{"id":351506,"date":"2017-11-12T17:07:48","date_gmt":"2017-11-12T21:07:48","guid":{"rendered":"http:\/\/myscena.org\/?p=351506\/"},"modified":"2017-11-13T16:23:59","modified_gmt":"2017-11-13T20:23:59","slug":"la-cenerentola-un-feu-dartifice-vocal-et-de-couleurs","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/olivier-delaire\/la-cenerentola-un-feu-dartifice-vocal-et-de-couleurs\/","title":{"rendered":"La Cenerentola: un feu d&#8217;artifice vocal"},"content":{"rendered":"<p>L&#8217;Op\u00e9ra de Montr\u00e9al poursuit sa saison avec <em>La Cenerentola<\/em> de Rossini, avec une distribution \u00e0 la hauteur du d\u00e9fi et des attentes.<\/p>\n<div id=\"attachment_351515\" style=\"width: 712px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/11\/Julie-Boulianne-Angelina-Juan-Jose-De-Leon-Ramiro-@Yves-Renaud.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-351515\" class=\"wp-image-351515 size-large\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/11\/Julie-Boulianne-Angelina-Juan-Jose-De-Leon-Ramiro-@Yves-Renaud-1024x684.jpg\" alt=\"\" width=\"702\" height=\"469\" \/><\/a><p id=\"caption-attachment-351515\" class=\"wp-caption-text\">Julie Boulianne (Angelina), Juan Jos\u00e9 De L\u00e9on (Ramiro), @Yves-Renaud<\/p><\/div>\n<p>La mezzo soprano Julie Boulianne nous montre que Rossini est un terrain o\u00f9 elle se sent totalement \u00e0 l&#8217;aise, elle passe par toutes difficult\u00e9s techniques que le r\u00f4le de Cenerentola demandent, mais en m\u00eame temps incarne la simplicit\u00e9 et la gentillesse du personnage. Certains passages nous rappelleront la voix de Joyce DiDonato.<\/p>\n<p>Avec une voix agile, claire, rayonnante et des aigus faciles, le t\u00e9nor Juan Jos\u00e9 De L\u00e9on (dans le r\u00f4le Ramiro) est le genre de t\u00e9nor que l&#8217;on veut avoir et \u00e9couter pour ce genre d&#8217;op\u00e9ra, notamment dans l&#8217;air &#8220;Si ritrovarla Io giuro&#8221; o\u00f9 en plus de nous chanter les contre ut et les coloratures, il rajoute un contre r\u00e9 qu&#8217;il tient \u00e0 volont\u00e9. Un petit b\u00e9mol, il manque parfois de legato.<\/p>\n<div id=\"attachment_351668\" style=\"width: 712px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/11\/Pietro-Spagnoli-Don-Magnifico-@Yves-Renaud.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-351668\" class=\"wp-image-351668 size-large\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/11\/Pietro-Spagnoli-Don-Magnifico-@Yves-Renaud-1024x684.jpg\" alt=\"\" width=\"702\" height=\"469\" \/><\/a><p id=\"caption-attachment-351668\" class=\"wp-caption-text\">Pietro Spagnoli (Don Magnifico), @Yves Renaud<\/p><\/div>\n<p>Dans le r\u00f4le de Don Magnifico, le baryton italien Pietro Spagnoli nous offre une prestation magnifique, tant dans le jeux que la voix.<\/p>\n<p>Le baryton Vito Priante est amusant dans le r\u00f4le de Dandini (valet de Ramiro), Kirk Eichelberger nous propose un Alidoro convaincant.<\/p>\n<p>La mise en sc\u00e8ne de Joan Font est efficace, un seul d\u00e9cor qui se transforme pour nous apporter de la maison au palais. Un petit b\u00e9mol, la fin manque de clart\u00e9, les chanteurs partent par la porte principale, celle-l\u00e0 se transforme en chemin\u00e9e, laissant seule Cendrillon qui balaie en compagnie des souris, on se demande si le tout \u00e9tait finalement un r\u00eave.<\/p>\n<p>Voir aussi:<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"ZhgZR6rJWU\"><p><a href=\"https:\/\/myscena.org\/fr\/charles-geyer\/julie-boulianne-homecoming-cinderella\/\">Julie Boulianne : Retour au bercail dans la peau de Cendrillon<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00ab\u00a0Julie Boulianne : Retour au bercail dans la peau de Cendrillon\u00a0\u00bb &#8212; my\/maSCENA\" src=\"https:\/\/myscena.org\/fr\/charles-geyer\/julie-boulianne-homecoming-cinderella\/embed\/#?secret=ZhgZR6rJWU\" data-secret=\"ZhgZR6rJWU\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&#8217;Op\u00e9ra de Montr\u00e9al poursuit sa saison avec La Cenerentola de Rossini, avec une distribution \u00e0 la hauteur du d\u00e9fi et des attentes. La mezzo soprano Julie Boulianne nous montre que Rossini est un terrain o\u00f9 elle se sent totalement \u00e0 l&#8217;aise, elle passe par toutes difficult\u00e9s techniques que le r\u00f4le de Cenerentola demandent, mais en<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/olivier-delaire\/la-cenerentola-un-feu-dartifice-vocal-et-de-couleurs\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":3364,"featured_media":351666,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17036,17251,399],"tags":[3148,657,34213,34214,34211,34212],"class_list":{"0":"post-351506","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-spectacles","8":"category-musique-vocale","9":"category-opera-fr","10":"tag-boulianne","11":"tag-cenerentola","12":"tag-juan-jose-de-leon","13":"tag-kirk-eichelberger","14":"tag-rossin","15":"tag-spagnoli","16":"type-critique","17":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/11\/@Yves-Renaud.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/11\/@Yves-Renaud.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/11\/@Yves-Renaud.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/351506"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/3364"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=351506"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/351506\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/351666"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=351506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=351506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=351506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}