{"id":358996,"date":"2018-04-16T15:39:57","date_gmt":"2018-04-16T19:39:57","guid":{"rendered":"http:\/\/myscena.org\/paul-robinson\/cd-review-leningrad-recital-ii-april-22-1961\/"},"modified":"2018-04-16T15:51:26","modified_gmt":"2018-04-16T19:51:26","slug":"cd-review-leningrad-recital-ii-april-22-1961","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/paul-e-robinson\/cd-review-leningrad-recital-ii-april-22-1961\/","title":{"rendered":"Critique de Disque &#8211; Leningrad Recital II, April 22, 1961"},"content":{"rendered":"<h6 class=\"LSMCDTITLE\"><span class=\"CDTitle\">Bach\u00a0: Chaconne de Partita n\u00b0 2 en r\u00e9 mineur BWV 1004. Beethoven\u00a0: Sonate pour piano et violon op. 12 n\u00b0 1. Franck\u00a0: Sonate pour violon et piano. Bart\u00f3k\u00a0: Six danses folkloriques hongroises Sz. 56. Paganini\u00a0: Introduction et variations pour violon solo de Nelcorpiu non mi sento de l\u2019op\u00e9ra de Paisiello La bellamolinara.Tartini\u00a0: Sonate pour violon et piano en sol mineur \u00ab\u00a0trilles du Diable\u00a0\u00bb.Ruggiero Ricci, violon, Martha Argerich, piano.\u00a0<\/span><span class=\"CDdescription\">R\u00e9cital de Leningrad II, le 22 avril 1961.\u00a0DOREMI DHR-8053\u00a0<\/span><span class=\"CDdescription\">Dur\u00e9e totale\u00a0: 81 min 55 s<\/span><\/h6>\n<p style=\"font-size: 14px; font-family: 'Open Sans', Arial, sans-serif; line-height: 25.998px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-358993\" style=\"font-size: 14px;\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/Ruggiero-Ricci-violin.-Martha-Argerich-piano.-.jpg\" alt=\"\" width=\"900\" height=\"896\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/Ruggiero-Ricci-violin.-Martha-Argerich-piano.-.jpg 900w, https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/Ruggiero-Ricci-violin.-Martha-Argerich-piano.--300x299.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/Ruggiero-Ricci-violin.-Martha-Argerich-piano.--100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/Ruggiero-Ricci-violin.-Martha-Argerich-piano.--600x597.jpg 600w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>La compagnie d\u2019enregistrement DOREMI de Toronto s\u2019est notamment donn\u00e9 comme mission de c\u00e9l\u00e9brer l\u2019artiste exceptionnelle qu\u2019est Martha Argerich. Elle a d\u00e9j\u00e0 mis sur le march\u00e9 cinq CD de concerts en direct ainsi qu\u2019un autre consacr\u00e9 principalement \u00e0 l\u2019un des deux r\u00e9citals donn\u00e9s par Ricci et Argerich \u00e0 Leningrad (maintenant Saint-P\u00e9tersbourg) en 1961. Le premier des deux concerts a eu lieu le 21 avril et le second (objet de ce CD) le lendemain soir.<\/p>\n<p>Argerich avait seulement 19 ans lorsqu\u2019elle a donn\u00e9 ces concerts en compagnie du violoniste am\u00e9ricain Ruggiero Ricci, alors \u00e2g\u00e9 de 43 ans et bien plus c\u00e9l\u00e8bre qu\u2019elle \u00e0 l\u2019\u00e9poque.<\/p>\n<p>Ensemble, Ricci et Argerich font litt\u00e9ralement jaillir des \u00e9tincelles d\u2019\u0153uvres de Beethoven, Franck et Bart\u00f3k. L\u2019interpr\u00e9tation est, tour \u00e0 tour, palpitante et magnifique.<\/p>\n<p>Ce CD est un heureux compl\u00e9ment au catalogue d\u2019Argerich et un rappel de l\u2019incroyable talent artistique de Ruggiero Ricci. Le CD est tir\u00e9 d\u2019une \u00e9mission de la radio sovi\u00e9tique et commence avec des annonces en russe. \u00c0 presque 82 minutes, ce CD est d\u2019une longueur sup\u00e9rieure \u00e0 la moyenne. Et le son\u00a0? Un peu tendu au violon, mais selon les standards de l\u2019\u00e9poque, il y a bient\u00f4t 60 ans, le son est d\u2019une qualit\u00e9 remarquable.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bach\u00a0: Chaconne de Partita n\u00b0 2 en r\u00e9 mineur BWV 1004. Beethoven\u00a0: Sonate pour piano et violon op. 12 n\u00b0 1. Franck\u00a0: Sonate pour violon et piano. Bart\u00f3k\u00a0: Six danses folkloriques hongroises Sz. 56. Paganini\u00a0: Introduction et variations pour violon solo de Nelcorpiu non mi sento de l\u2019op\u00e9ra de Paisiello La bellamolinara.Tartini\u00a0: Sonate pour violon<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/paul-e-robinson\/cd-review-leningrad-recital-ii-april-22-1961\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2769,"featured_media":358994,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[394],"tags":[35386,35387],"class_list":{"0":"post-358996","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musique-classique","8":"tag-martha-argerich-fr","9":"tag-ruggiero-ricci-fr","10":"type-critique-de-disque","11":"volume-volume-23","12":"issue-vol-23-issue-6-fr","13":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/Ruggiero-Ricci-violin.-Martha-Argerich-piano.-.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/Ruggiero-Ricci-violin.-Martha-Argerich-piano.-.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/Ruggiero-Ricci-violin.-Martha-Argerich-piano.-.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"group_select","label":"Group","value":"null"},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Editor\u2019s Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/358996"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2769"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=358996"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/358996\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/358994"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=358996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=358996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=358996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}