{"id":354405,"date":"2018-01-31T14:54:01","date_gmt":"2018-01-31T18:54:01","guid":{"rendered":"http:\/\/myscena.org\/?p=354405\/"},"modified":"2018-02-02T18:29:46","modified_gmt":"2018-02-02T22:29:46","slug":"yo-yo-ma-de-retour-au-festival-bach-montreal-2018","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/yo-yo-ma-de-retour-au-festival-bach-montreal-2018\/","title":{"rendered":"Yo-Yo Ma de retour au Festival Bach Montr\u00e9al 2018"},"content":{"rendered":"\n\n\n
\n\n\n\n
\n\n\n\n\n
\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
\n\n\n\n
\n\n\n\n
\n
Le violoncelliste Yo-Yo Ma jouera l\u2019int\u00e9gralit\u00e9 des six Suites pour violoncelle seul de Johann Sebastian Bach dans le cadre de la douzi\u00e8me \u00e9dition du Festival Bach de Montr\u00e9al.<\/strong><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n\n\n\n
\n
Apr\u00e8s le succ\u00e8s retentissant de 2016, Yo-Yo Ma, \u00a0star mondiale du violoncelle, nous revient pour cl\u00f4turer la douzi\u00e8me \u00e9dition du Festival Bach Montr\u00e9al et y interpr\u00e9ter les six Suites pour violoncelle seul de Johann Sebastian Bach dans leur int\u00e9gralit\u00e9. Cette musique, qui accompagne Yo-Yo Ma depuis toujours, est celle qu\u2019il priorise afin de communiquer avec son public. Le festival est fier et honor\u00e9 que Yo-Yo Ma ait choisi de jouer ce programme titanesque en une seule soir\u00e9e.<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n\n\n\n
\n
Le concert se tiendra \u00e0 la Maison symphonique le 7 d\u00e9cembre \u00e0 18h30. Billets en vente d\u00e8s le 1er f\u00e9vrier.<\/strong><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n\n\n\n
\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n\n\n\n
\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00ab\u00a0Nous vivons dans un monde de possibilit\u00e9s infinies, mais nous faisons \u00e9galement face \u00e0 des d\u00e9fis consid\u00e9rables qui peuvent m\u00eame mettre notre propre survie en jeu.<\/em>\u00a0Je crois qu\u2019en ces temps de stress, de confusion et d\u2019incertitude, nous devons partager ce qui nous apporte r\u00e9confort, raison d\u2019\u00eatre et sens. \u00a0<\/em>\u00a0C\u2019est justement ce qu\u2019accomplit Bach: quand sa musique nous touche, nous reprenons contact avec notre humanit\u00e9 partag\u00e9e.<\/em>\u00a0\u00bb Yo-Yo Ma, 2018.<\/em><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n\n\n\n
Les billets sont en vente sur le site web du Festival. La programmation compl\u00e8te de la 12e<\/sup>\u00a0\u00e9dition du Festival Bach de Montr\u00e9al, qui se d\u00e9roulera du 22 novembre au 7 d\u00e9cembre 2018, sera d\u00e9voil\u00e9e le 25 avril 2018.<\/p>\n

Billets :\u00a0www.festivalbachmontreal.com<\/a><\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n\n\n\n
\n
Manifestation aujourd\u2019hui incontournable pour les principaux interpr\u00e8tes de Johann Sebastian Bach du monde entier, le Festival Bach de Montr\u00e9al\u00a0<\/em>lan\u00e7ait sa premi\u00e8re \u00e9dition en 2005. Depuis, ann\u00e9e apr\u00e8s ann\u00e9e, l\u2019\u00e9v\u00e9nement r\u00e9unit immanquablement des artistes exceptionnels du Canada et de l\u2019\u00e9tranger, devenant un \u00e9v\u00e9nement musical parmi les plus courus de la ville. Le Festival est la premi\u00e8re destination en Am\u00e9rique du Nord pour le g\u00e9nie musical intemporel de Johann Sebastian Bach et l\u2019h\u00e9ritage culturel qu\u2019il a inspire.<\/s>\u00a0Le Festival contribue de mani\u00e8re significative \u00e0 la r\u00e9putation internationale de Montr\u00e9al en tant que m\u00e9tropole culturelle, attirant des publics internationaux et locaux pour enrichir la vie des Montr\u00e9alais et sa vie communautaire. Les organisateurs, avec en t\u00eate la fondatrice et directrice artistique Alexandra Scheibler, sont extr\u00eamement fiers d\u2019avoir pu, en quelques ann\u00e9es seulement, cr\u00e9er un des plus importants festivals.<\/em><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Le violoncelliste Yo-Yo Ma jouera l\u2019int\u00e9gralit\u00e9 des six Suites pour violoncelle seul de Johann Sebastian Bach dans le cadre de la douzi\u00e8me \u00e9dition du Festival Bach de Montr\u00e9al. Apr\u00e8s le succ\u00e8s retentissant de 2016, Yo-Yo Ma, \u00a0star mondiale du violoncelle, nous revient pour cl\u00f4turer la douzi\u00e8me \u00e9dition du Festival Bach Montr\u00e9al et y interpr\u00e9ter les<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":354408,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17261,16922,17269,17243,29949,394],"tags":[15308,12158],"class_list":{"0":"post-354405","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-classique-fr","8":"category-communiques","9":"category-cordes","10":"category-la-scena-en-ligne","11":"category-les-arts-scena","12":"category-musique-classique","13":"tag-festival-bach-montreal","14":"tag-yo-yo-ma","15":"type-communique-de-presse","16":"type-nouvelles"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/01\/Yo-Yo-MaPIC2.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/01\/Yo-Yo-MaPIC2.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2018\/01\/Yo-Yo-MaPIC2.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/354405"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=354405"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/354405\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/354408"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=354405"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=354405"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=354405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}