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/359008"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=359010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=359010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=359010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}