![\"\"](\"https:\/\/myscena.org\/wp-content\/uploads\/2018\/02\/Prokofiev-Piano-Concerto-No.-1.-Barto\u0301k-Piano-Concerto-No.-3.-Forsyth-Piano-Concerto.-Jane-Coop-piano.-Calgary-Philharmonic.jpg\")
<\/a>N\u00e9e au Nouveau-Brunswick et \u00e9lev\u00e9e \u00e0 Calgary, Jane Coop a \u00e9tudi\u00e9 avec Anton Kuerti \u00e0 Toronto et enseign\u00e9 \u00e0 l\u2019Universit\u00e9 de la Colombie-Britannique de 1980 \u00e0 2012. \u00c0 une \u00e9poque d\u2019enregistrement limit\u00e9, Coop a fait de son mieux en la mati\u00e8re de republiant des enregistrements des ann\u00e9es 1980, produits \u00e0 l\u2019origine par les d\u00e9funts CBC Records.<\/p>\nSes collaborations avec feu Mario Bernardi (1930-2013) ont toujours donn\u00e9 d\u2019excellents r\u00e9sultats. Un peu court en 16 minutes, le Concerto n\u00b0 1<\/em> de Prokofiev manque de l\u2019int\u00e9r\u00eat m\u00e9lodique et de la coh\u00e9rence de ses \u0153uvres ult\u00e9rieures dans ce genre. N\u00e9anmoins, c\u2019est un formidable d\u00e9fi et Coop affiche des comp\u00e9tences techniques impressionnantes. Le Concerto pour piano n\u00b0 3 <\/em>de Bart\u00f3k est un morceau de loin sup\u00e9rieur; Coop et Bernardi offrent une version \u00e0 la fois profond\u00e9ment expressive et \u00e9nergique quand elle doit l\u2019\u00eatre.<\/p>\nMalcolm Forsyth (1936-2011) a grandi en Afrique du Sud et est venu \u00e0 Edmonton pour enseigner \u00e0 l\u2019Universit\u00e9 de l\u2019Alberta en 1968. Le Concerto pour piano<\/em> de 26 minutes est un travail pr\u00e9coce. La batterie d\u2019inspiration africaine peut sembler assez rudimentaire dans des auditions r\u00e9p\u00e9t\u00e9es, mais Forsyth cr\u00e9e magistralement un ensemble int\u00e9ressant de variations. Coop et Bernardi comprennent le travail et le Calgary Philharmonic joue avec pr\u00e9cision et \u00e9clat. Skylark Music a \u00e9galement r\u00e9\u00e9dit\u00e9 English Piano Concerti<\/em> (Sky1702), dans lequel ces artistes abordent la musique de Britten, Rawsthorne, Ireland et Finzi. Pour plus d\u2019information sur Jane Coop, visitez www.janecoop.com. PR<\/p>\nTraduit par M\u00e9lissa Brien<\/p>\n","protected":false},"excerpt":{"rendered":"
Prokofiev: Piano Concerto No. 1 Bart\u00f3k\u00a0: Concerto pour piano no 3. Forsyth\u00a0: Concerto pour piano. Jane Coop, piano. Calgary Philharmonic Orchestra\/Mario Bernardi. Skylark Music Sky1703. Dur\u00e9e\u00a0: 67\u00a0min. N\u00e9e au Nouveau-Brunswick et \u00e9lev\u00e9e \u00e0 Calgary, Jane Coop a \u00e9tudi\u00e9 avec Anton Kuerti \u00e0 Toronto et enseign\u00e9 \u00e0 l\u2019Universit\u00e9 de la Colombie-Britannique de 1980 \u00e0 2012. \u00c0<\/p>\n
Continuer<\/a><\/div>\n","protected":false},"author":2769,"featured_media":355845,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17261,17265,17038,17277,394,17267],"tags":[35120,35121],"class_list":{"0":"post-355846","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-classique-fr","8":"category-contemporaine","9":"category-critiques-de-disques-et-livres","10":"category-musique-canadienne","11":"category-musique-classique","12":"category-piano-fr","13":"tag-jane-coop-fr","14":"tag-malcolm-forsyth-fr","15":"type-critique-de-disque","16":"volume-volume-23","17":"issue-vol-23-issue-5-fr","18":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/02\/Prokofiev-Piano-Concerto-Header.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/02\/Prokofiev-Piano-Concerto-Header.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/02\/Prokofiev-Piano-Concerto-Header.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/355846"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2769"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=355846"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/355846\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/355845"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=355846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=355846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=355846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}