{"id":358346,"date":"2018-04-02T16:14:29","date_gmt":"2018-04-02T20:14:29","guid":{"rendered":"http:\/\/myscena.org\/?p=358346\/"},"modified":"2018-04-02T16:14:29","modified_gmt":"2018-04-02T20:14:29","slug":"philippe-ducros-la-cartomancie-du-territoire-un-spectacle-excellent-et-necessaire","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/nathalie-de-han\/philippe-ducros-la-cartomancie-du-territoire-un-spectacle-excellent-et-necessaire\/","title":{"rendered":"Philippe Ducros \/ La cartomancie du territoire : un spectacle excellent et n\u00e9cessaire"},"content":{"rendered":"

La cartomancie du territoire\u00a0<\/strong>marque le retour attendu du metteur en sc\u00e8ne et com\u00e9dien Philippe Ducros sur les sc\u00e8nes montr\u00e9alaises. L<\/b>a cartomancie du territoire<\/strong>\u00a0est certainement son spectacle le plus g\u00e9n\u00e9reux et abouti, autant dans l\u2019\u00e9criture que dans la mise en sc\u00e8ne.\u00a0\u00c0 voir \u00e0 l\u2019Espace Libre jusqu\u2019au 7 avril 2018.<\/p>\n

Mais un mot d\u2019abord sur sa compagnie de th\u00e9\u00e2tre H\u00f4tel-Motel, cr\u00e9\u00e9e en 2000 et qui porte ce nom parce qu\u2019elle souhaite, par ses propositions sc\u00e9niques, sortir le spectateur des cuisines du Qu\u00e9bec, le faire voyager, le pousser \u00e0 la rencontre des autres, et ainsi aborder des pr\u00e9occupations mondiales.\u00a0Avec la pi\u00e8ce\u00a0L\u2019affiche<\/em><\/strong>, Ducros nous entrainait en Palestine\u00a0; l\u2019exposition photo -audio\u00a0La porte du non-retour\u00a0<\/em><\/strong>faisait pour sa part r\u00e9f\u00e9rence \u00e0 des monuments de la c\u00f4te ouest africaine \u00e9rig\u00e9s en m\u00e9moire des millions d\u2019esclaves d\u00e9port\u00e9s de l\u2019Afrique vers l\u2019Am\u00e9rique.\u00a0Avec\u00a0Eden Motel<\/em><\/strong>, l’auteur abordait les paradoxes d\u2019une l\u2019Am\u00e9rique du Nord riche – mais malheureuse. \u00c0 l\u2019hiver 2015, le voyageur partait \u00e0 l\u2018assaut du Qu\u00e9bec et des r\u00e9serves autochtones, sur les autoroutes132 et 138. Le r\u00e9sultat\u00a0?\u00a0La cartomancie du territoire\u00a0<\/strong>: un road-trip polyphonique subtil et bien \u00e9crit, une vraie rencontre pleine d\u2019empathie, publi\u00e9e chez Atelier 10 et fort bien transpos\u00e9e sur la sc\u00e8ne\u00a0(le texte<\/span>\u00a0a \u00e9t\u00e9 finaliste du\u00a0<\/span>Prix de la dramaturgie de langue fran\u00e7aise de la SACD <\/strong>2017).<\/span><\/p>\n

\"\"<\/a>

Cr\u00e9dits\u00a0: Maxime Cot\u00e9\u00a0<\/span><\/p><\/div>\n

Philippe Ducros est donc parti \u00e0 la rencontre des peuples invisibles, pour mesurer le d\u00e9racinement et les plaies encore b\u00e9antes de l\u2019endoctrinement. Il constate la r\u00e9silience de ces survivants de l’Histoire et s’en empreigne, avec l\u2019intuition qu\u2019\u00e0 travers eux et en d\u00e9pit de son incurable intol\u00e9rance \u00e0 l\u2019injustice, il pourrait apprendre \u00e0 gu\u00e9rir, lui aussi. Entre carnets de voyage et t\u00e9moignages,\u00a0La cartomancie du territoire\u00a0<\/strong>a des allures de th\u00e9\u00e2tre documentaire et cette impression est d\u2019autant plus forte que le metteur en sc\u00e8ne a choisi de projeter sur le mur du fond des vid\u00e9os tourn\u00e9es pendant son p\u00e9riple. Les images sont d\u2019autant plus impressionnantes que la sc\u00e8ne a \u00e9t\u00e9 mont\u00e9e de fa\u00e7on \u00e0 ce que la profondeur habituelle de la sale en devienne cette fois la largeur, offrant un support parfait pour les images panoramiques qui soutiennent une \u00a0bonne partie du spectacle. Il est rare qu\u2019un mariage sc\u00e8ne \u2013 \u00e9cran soit aussi harmonieux et c\u2019est \u00e0 souligner\u00a0(vid\u00e9o:\u00a0\u00c9li Lalibert\u00e9<\/b> et Thomas Payette<\/b> de Hub Studio).<\/b><\/p>\n

Il est de plus rarissime qu\u2019une pi\u00e8ce sign\u00e9e par un non autochtone r\u00e9serve d\u2019aussi beaux r\u00f4les\u00a0\u00e0\u00a0des autochtones et cela aussi, c\u2019est \u00e0 souligner \u00e0 grands traits! Les com\u00e9diens Marco Collin et Kathia Rock (qui offre un peu de sa voix a\u00e9rienne et ang\u00e9lique) ont enfin l\u2019occasion de d\u00e9montrer leur souffle et leur potentiel et on devine les solides liens de confiance qui se sont tiss\u00e9s avec l\u2019auteur et metteur en sc\u00e8ne Philippe Ducros, qui joue son r\u00f4le sur les planches du th\u00e9\u00e2tre de la rue Fullum.\u00a0Avec\u00a0La cartomancie du territoire<\/strong>,\u00a0l’auteur metteur en sc\u00e8ne humaniste, qui a \u00e9t\u00e9 l’un des premiers \u00e0 appeler \u00e0 la diversit\u00e9 sur nos sc\u00e8nes, livre une formidable le\u00e7on de vivre et devenir ensemble.\u00a0<\/span><\/p>\n

Pensionnats autochtones, acc\u00e8s \u00e0 l\u2019eau courante et \u00e0 l\u2019\u00e9ducation, femmes disparues, racisme syst\u00e9mique, toxicomanie, alcoolisme, criminalit\u00e9, taux de suicide, ressources naturelles, spiritualit\u00e9… Porter la douleur, la honte, et devoir, en plus et sans rel\u00e2che, les raconter. Les\u00a0th\u00e8mes abord\u00e9s dans\u00a0<\/span>La cartomancie du territoire<\/strong>\u00a0sont l\u00e9gions et si l\u2019\u00e9motion et l\u2019indignation sont souvent au rendez-vous, l\u2019espoir refuse de s\u2019\u00e9teindre.\u00a0Parce qu\u2019ensemble, nous pourrions vraiment changer les choses. Je cite l\u2019auteur : \u00ab\u00a0D\u00e9colonisation de notre pens\u00e9e, appropriation de notre destin\u00e9e, de la langue qui l\u2019imagine et la transmet, et du territoire qui la porte\u2026 \u00c0 travers leur combat, c\u2019est notre survie \u00e0 tous qui se joue\u00a0\u00bb.\u00a0<\/span><\/p>\n

La cartomancie du territoire<\/strong>, un spectacle inspirant \u00e0 voir jusqu’au 7 avril, \u00e0 l’Espace Libre.<\/p>\n

 <\/p>\n

Cr\u00e9dits:<\/p>\n

Les productions H\u00f4tel-Motel<\/span><\/p>\n

Texte et mise en sc\u00e8ne: Philippe Ducros \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Interpr\u00e9tation: Marco Collin, Kathia Rock et Philippe Ducros \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Musique: Florent Vollant \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span>\u00c9clairages: Thomas Godefroid \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span>Vid\u00e9o: \u00c9li Lalibert\u00e9 et Thomas Payette de Hub Studio \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Assistance \u00e0 la mise en sc\u00e8ne et r\u00e9gie: Jean Gaudreau \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Direction technique: Samuel Patenaude \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span>Direction de production: Marie-H\u00e9l\u00e8ne Dufort \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Conception sonore: Larsen Lupin<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

La cartomancie du territoire\u00a0marque le retour attendu du metteur en sc\u00e8ne et com\u00e9dien Philippe Ducros sur les sc\u00e8nes montr\u00e9alaises. La cartomancie du territoire\u00a0est certainement son spectacle le plus g\u00e9n\u00e9reux et abouti, autant dans l\u2019\u00e9criture que dans la mise en sc\u00e8ne.\u00a0\u00c0 voir \u00e0 l\u2019Espace Libre jusqu\u2019au 7 avril 2018. Mais un mot d\u2019abord sur sa compagnie<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2943,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[401],"tags":[29145,35267,31316],"class_list":{"0":"post-358346","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-theatre-fr","7":"tag-espace-libre","8":"tag-philippe-ducros","9":"tag-premieres-nations","10":"type-critique","11":"section-critiques","12":"section-la-scena-arts-fr"},"featured_image_src":"","blog_images":{"medium":"","large":""},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/358346"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2943"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=358346"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/358346\/revisions"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=358346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=358346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=358346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}