{"id":356731,"date":"2018-03-12T11:02:39","date_gmt":"2018-03-12T15:02:39","guid":{"rendered":"http:\/\/myscena.org\/?p=356731\/"},"modified":"2018-03-12T11:13:15","modified_gmt":"2018-03-12T15:13:15","slug":"cette-semaine-montreal-13-20-mars","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/lsm-calendar\/cette-semaine-montreal-13-20-mars\/","title":{"rendered":"Cette semaine \u00e0 Montr\u00e9al (13 \u2013 20 mars)"},"content":{"rendered":"

CHAPELLE HISTORIQUE DU BON-PASTEUR<\/h4>\n

Les chanteurs de l\u2019Atelier lyrique de l\u2019Op\u00e9ra de Montr\u00e9al et de la Canadian Opera Company de Toronto interpr\u00e8tent des \u0153uvres connues du r\u00e9pertoire op\u00e9ratique. Le 15 mars \u00e0 12\u00a0h.
\nwww.accesculture.com<\/a><\/p>\n

 <\/p>\n

ARTE MUSICA<\/h4>\n

Une rencontre au sommet\u00a0: Clemens Hagen, violoncelliste autrichien du c\u00e9l\u00e8bre Quatuor Hagen, interpr\u00e9tera l\u2019int\u00e9grale des sonates pour violoncelle et piano de Beethoven, avec le pianiste Kirill Gerstein, 20 mars \u00e0 19h30.<\/p>\n

www.mbam.qc.ca<\/a><\/p>\n

 <\/p>\n

LMMC\u00a0: LE JERUSALEM QUARTET<\/h4>\n

Reconnu pour ses interpr\u00e9tations m\u00ealant chaleur et pr\u00e9cision, le Jerusalem Quartet a c\u00e9l\u00e9br\u00e9 en 2016 son 20e<\/sup> anniversaire. Il se produit dans les plus grandes salles de concert \u00e0 travers le monde et ses enregistrements ont \u00e9t\u00e9 salu\u00e9s par la critique et r\u00e9compens\u00e9s par de nombreux prix. En concert, le quatuor pr\u00e9sente fr\u00e9quemment des cycles de musique pour cordes d\u2019un compositeur\u00a0: Mozart, Brahms, Chostakovitch, Beethoven et Bart\u00f3k. La saison en cours est consacr\u00e9e \u00e0 Dvo\u0159\u00e1k. Deuxi\u00e8me fois au LMMC. Salle Pollack, le 18 mars \u00e0 15\u00a0h\u00a030.<\/p>\n

www.lmmc.ca<\/a><\/p>\n

 <\/p>\n

NEM \u2013 EN HOMMAGE \u00c0 JOSE EVANGELISTA<\/h4>\n

\u00c9labor\u00e9 de toutes pi\u00e8ces autour de l\u2019univers po\u00e9tique du compositeur, cet hommage mettra en lumi\u00e8re la grande relation d\u2019amiti\u00e9 entre Jose Evangelista, Lorraine Vaillancourt et le NEM. Pour l\u2019occasion, l\u2019ensemble cr\u00e9era une nouvelle \u0153uvre du compositeur, dont les influences puisent leurs origines dans la musique espagnole, le gamelan indon\u00e9sien, l\u2019avant-garde occidentale et les musiques modales. Piano concertant<\/em> est \u00e9crit pour 13 instrumentistes et piano solo. La pianiste Louise Bessette interpr\u00e9tera aussi une cr\u00e9ation pour piano solo de Simon Bertrand. En compl\u00e9ment de programme\u00a0: Lindberg et Takemitsu. Salle Claude-Champagne, le 24 mars \u00e0 19\u00a0h\u00a030.<\/p>\n

www.lenem.ca<\/a><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

CHAPELLE HISTORIQUE DU BON-PASTEUR Les chanteurs de l\u2019Atelier lyrique de l\u2019Op\u00e9ra de Montr\u00e9al et de la Canadian Opera Company de Toronto interpr\u00e8tent des \u0153uvres connues du r\u00e9pertoire op\u00e9ratique. Le 15 mars \u00e0 12\u00a0h. www.accesculture.com   ARTE MUSICA Une rencontre au sommet\u00a0: Clemens Hagen, violoncelliste autrichien du c\u00e9l\u00e8bre Quatuor Hagen, interpr\u00e9tera l\u2019int\u00e9grale des sonates pour violoncelle<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2849,"featured_media":316076,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17013],"tags":[24086],"class_list":{"0":"post-356731","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cette-semaine-a-montreal","8":"tag-cette-semaine-a-montreal-fr-138"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2016\/06\/La-Scena-RSS-square.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2016\/06\/La-Scena-RSS-square.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2016\/06\/La-Scena-RSS-square.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/356731"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2849"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=356731"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/356731\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/316076"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=356731"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=356731"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=356731"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}