{"id":348069,"date":"2017-09-07T08:46:23","date_gmt":"2017-09-07T13:46:23","guid":{"rendered":"http:\/\/myscena.org\/?p=348069\/"},"modified":"2017-09-07T08:47:28","modified_gmt":"2017-09-07T13:47:28","slug":"la-fondation-arte-musica-presente-expo-67-50-ans-terre-des-hommes","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/la-fondation-arte-musica-presente-expo-67-50-ans-terre-des-hommes\/","title":{"rendered":"La Fondation Arte Musica pr\u00e9sente Expo 67, 50 ans &#8211; Terre des hommes"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\"><i><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/09\/HautCP_Bourgie-LogoSeulsJPEG-1-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-348077\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/09\/HautCP_Bourgie-LogoSeulsJPEG-1-1-300x50.jpg\" alt=\"\" width=\"828\" height=\"138\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/09\/HautCP_Bourgie-LogoSeulsJPEG-1-1-300x50.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2017\/09\/HautCP_Bourgie-LogoSeulsJPEG-1-1-600x99.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2017\/09\/HautCP_Bourgie-LogoSeulsJPEG-1-1.jpg 1136w\" sizes=\"(max-width: 828px) 100vw, 828px\" \/><\/a>Montr\u00e9al, 6 septembre 2017<\/i> \u2013 La Fondation Arte Musica est heureuse d\u2019inaugurer sa 7<\/span><span class=\"s2\"><sup>e<\/sup><\/span><span class=\"s1\"> saison en compagnie des Violons du Roy et du Quatuor Arthur-LeBlanc, sous la direction du jeune chef montr\u00e9alais au parcours exceptionnel Andrei Feher, le <b>vendredi 15 septembre<\/b> prochain, <b>19 h 30<\/b>, \u00e0 la\u00a0<b>salle Bourgie du Mus\u00e9e des beaux-arts de Montr\u00e9al<\/b>.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Faisant \u00e9cho \u00e0 cette vaste c\u00e9l\u00e9bration du g\u00e9nie humain que fut Expo 67, le programme du concert, qui met en lumi\u00e8re le rapport de l\u2019\u00eatre humain \u00e0 la nature et \u00e0 la culture, s\u2019articule autour de l\u2019id\u00e9e d\u2019un v\u00e9ritable partage, tant de l\u2019ext\u00e9rieur &#8211; avec des oeuvres de compositeurs venant d\u2019Italie, d\u2019Angleterre, des \u00c9tats-Unis et de l\u2019Allemagne, que de l\u2019int\u00e9rieur &#8211; au moyen de compositions de deux cr\u00e9ateurs qu\u00e9b\u00e9cois, Pierre Mercure et Yannick Plamondon.<\/span><\/p>\n<p class=\"p1\"><b style=\"font-size: 18px; color: #19232d; line-height: 1.5;\">PROGRAMME<\/b><\/p>\n<h3 class=\"p1\"><span style=\"font-size: 14px; line-height: inherit; color: #606569; font-weight: normal;\">L. VAN BEETHOVEN<br \/>\n<\/span><span class=\"s1\" style=\"font-size: 14px; line-height: inherit; color: #606569; font-weight: normal;\">Quatuor \u00e0 cordes n<\/span><span class=\"s3\" style=\"font-size: 14px; line-height: inherit; color: #606569; font-weight: normal;\"><sup>o<\/sup><\/span> <span class=\"s1\" style=\"font-size: 14px; line-height: inherit; color: #606569; font-weight: normal;\">16 en <i>fa<\/i> majeur, op. 135 (version pour orchestre \u00e0 cordes)<\/span><\/h3>\n<p class=\"p3\"><span style=\"font-size: 14px; line-height: inherit;\">PIERRE MERCURE<br \/>\n<\/span><i style=\"font-size: 14px; line-height: inherit;\">Divertissement<\/i><\/p>\n<p class=\"p2\"><span class=\"s1\">EDWARD ELGAR<br \/>\n<\/span><i style=\"font-size: 14px; line-height: inherit;\">Introduction and allegro<\/i><span style=\"font-size: 14px; line-height: inherit;\">, op. 47<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">NINO ROTA<br \/>\n<\/span><span style=\"font-size: 14px; line-height: inherit;\">Concerto pour cordes<\/span><\/p>\n<p class=\"p3\"><span style=\"font-size: 14px; line-height: inherit;\">YANNICK PLAMONDON<br \/>\n<\/span><i style=\"font-size: 14px; line-height: inherit;\">Wihtikow<\/i><span style=\"font-size: 14px; line-height: inherit;\">, nocturne pour orchestre \u00e0 cordes (commande du Toronto Symphony Orchestra)<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">MARTIN GOULD<br \/>\n<\/span><i style=\"font-size: 14px; line-height: inherit;\">Elegy\u00a0<\/i><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>ANDREI FEHER<\/b>, chef<br \/>\n<\/span><span style=\"font-size: 14px; line-height: inherit;\">N\u00e9 en Roumanie dans une famille de musiciens, Andrei Feher a amorc\u00e9 ses \u00e9tudes musicales au violon, avant de s\u2019inscrire au Conservatoire de musique de Montr\u00e9al. \u00c9toile montante de sa g\u00e9n\u00e9ration, il vient d\u2019\u00eatre nomm\u00e9 directeur musical de l\u2019Orchestre symphonique de Kitchener-Waterloo. Fort de son exp\u00e9rience d\u2019assistant de Fabien Gabel \u00e0 l\u2019Orchestre symphonique de Qu\u00e9bec, M. Feher, alors au d\u00e9but de la vingtaine, s\u2019\u00e9tait joint \u00e0 l\u2019Orchestre de Paris, comme assistant de son directeur musical, Paavo J\u00e4rvi. Durant cette p\u00e9riode, il a eu l\u2019occasion de travailler avec des chefs tels que Zubin Mehta, Valeri Guerguiev, Christoph von Dohn\u00e1nyi, Thomas Hengelbrock at Jaap van Zweden.<\/span><\/p>\n<p class=\"p1\"><span style=\"font-size: 14px; line-height: inherit;\">Grand d\u00e9fenseur de la musique contemporaine, il a dirig\u00e9 r\u00e9cemment des \u0153uvres d\u2019\u00c9ric Champagne, Pierre Mercure, Georgi Dimitrov, Ciprian Pop et Abigail Richardson. Il a aussi \u00e9t\u00e9 invit\u00e9 par l\u2019Orchestre de Pau-B\u00e9arn \u00e0 cr\u00e9er <\/span><i style=\"font-size: 14px; line-height: inherit;\">Soleil noir<\/i><span style=\"font-size: 14px; line-height: inherit;\">, de Pierre Jodlowski, dans un programme compl\u00e9t\u00e9 par <\/span><i style=\"font-size: 14px; line-height: inherit;\">La Nuit Transfigur\u00e9e<\/i><span style=\"font-size: 14px; line-height: inherit;\"> de Schoenberg. Cet engagement lui a valu une r\u00e9invitation imm\u00e9diate pour travailler avec l\u2019orchestre durant la saison 2017-2018 ainsi que pour une reprise de <\/span><i style=\"font-size: 14px; line-height: inherit;\">Soleil noir<\/i><span style=\"font-size: 14px; line-height: inherit;\"> \u00e0 Toulouse en novembre 2016.<\/span><\/p>\n<p class=\"p1\"><span style=\"font-size: 14px; line-height: inherit;\">Durant la saison 2016-2017, Andrei Feher a dirig\u00e9 pour la premi\u00e8re fois l\u2019Orchestre philharmonique de Monte-Carlo, l\u2019Orchestre symphonique de Montr\u00e9al, l\u2019Orchestre philharmonique de l\u2019\u00c9tat de Transylvanie et l\u2019Orchestre symphonique de Kitchener-Waterloo. En 2017-2018, il fera ses d\u00e9buts avec l\u2019Orchestre national de la Radio de Roumanie, l\u2019Orchestre symphonique d\u2019Edmonton et l\u2019Orchestre national d\u2019\u00cele-de-France.<\/span><\/p>\n<h3 class=\"p1\"><span class=\"s1\"><b>QUATUOR ARTHUR-LEBLANC<\/b><\/span><\/h3>\n<p class=\"p1\"><span class=\"s1\">Nomm\u00e9 en m\u00e9moire du violoniste acadien Arthur LeBlanc (1906-1985), le Quatuor Arthur-LeBlanc a vu le jour en 1988 \u00e0 l&#8217;Universit\u00e9 de Moncton o\u00f9 il fut ensemble en r\u00e9sidence jusqu\u2019en 2004. Aujourd&#8217;hui form\u00e9 des violonistes Hibiki Kobayashi et Brett Molzan, de l&#8217;altiste Jean-Luc Plourde et du violoncelliste Ryan Molzan, le Quatuor Arthur-LeBlanc est consid\u00e9r\u00e9 comme l&#8217;un des plus prestigieux quatuors \u00e0 cordes au Canada. Depuis 2005, il est quatuor en r\u00e9sidence \u00e0 la Facult\u00e9 de musique de l&#8217;Universit\u00e9 Laval o\u00f9 ses membres sont professeurs invit\u00e9s.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Montr\u00e9al, 6 septembre 2017 \u2013 La Fondation Arte Musica est heureuse d\u2019inaugurer sa 7e saison en compagnie des Violons du Roy et du Quatuor Arthur-LeBlanc, sous la direction du jeune chef montr\u00e9alais au parcours exceptionnel Andrei Feher, le vendredi 15 septembre prochain, 19 h 30, \u00e0 la\u00a0salle Bourgie du Mus\u00e9e des beaux-arts de Montr\u00e9al. Faisant<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/newswire\/la-fondation-arte-musica-presente-expo-67-50-ans-terre-des-hommes\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[30265,17261,17265,17269,17277,394,17273,17279],"tags":[29045,31006,31881,15416],"class_list":{"0":"post-348069","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-150-375-fr","7":"category-classique-fr","8":"category-contemporaine","9":"category-cordes","10":"category-musique-canadienne","11":"category-musique-classique","12":"category-musique-de-chambre","13":"category-quebec-fr","14":"tag-andrei-feher","15":"tag-expo-67","16":"tag-quatuor-arthur-leblanc","17":"tag-salle-bourgie"},"featured_image_src":"","blog_images":{"medium":"","large":""},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/348069"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=348069"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/348069\/revisions"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=348069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=348069"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=348069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}