{"id":358376,"date":"2018-04-03T11:10:04","date_gmt":"2018-04-03T15:10:04","guid":{"rendered":"http:\/\/myscena.org\/?p=358376\/"},"modified":"2018-04-03T11:11:16","modified_gmt":"2018-04-03T15:11:16","slug":"latelier-dopera-et-le-choeur-de-latelier-de-luniversite-de-montreal-presentent-orphee-aux-enfers-de-offenbach","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/latelier-dopera-et-le-choeur-de-latelier-de-luniversite-de-montreal-presentent-orphee-aux-enfers-de-offenbach\/","title":{"rendered":"L’Atelier d’op\u00e9ra et le Choeur de l’Atelier de l’Universit\u00e9 de Montr\u00e9al pr\u00e9sentent: “Orph\u00e9e aux enfers” de Offenbach"},"content":{"rendered":"

Montr\u00e9al, le 3 avril 2018<\/strong>\u00a0– L’Atelier d’op\u00e9ra et le Choeur de l’Atelier de l’UdeM invitent le grand public aux repr\u00e9sentations d’ORPH\u00c9E AUX ENFERS<\/strong><\/span>, op\u00e9ra en deux actes de Jacques Offenbach.<\/p>\n

\"\"
\nCr\u00e9\u00e9 en 1858, l’op\u00e9ra\u00a0Orph\u00e9e aux enfers<\/em>\u00a0est une f\u00e9erie parodiant les anciennes versions lyriques du mythe d’Orph\u00e9e. Offenbach s\u2019y moque de l\u2019hypocrisie et de la recherche du plaisir de son \u00e9poque, par l\u2019entremise d\u2019une histoire de couples en crise, d\u2019Olympe en r\u00e9volte, o\u00f9 chacun ne pense qu\u2019\u00e0 son propre int\u00e9r\u00eat et ne r\u00eave que de f\u00eate, d\u2019amour et de s\u00e9duction.<\/p>\n

Le mot du directeur de l’Atelier d’op\u00e9ra, Robin Wheeler<\/strong><\/p>\n

\u00ab Cette production de l’Atelier d’op\u00e9ra de l’Universit\u00e9 de Montr\u00e9al empruntera \u00e0 la forme du \u00ab black box \u00bb, courant populaire dans le monde du th\u00e9\u00e2tre.<\/p>\n

Ainsi, dans un contexte d\u00e9pouill\u00e9 et sans artifice, l\u2019accent sera mis sur le jeu dramatique, la pr\u00e9sence sc\u00e9nique, la performance vocale et le travail sur les personnages.<\/p>\n

Comme cette op\u00e9rette d\u2019Offenbach est une satire p\u00e9tillante d\u2019Orph\u00e9e et Eurydice<\/em>\u00a0de Gluck, le public peut s\u2019attendre \u00e0 vivre des moments des plus r\u00e9jouissants avec nos jeunes interpr\u00e8tes qui incarneront des dieux et des d\u00e9esses hauts en couleur ! \u00bb<\/p>\n

– Robin Wheeler<\/p><\/blockquote>\n

L’Atelier d’op\u00e9ra et le Choeur de l’Atelier
\nde l’Universit\u00e9 de Montr\u00e9al<\/strong>
\npr\u00e9sentent
\nORPH\u00c9E AUX ENFERS\u00a0<\/strong><\/span>
\nde\u00a0Jacques Offenbach<\/strong>
\nDirection musicale : Francis Perron
\nMise en espace : Valerie Kuinka<\/p>\n

Jeudi 19 et vendredi 20 avril, 19 h 30<\/strong>
\nSalle Claude-Champagne –\u00a0220, av. Vincent-d’Indy<\/a><\/strong>
\nMontr\u00e9al\u00a0(m\u00e9tro \u00c9douard-Montpetit)<\/p>\n

ENTR\u00c9E LIBRE<\/strong>
\nRenseignements :\u00a0514 343-6427<\/a>,\u00a0musique.umontreal.ca<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Montr\u00e9al, le 3 avril 2018\u00a0– L’Atelier d’op\u00e9ra et le Choeur de l’Atelier de l’UdeM invitent le grand public aux repr\u00e9sentations d’ORPH\u00c9E AUX ENFERS, op\u00e9ra en deux actes de Jacques Offenbach. Cr\u00e9\u00e9 en 1858, l’op\u00e9ra\u00a0Orph\u00e9e aux enfers\u00a0est une f\u00e9erie parodiant les anciennes versions lyriques du mythe d’Orph\u00e9e. Offenbach s\u2019y moque de l\u2019hypocrisie et de la recherche<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":358377,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[399],"tags":[35268],"class_list":{"0":"post-358376","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-opera-fr","8":"tag-orphee-aux-enfers","9":"type-communique-de-presse"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/Orphe\u0301e.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/Orphe\u0301e.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/04\/Orphe\u0301e.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/358376"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=358376"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/358376\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/358377"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=358376"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=358376"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=358376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}