{"id":355875,"date":"2018-02-07T13:24:36","date_gmt":"2018-02-07T17:24:36","guid":{"rendered":"http:\/\/myscena.org\/arnaud-g-veydarier\/cd-review-woefully-arrayed-sacred-secular-choral-polychoral-works\/"},"modified":"2018-02-07T13:28:39","modified_gmt":"2018-02-07T17:28:39","slug":"cd-review-woefully-arrayed-sacred-secular-choral-polychoral-works","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/arnaud-g-veydarier\/cd-review-woefully-arrayed-sacred-secular-choral-polychoral-works\/","title":{"rendered":"Critique de Disque &#8211; Woefully Arrayed\u00a0: Sacred &#038; Secular Choral &#038; Polychoral Works"},"content":{"rendered":"<h6><em>Woefully Arrayed\u00a0: Sacred &amp; Secular Choral &amp; Polychoral Works<br \/>\nJonathan David Little,\u00a0<\/em>Navona Records NV6113<\/h6>\n<p><em><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2018\/02\/Jonathan-David-Little-Woefully-Arrayed-.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-355871\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2018\/02\/Jonathan-David-Little-Woefully-Arrayed-.jpg\" alt=\"\" width=\"700\" height=\"696\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2018\/02\/Jonathan-David-Little-Woefully-Arrayed-.jpg 700w, https:\/\/myscena.org\/wp-content\/uploads\/2018\/02\/Jonathan-David-Little-Woefully-Arrayed--300x298.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2018\/02\/Jonathan-David-Little-Woefully-Arrayed--100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2018\/02\/Jonathan-David-Little-Woefully-Arrayed--600x597.jpg 600w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/a><\/em>Le compositeur d\u2019origine australienne Jonathan David Little pr\u00e9sente avec <em>Woefully Arrayed<\/em> un album de compositions consacr\u00e9es au chant choral. Enregistr\u00e9es pour la plupart dans des \u00e9glises au cours de l\u2019ann\u00e9e 2016, les six pi\u00e8ces ont \u00e9t\u00e9 interpr\u00e9t\u00e9es par divers ensembles vocaux, dont <em>Vox Futura<\/em>, le <em>Thomas Tallis Society Choir<\/em> et <em>The Stanbery Singers<\/em>. Comme le titre l\u2019indique, la proposition musicale de Little s\u2019inscrit dans la lign\u00e9e des compositeurs de musique polyphonique de la Renaissance tels que Palestrina et Josquin des Pr\u00e9s.<\/p>\n<p>Cependant, Little ne se contente pas d\u2019imiter le langage de ses pr\u00e9d\u00e9cesseurs. S\u2019il en reprend les caract\u00e9ristiques g\u00e9n\u00e9rales formelles, comme l\u2019\u00e9criture contrapuntique et les m\u00e9lismes, Little prend certaines libert\u00e9s dans l\u2019\u00e9criture en introduisant, par exemple, de fortes dissonances entre les voix. Little s\u2019inspire \u00e9galement de la tradition v\u00e9nitienne du chant polychoral pour cr\u00e9er des dynamiques responsoriales entre les diff\u00e9rentes sections. \u00c0 titre d\u2019exemple, la pi\u00e8ce <em>Woefully Arrayed<\/em> fait appel \u00e0 deux sections distinctes, dispos\u00e9es face \u00e0 face de mani\u00e8re \u00e0 installer un rapport d\u2019opposition. Le compositeur use \u00e9galement d\u2019astucieux proc\u00e9d\u00e9s pour jouer avec les propri\u00e9t\u00e9s acoustiques du lieu d\u2019enregistrement. La disposition des chanteurs dans l\u2019espace est m\u00e9ticuleusement \u00e9tudi\u00e9e de mani\u00e8re \u00e0 cr\u00e9er divers effets sonores. Par exemple, la pi\u00e8ce <em>That Time of Year <\/em>voit une section de chanteurs se d\u00e9placer pendant la prestation afin de cr\u00e9er un effet de halo sonore.<\/p>\n<p>Somme toute, la proposition musicale de Little est d\u2019une beaut\u00e9 saisissante et parvient \u00e0 trouver un d\u00e9licat \u00e9quilibre entre tradition et innovation. AGV<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Woefully Arrayed\u00a0: Sacred &amp; Secular Choral &amp; Polychoral Works Jonathan David Little,\u00a0Navona Records NV6113 Le compositeur d\u2019origine australienne Jonathan David Little pr\u00e9sente avec Woefully Arrayed un album de compositions consacr\u00e9es au chant choral. Enregistr\u00e9es pour la plupart dans des \u00e9glises au cours de l\u2019ann\u00e9e 2016, les six pi\u00e8ces ont \u00e9t\u00e9 interpr\u00e9t\u00e9es par divers ensembles vocaux,<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/arnaud-g-veydarier\/cd-review-woefully-arrayed-sacred-secular-choral-polychoral-works\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":3357,"featured_media":355874,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17265,17038,17255,394,17251],"tags":[35128],"class_list":{"0":"post-355875","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-contemporaine","8":"category-critiques-de-disques-et-livres","9":"category-musique-chorale","10":"category-musique-classique","11":"category-musique-vocale","12":"tag-jonathan-david-little-fr","13":"type-critique-de-disque","14":"volume-volume-23","15":"issue-vol-23-issue-5-fr","16":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/02\/Jonathan-David-Little-Header.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/02\/Jonathan-David-Little-Header.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/02\/Jonathan-David-Little-Header.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/355875"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/3357"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=355875"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/355875\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/355874"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=355875"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=355875"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=355875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}