{"id":354598,"date":"2018-02-05T16:06:36","date_gmt":"2018-02-05T20:06:36","guid":{"rendered":"http:\/\/myscena.org\/nathalie-de-han\/conservatoire-dart-dramatique-de-montreal-program-tailored-actors\/"},"modified":"2018-02-05T16:13:42","modified_gmt":"2018-02-05T20:13:42","slug":"conservatoire-dart-dramatique-de-montreal-program-tailored-actors","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/nathalie-de-han\/conservatoire-dart-dramatique-de-montreal-program-tailored-actors\/","title":{"rendered":"Conservatoire d\u2019art dramatique de Montr\u00e9al: Une formation sp\u00e9cifique au jeu"},"content":{"rendered":"<p>Fond\u00e9 en 1954, le Conservatoire d\u2019art dramatique de Montr\u00e9al est une institution de formation sup\u00e9rieure en arts de la sc\u00e8ne. On propose aux acteurs de parfaire leurs comp\u00e9tences autant pour le th\u00e9\u00e2tre que pour le cin\u00e9ma et la t\u00e9l\u00e9vision. Les c\u00e9l\u00e8bres Raymond Bouchard (1970), Isabelle Blais (1997), Sophie Cadieux (2001), Catherine Trudeau (1999) et Jean-Fran\u00e7ois Casabonne (1988) ont \u00e9t\u00e9 form\u00e9s entre ses murs. Vous pensez avoir ce qu\u2019il faut pour ce m\u00e9tier passionnant, mais \u00f4 combien exigeant\u00a0? Vous avez jusqu\u2019au mois de mars pour faire votre inscription\u00a0!<\/p>\n<p>Les postulants doivent pr\u00e9senter deux sc\u00e8nes solos de trois minutes (avec r\u00e9pliques) ou deux sc\u00e8nes conjointes de cinq minutes. Le processus de s\u00e9lection consiste en une s\u00e9rie de deux auditions, d\u2019un stage, puis d\u2019une audition finale. Tout le r\u00e9pertoire th\u00e9\u00e2tral mondial publi\u00e9 en langue fran\u00e7aise et les sc\u00e8nes tir\u00e9es de films ou de s\u00e9ries t\u00e9l\u00e9vis\u00e9es qui ont fait l\u2019objet d\u2019une publication sont admissibles.<\/p>\n<blockquote><p>Tout sur le Conservatoire d\u2019art dramatique de Montr\u00e9al\u00a0: <a href=\"http:\/\/www.conservatoire.gouv.qc.ca\">www.conservatoire.gouv.qc.ca<\/a><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Fond\u00e9 en 1954, le Conservatoire d\u2019art dramatique de Montr\u00e9al est une institution de formation sup\u00e9rieure en arts de la sc\u00e8ne. On propose aux acteurs de parfaire leurs comp\u00e9tences autant pour le th\u00e9\u00e2tre que pour le cin\u00e9ma et la t\u00e9l\u00e9vision. Les c\u00e9l\u00e8bres Raymond Bouchard (1970), Isabelle Blais (1997), Sophie Cadieux (2001), Catherine Trudeau (1999) et Jean-Fran\u00e7ois<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/nathalie-de-han\/conservatoire-dart-dramatique-de-montreal-program-tailored-actors\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2943,"featured_media":354597,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17296,17294,401],"tags":[35112],"class_list":{"0":"post-354598","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-education-fr","8":"category-industrie-culturelle","9":"category-theatre-fr","10":"tag-conservatoire-dart-dramatique-de-montreal-fr","11":"type-article-fr","12":"volume-volume-23","13":"issue-vol-23-issue-5-fr","14":"section-articles-de-fond"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/02\/conservatoire-troupe.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/02\/conservatoire-troupe.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/02\/conservatoire-troupe.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Editor\u2019s Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/354598"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2943"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=354598"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/354598\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/354597"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=354598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=354598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=354598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}