{"id":351646,"date":"2017-11-12T22:49:27","date_gmt":"2017-11-13T02:49:27","guid":{"rendered":"http:\/\/myscena.org\/richard-todd\/previews-ottawa-november\/"},"modified":"2017-11-12T22:58:37","modified_gmt":"2017-11-13T02:58:37","slug":"previews-ottawa-november","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/richard-todd\/previews-ottawa-november\/","title":{"rendered":"\u00c0 Venir \u2013 Ottawa \u2013 novembre"},"content":{"rendered":"<h4>Cantata Singers d&#8217;Ottawa \u2014 <em>Requiem <\/em>de Faur\u00e9<\/h4>\n<p>Le directeur artistique Andrew McAnerney dirigera un programme aux chandelles de Mozart, Bach et Faur\u00e9. L\u2019\u0153uvre ma\u00eetresse du programme sera le <em>Requiem<\/em> de Gabriel Faur\u00e9 (version de 1893) avec un orchestre de cordes, cors, harpe et orgue. Les autres \u0153uvres seront le <em>Misericordias Domini<\/em> de Mozart et le <em>Concerto brandebourgeois n\u00b0 6<\/em> de Bach, interpr\u00e9t\u00e9s par l\u2019orchestre. 4 novembre, \u00e9glise Saint-Joseph.\u00a0<a href=\"http:\/\/www.cantatasingersottawa.ca\">www.cantatasingersottawa.ca<\/a><\/p>\n<h4>Seventeen Voyces \u2014 <em>Messe en temps de guerre <\/em>de\u00a0Haydn<\/h4>\n<div id=\"attachment_351635\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/11\/Seventeen-Voyces.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-351635\" class=\"size-medium wp-image-351635\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/11\/Seventeen-Voyces-300x198.jpg\" alt=\"\" width=\"300\" height=\"198\" \/><\/a><p id=\"caption-attachment-351635\" class=\"wp-caption-text\">Seventeen Voyces<\/p><\/div>\n<p>La saison 2017-2018 de Seventeen Voyces d\u00e9butera de fa\u00e7on spectaculaire avec une pr\u00e9sentation le jour du Souvenir de la <em>Messe en temps de guerre<\/em> de Franz Joseph Haydn \u00e0 l\u2019\u00e9glise anglicane St. Matthew\u2019s. <em>Somewhere in France:<\/em> <em>Love letters from the trenches<\/em> de Kevin Reeves, un \u00e9v\u00e9nement multim\u00e9dia sur la Premi\u00e8re Guerre mondiale, sera jumel\u00e9 \u00e0 la messe. La messe de Haydn sera accompagn\u00e9e d\u2019un grand orchestre de cordes, bois, trompettes, cors et timbales. Seventeen Voyces sera accompagn\u00e9 par la nouvelle chorale de Matthew Larkin, le Caelis Academy Ensemble, et un quatuor local de superbes chanteurs, la soprano Maghan McPhee, la mezzo-soprano April Babey, le t\u00e9nor Dillon Parmer et le baryton Joel Allison. 11 novembre, 19\u00a0h\u00a030, \u00e9glise anglicane St. Matthew\u2019s.\u00a0<a href=\"http:\/\/www.seventeenvoyces.ca\">www.seventeenvoyces.ca<\/a><\/p>\n<h4>Ensemble Variances<\/h4>\n<p>Dirig\u00e9 par Thierry P\u00e9cou, directeur artistique et \u00ab\u00a0ma\u00eetre du mouvement perp\u00e9tuel\u00a0\u00bb (<em>Le Figaro<\/em>), l\u2019Ensemble Variances \u00e9voque ses \u00adracines fran\u00e7aises dans une soir\u00e9e de musique pour petites composantes\u00a0: violon, violon\u00adcelle, clarinette, piano, saxophone et fl\u00fbte. Figurent au programme Ravel, Milhaud, <em>Pr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune<\/em> de Debussy et le mimodrame de Stravinski, <em>L\u2019Histoire du soldat<\/em>. 11 novembre, 19\u00a0h\u00a030, \u00e9glise unie Dominion-Chalmers. <a href=\"http:\/\/www.ensemblevariances.com\">www.ensemblevariances.com<\/a><\/p>\n<h4>Orchestre du Centre national des Arts<\/h4>\n<p>Le violoniste et chef d\u2019orchestre Pinchas Zukerman revient pour une apparition avec l\u2019orchestre qu\u2019il a dirig\u00e9 pendant 16 ans. Il sera le soliste dans des concertos de Beethoven et de Haydn, puis montera sur le podium pour diriger la <em>Symphonie n\u00b0 2<\/em> de Beethoven, \u00e9crite \u00e0 un moment o\u00f9 la surdit\u00e9 de Beethoven devenait de plus en plus prononc\u00e9e, mais joyeuse et anim\u00e9e tout de m\u00eame. Les 23 et 24 novembre, 19\u00a0h, salle Southam, Centre national des Arts.\u00a0<a href=\"http:\/\/www.nac-cna.ca\">www.nac-cna.ca<\/a><\/p>\n<h4>Michel Brousseau<\/h4>\n<p>Pour l\u2019ouverture de la saison 2017-2018, le Ch\u0153ur classique d\u2019Ottawa et la Soci\u00e9t\u00e9 philharmonique du Nouveau Monde interpr\u00e9teront le Gloria de Vivaldi ainsi que <em>Messe n\u00b0 4 en do majeur<\/em> de Schubert, sous la direction de Michel Brousseau. Le 25 novembre, \u00e0 20\u00a0h, \u00e0 l\u2019\u00e9glise unie Dominion-Chalmers. ,<a href=\"http:\/\/www.ottawaclassicalchoir.com\">www.ottawaclassicalchoir.com<\/a><\/p>\n<h6>Traduit par M\u00e9lissa Brien<\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Cantata Singers d&#8217;Ottawa \u2014 Requiem de Faur\u00e9 Le directeur artistique Andrew McAnerney dirigera un programme aux chandelles de Mozart, Bach et Faur\u00e9. L\u2019\u0153uvre ma\u00eetresse du programme sera le Requiem de Gabriel Faur\u00e9 (version de 1893) avec un orchestre de cordes, cors, harpe et orgue. Les autres \u0153uvres seront le Misericordias Domini de Mozart et le<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/richard-todd\/previews-ottawa-november\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":3373,"featured_media":351626,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17255,394,17273,17251],"tags":[],"class_list":{"0":"post-351646","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musique-chorale","8":"category-musique-classique","9":"category-musique-de-chambre","10":"category-musique-vocale","11":"type-evenements-prochains","12":"volume-volume-23","13":"issue-vol-23-issue-3-fr","14":"section-a-venir"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/11\/lEnsemble-Variances.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/11\/lEnsemble-Variances.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/11\/lEnsemble-Variances.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/351646"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/3373"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=351646"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/351646\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/351626"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=351646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=351646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=351646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}