{"id":347051,"date":"2017-08-08T09:40:47","date_gmt":"2017-08-08T13:40:47","guid":{"rendered":"http:\/\/myscena.org\/?p=347051\/"},"modified":"2017-10-08T20:36:44","modified_gmt":"2017-10-09T00:36:44","slug":"40e-anniversaire-du-festival-de-lanaudiere-retour-sur-les-festivites","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/40e-anniversaire-du-festival-de-lanaudiere-retour-sur-les-festivites\/","title":{"rendered":"40e anniversaire du Festival de Lanaudi\u00e8re : Retour sur les festivit\u00e9s!"},"content":{"rendered":"<div id=\"attachment_347054\" style=\"width: 547px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/08\/lanaudierr-2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-347054\" class=\" wp-image-347054\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/08\/lanaudierr-2-300x200.jpg\" alt=\"\" width=\"537\" height=\"358\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/08\/lanaudierr-2-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2017\/08\/lanaudierr-2-600x400.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2017\/08\/lanaudierr-2.jpg 945w\" sizes=\"(max-width: 537px) 100vw, 537px\" \/><\/a><p id=\"caption-attachment-347054\" class=\"wp-caption-text\">Cr\u00e9dit photo : Festival de Lanaudi\u00e8re\u00a9Christina Alonso<\/p><\/div>\n<p>Joliette, le 7 ao\u00fbt 2017 \u2013 Dans le cadre de son 40<sup>e<\/sup>\u00a0anniversaire, l\u2019\u00e9quipe du Festival de Lanaudi\u00e8re invitait les m\u00e9lomanes \u00e0 venir red\u00e9couvrir les plus grandes \u0153uvres de la musique classique, du jazz et de l\u2019op\u00e9ra! Du\u00a0<strong>1<sup>er<\/sup><\/strong><strong>\u00a0<\/strong><strong>juillet au 6 ao\u00fbt 2017<\/strong>, la programmation comprenait quatorze concerts \u00e0 l\u2019Amphith\u00e9\u00e2tre Fernand-Lindsay, huit concerts dans les \u00e9glises de la r\u00e9gion et un concert \u00e0 la Salle Rolland-Brunelle, sans oublier les quatre soir\u00e9es de cin\u00e9ma musical en plein air. Malgr\u00e9 une m\u00e9t\u00e9o peu cl\u00e9mente, pr\u00e8s de 53\u00a0000 personnes ont assist\u00e9 aux festivit\u00e9s de cette 40<sup>e<\/sup>\u00a0saison, ce qui repr\u00e9sente un r\u00e9sultat comparable \u00e0 celui de 2016.<\/p>\n<p><strong>Alain Lef\u00e8vre et Kent Nagano en ouverture du 40<sup>e<\/sup><\/strong><strong>\u00a0<\/strong><strong>anniversaire!<\/strong><strong><br \/>\n<\/strong>C\u2019est le pianiste\u00a0<strong>Alain Lef\u00e8vre<\/strong>\u00a0et l\u2019<strong>Orchestre Symphonique de Montr\u00e9al<\/strong>\u00a0<strong>(OSM)<\/strong>, dirig\u00e9 par\u00a0<strong>Kent Nagano<\/strong>, qui ont donn\u00e9 le coup d\u2019envoi aux festivit\u00e9s de ce 40<sup>e<\/sup>\u00a0anniversaire du Festival lors d\u2019un concert pr\u00e9sent\u00e9 \u00e0 l\u2019Amphith\u00e9\u00e2tre Fernand-Lindsay, le samedi 1<sup>er<\/sup>\u00a0juillet. Pr\u00e9c\u00e9d\u00e9 de l\u2019\u0153uvre de Samy Moussa\u00a0<em>A Globe Itself Infolding,<\/em><em>\u00a0<\/em>interpr\u00e9t\u00e9e par l\u2019organiste titulaire de l\u2019orgue de la Maison symphonique de Montr\u00e9al,\u00a0<strong>Jean-Willy Kunz<\/strong>, Alain Lef\u00e8vre a interpr\u00e9t\u00e9 le concerto en\u00a0<em>sol<\/em><em>\u00a0<\/em>de Maurice Ravel. Le concert s\u2019est termin\u00e9 avec la Symphonie n<sup>o<\/sup>\u00a05 de Mahler.<\/p>\n<p style=\"background: white;\"><strong><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">I Musici et Les Violons du Roy r\u00e9unis sur la sc\u00e8ne de l\u2019Amphith\u00e9\u00e2tre Fernand-Lindsay<\/span><\/strong><b><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\"><br \/>\n<\/span><\/b><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">Le weekend des 8 et 9 juillet, deux c\u00e9l\u00e8bres orchestres qu\u00e9b\u00e9cois se sont r\u00e9unis sur la sc\u00e8ne de l\u2019Amphith\u00e9\u00e2tre Fernand-Lindsay lors de trois concerts comprenant les plus grandes symphonies de la fin du 18<sup>e<\/sup><span class=\"apple-converted-space\">\u00a0<\/span>si\u00e8cle et du d\u00e9but du 19<sup>e<\/sup><span class=\"apple-converted-space\">\u00a0<\/span>si\u00e8cle. Le samedi 8 juillet en apr\u00e8s-midi, l\u2019<strong><span style=\"font-family: Arial;\">Orchestre de chambre I Musici de Montr\u00e9al<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>et<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Les Violons du Roy<\/span><\/strong>, sous la direction de<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Jean-Marie Zeitouni<\/span><\/strong>, ont interpr\u00e9t\u00e9 la Symphonie<span class=\"apple-converted-space\">\u00a0<\/span><em><span style=\"font-family: Arial;\">Inachev\u00e9e<\/span><\/em><span class=\"apple-converted-space\">\u00a0<\/span>de Schubert et la Symphonie n<sup>o<span class=\"apple-converted-space\">\u00a0<\/span><\/sup>3 (<em><span style=\"font-family: Arial;\">Eroica<\/span><\/em>) de Beethoven. En soir\u00e9e, les deux orchestres \u00e9taient de retour sur sc\u00e8ne afin d\u2019interpr\u00e9ter la Symphonie n<sup>o<\/sup><span class=\"apple-converted-space\">\u00a0<\/span>40 en<span class=\"apple-converted-space\">\u00a0<\/span><em><span style=\"font-family: Arial;\">sol<\/span><\/em><span class=\"apple-converted-space\"><i>\u00a0<\/i><\/span>mineur de Mozart, sous la direction de<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Bernard Labadie<\/span><\/strong>, et la Septi\u00e8me Symphonie de Beethoven, sous la direction de Jean-Marie Zeitouni.<\/span><span style=\"font-size: 9.0pt; font-family: Arial; color: #222222;\">\u00a0<\/span><\/p>\n<p style=\"background: white; orphans: auto; text-align: start; widows: 1; -webkit-text-stroke-width: 0px; word-spacing: 0px;\"><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">Le lendemain, le dimanche 9 juillet en apr\u00e8s-midi, les deux orchestres ont interpr\u00e9t\u00e9 la Symphonie n<sup>o<\/sup><span class=\"apple-converted-space\">\u00a0<\/span>104 de Haydn, dites<span class=\"apple-converted-space\">\u00a0<\/span><em><span style=\"font-family: Arial;\">Londres<\/span><\/em>, pour ensuite terminer leur triptyque avec la fameuse Cinqui\u00e8me Symphonie de Beethoven, sous la direction de Jean-Marie Zeitouni en remplacement de Bernard Labadie.<\/span><span style=\"font-size: 9.0pt; font-family: Arial; color: #222222;\">\u00a0<\/span><\/p>\n<p style=\"background: white; orphans: auto; text-align: start; widows: 1; -webkit-text-stroke-width: 0px; word-spacing: 0px;\"><strong><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">Marc-Andr\u00e9 Hamelin au Festival<\/span><\/strong><b><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\"><br \/>\n<\/span><\/b><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">Le weekend des 21 et 22 juillet, le pianiste<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Marc-Andr\u00e9 Hamelin<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>\u00e9tait de passage au Festival pour la pr\u00e9sentation de deux concerts. Le vendredi 21 juillet, il a offert un impressionnant r\u00e9cital de piano avec des sonates de Haydn, Feinberg et Beethoven, suivies de la<span class=\"apple-converted-space\">\u00a0<\/span><em><span style=\"font-family: Arial;\">Fantaisie<\/span><\/em><span class=\"apple-converted-space\"><i>\u00a0<\/i><\/span>op. 17 de Schumann et de plusieurs rappels. Le lendemain, le samedi 22 juillet, l\u2019<strong><span style=\"font-family: Arial;\">Orchestre<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">M\u00e9tropolitain<\/span><\/strong>, sous la direction de<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Mathieu<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Lussier<\/span><\/strong>, a interpr\u00e9t\u00e9 l\u2019Ouverture de la<span class=\"apple-converted-space\">\u00a0<\/span><em><span style=\"font-family: Arial;\">Fl\u00fbte Enchant\u00e9e<\/span><\/em><span class=\"apple-converted-space\">\u00a0<\/span>et la Symphonie n<sup>o<\/sup><span class=\"apple-converted-space\">\u00a0<\/span>41 de Mozart. En deuxi\u00e8me partie, le pianiste s\u2019est joint \u00e0 l\u2019orchestre afin d\u2019interpr\u00e9ter l\u2019imposant concerto<span class=\"apple-converted-space\"><i>\u00a0<\/i><\/span><em><span style=\"font-family: Arial;\">Empereur<\/span><\/em><span class=\"apple-converted-space\"><i>\u00a0<\/i><\/span>de Beethoven.<\/span><span style=\"font-size: 9.0pt; font-family: Arial; color: #222222;\">\u00a0<\/span><\/p>\n<p style=\"background: white;\"><strong><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">Finale grandiose de la 40<sup>e<\/sup><\/span><\/strong><span class=\"apple-converted-space\"><b><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">\u00a0<\/span><\/b><\/span><strong><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">saison!<\/span><\/strong><b><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\"><br \/>\n<\/span><\/b><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">Lors du dernier weekend du 40<sup>e<\/sup><span class=\"apple-converted-space\">\u00a0<\/span>anniversaire du Festival, l\u2019<strong><span style=\"font-family: Arial;\">OSM<\/span><\/strong><span class=\"apple-converted-space\"><b>\u00a0<\/b><\/span>et<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Kent<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Nagano<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>ont offert deux magnifiques concerts. Le vendredi 4 ao\u00fbt, l\u2019<strong><span style=\"font-family: Arial;\">OSM<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>s\u2019est joint \u00e0 la pianiste<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Yulianna Avdeeva<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>afin d\u2019interpr\u00e9ter le concerto pour piano n<sup>o<\/sup><span class=\"apple-converted-space\">\u00a0<\/span>1 de Tcha\u00efkovski. Le concert s\u2019est termin\u00e9 avec la Deuxi\u00e8me Symphonie de Brahms. Le lendemain, le samedi 5 ao\u00fbt, l\u2019<strong><span style=\"font-family: Arial;\">OSM<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>et<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Kent<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Nagano<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>\u00e9taient de retour mais cette fois-ci pour interpr\u00e9ter la Symphonie n<sup>o<span class=\"apple-converted-space\">\u00a0<\/span><\/sup>39 de\u00a0<strong><span style=\"font-family: Arial;\">Mozart<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>et le<span class=\"apple-converted-space\">\u00a0<\/span><em><span style=\"font-family: Arial;\">Requiem<\/span><\/em><span class=\"apple-converted-space\">\u00a0<\/span>de<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Faur\u00e9<\/span><\/strong>. Pour cette derni\u00e8re pi\u00e8ce, l\u2019OSM s\u2019est joint \u00e0 la soprano<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Sumi Jo<\/span><\/strong>, le baryton<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Jean-Fran\u00e7ois Lapointe<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>et l\u2019<strong><span style=\"font-family: Arial;\">Ensemble choral du Festival<\/span><\/strong>, sous la direction d\u2019<strong><span style=\"font-family: Arial;\">Andrew Megill<\/span><\/strong>.<\/span><span style=\"font-size: 9.0pt; font-family: Arial; color: #222222;\">\u00a0<\/span><\/p>\n<p style=\"background: white; orphans: auto; text-align: start; widows: 1; -webkit-text-stroke-width: 0px; word-spacing: 0px;\"><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">Le dimanche 6 ao\u00fbt, le 40<sup>e<\/sup><span class=\"apple-converted-space\">\u00a0<\/span>anniversaire du Festival s\u2019est cl\u00f4t avec un moment historique\u00a0: l\u2019<strong><span style=\"font-family: Arial;\">Orchestre M\u00e9tropolitain<\/span><\/strong>, sous la direction de<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Yannick N\u00e9zet-S\u00e9guin<\/span><\/strong>, a pr\u00e9sent\u00e9 en version concert le c\u00e9l\u00e8bre op\u00e9ra<span class=\"apple-converted-space\">\u00a0<\/span><em><span style=\"font-family: Arial;\">Parsifal<\/span><\/em><span class=\"apple-converted-space\"><i>\u00a0<\/i><\/span>de Wagner. Cette pi\u00e8ce, qui n\u2019avait pas \u00e9t\u00e9 pr\u00e9sent\u00e9e au Qu\u00e9bec depuis plus d\u2019un si\u00e8cle, a su captiver la foule et la faire voyager \u00e0 travers l\u2019\u00e9pop\u00e9e m\u00e9di\u00e9vale qu\u2019elle raconte. La distribution comprenait<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Christian Elsner<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>(Parsifal),<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Mihoko Fujimura<\/span><\/strong>(Kundry),<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Peter Rose<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>(Gurnemanz),<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Boaz Daniel<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>(Klingsor),<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Brett Polegato<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>(Amfortas) et<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Thomas Goerz<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>(Titurel).<\/span><span style=\"font-size: 9.0pt; font-family: Arial; color: #222222;\">\u00a0<\/span><\/p>\n<p style=\"background: white;\"><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">D\u2019autres grands concerts ont \u00e9galement \u00e9t\u00e9 pr\u00e9sent\u00e9s \u00e0 l\u2019Amphith\u00e9\u00e2tre Fernand-Lindsay dans le cadre de ce 40<sup>e<\/sup>anniversaire : la<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Sinfonia de Lanaudi\u00e8re<\/span><\/strong>, sous la direction de<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">St\u00e9phane Laforest<\/span><\/strong>, accompagn\u00e9 par les deux virtuoses<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Emily Oulousian<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>et<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Zhan Hong Xiao<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>(15 juillet); l\u2019<strong><span style=\"font-family: Arial;\">Orchestre National de Jazz de Montr\u00e9al<\/span><\/strong>, dirig\u00e9 par\u00a0<strong><span style=\"font-family: Arial;\">Jean-Nicolas Trottier<\/span><\/strong>, accompagn\u00e9 par la chanteuse<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Sarah Rossy<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>qui a interpr\u00e9t\u00e9 de grands classiques de la belle \u00e9poque du Big Band Jazz (16 juillet); le<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Virtuose Orchestra<\/span><\/strong>, compos\u00e9 de huit jeunes musiciens talentueux de l\u2019\u00e9mission Virtuose, sous la direction de<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Gregory Charles<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>(23 juillet); des classiques d\u2019op\u00e9ra avec l\u2019<strong><span style=\"font-family: Arial;\">Orchestre du Festival<\/span><\/strong><span class=\"apple-converted-space\"><b>\u00a0<\/b><\/span>et le<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Ch\u0153ur Fernand-Lindsay<\/span><\/strong>, sous la direction de<span class=\"apple-converted-space\"><b>\u00a0<\/b><\/span><strong><span style=\"font-family: Arial;\">Julien Proulx<\/span><\/strong>, le baryton<span class=\"apple-converted-space\"><b>\u00a0<\/b><\/span><strong><span style=\"font-family: Arial;\">Hugo Laporte<\/span><\/strong><span class=\"apple-converted-space\"><b>\u00a0<\/b><\/span>et la mezzo-soprano<span class=\"apple-converted-space\"><b>\u00a0<\/b><\/span><strong><span style=\"font-family: Arial;\">Marie-Andr\u00e9e Mathieu<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>(29 juillet) et finalement, le concert \u00ab\u00a0Deux voix, dix doigts!\u00a0\u00bb de<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Gregory Charles<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>et de<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Marc Hervieux<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>(30 juillet).<\/span><span style=\"font-size: 9.0pt; font-family: Arial; color: #222222;\">\u00a0<\/span><\/p>\n<p style=\"background: white;\"><strong><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">La s\u00e9rie des concerts en \u00e9glises et \u00e0 la Salle Rolland-Brunelle<\/span><\/strong><b><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\"><br \/>\n<\/span><\/b><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">Cette saison, la s\u00e9rie des concerts pr\u00e9sent\u00e9s en \u00e9glises et \u00e0 la Salle Rolland-Brunelle a d\u00e9but\u00e9 le 6 juillet avec le concert du pianiste italien<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Luca Buratto<\/span><\/strong>. Les 11, 12 et 13 juillet, le<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Quatuor Jupiter<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>\u00e9tait de retour au Festival afin de terminer son int\u00e9grale des seize quatuors \u00e0 cordes de Beethoven, entam\u00e9 lors de la saison 2016. On retiendra \u00e9galement les trois concerts (18, 19 et 20 juillet) de musique de chambre de classiques viennois du violoncelliste<strong><span style=\"font-family: Arial;\">St\u00e9phane T\u00e9treault<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>accompagn\u00e9 de la pianiste<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Marie-\u00c8ve Scarfone<\/span><\/strong>, de l\u2019altiste<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Victor Fournelle-Blain<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>(20 juillet) et des membres du<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Quatuor Saguenay<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>ainsi que le r\u00e9cital de piano offert par le pianiste lanaudois<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Charles Richard-Hamelin<\/span><\/strong>, le 27 juillet. Finalement, cette s\u00e9rie s\u2019est termin\u00e9e le 28 juillet \u00e0 la Salle Rolland-Brunelle avec les suites<em><span style=\"font-family: Arial;\">Under the Influence<\/span><\/em><span class=\"apple-converted-space\">\u00a0<\/span>et<span class=\"apple-converted-space\">\u00a0<\/span><em><span style=\"font-family: Arial;\">Porgy and Bess<\/span><\/em><span class=\"apple-converted-space\">\u00a0<\/span>interpr\u00e9t\u00e9es par l\u2019<strong><span style=\"font-family: Arial;\">Orchestre National de Jazz<\/span><\/strong>, sous la direction de<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Christine Jensen<\/span><\/strong>, accompagn\u00e9 de la trompettiste<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Ingrid Jensen<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>et de la chanteuse<span class=\"apple-converted-space\">\u00a0<\/span><strong><span style=\"font-family: Arial;\">Sienna Dahlen<\/span><\/strong>.<\/span><span style=\"font-size: 9.0pt; font-family: Arial; color: #222222;\">\u00a0<\/span><\/p>\n<p class=\"m-2069493401406668525ecxmsonormal\" style=\"background: white;\"><strong><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">Cin\u00e9ma musical en plein air<\/span><\/strong><b><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\"><br \/>\n<\/span><\/b><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">En collaboration avec la Place des Arts et les municipalit\u00e9s de Joliette, de Saint-Charles-Borrom\u00e9e et de Notre-Dame-des-Prairies, le Festival proposait, les mardis soirs de la saison, sa douzi\u00e8me \u00e9dition du cin\u00e9ma musical en plein air gratuit. Le 11 juillet en ouverture, le Festival pr\u00e9sentait<span class=\"apple-converted-space\">\u00a0<\/span><em><b><span style=\"font-family: Arial;\">Pour l\u2019amour d\u2019Hollywood (Lala Land)<\/span><\/b><\/em>, film de<strong><span style=\"font-family: Arial;\">Damien Chazelle<\/span><\/strong><span class=\"apple-converted-space\">\u00a0<\/span>et laur\u00e9at du Golden Globe 2017 pour le meilleur film dans la cat\u00e9gorie musical ou com\u00e9die. Par la suite, les festivaliers ont pu visionner au grand air<span class=\"apple-converted-space\">\u00a0<\/span><em><b><span style=\"font-family: Arial;\">Florence Foster Jenkins<\/span><\/b><\/em><span class=\"apple-converted-space\"><b><i>\u00a0<\/i><\/b><\/span>(18 juillet),<span class=\"apple-converted-space\">\u00a0<\/span><em><b><span style=\"font-family: Arial;\">Les Trolls<\/span><\/b><\/em><span class=\"apple-converted-space\">\u00a0<\/span>(25 juillet) et finalement<span class=\"apple-converted-space\">\u00a0<\/span><em><b><span style=\"font-family: Arial;\">La Famille B\u00e9lier<\/span><\/b><\/em><span class=\"apple-converted-space\"><b><i>\u00a0<\/i><\/b><\/span>(1<sup>er<\/sup><span class=\"apple-converted-space\">\u00a0<\/span>ao\u00fbt).<\/span><span style=\"font-size: 9.0pt; font-family: Arial; color: #222222;\">\u00a0<\/span><\/p>\n<p style=\"background: white; orphans: auto; text-align: start; widows: 1; -webkit-text-stroke-width: 0px; word-spacing: 0px;\"><strong><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">Remerciements aux partenaires<\/span><\/strong><b><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\"><br \/>\n<\/span><\/b><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">Le Festival de Lanaudi\u00e8re souhaite remercier ses principaux partenaires qui contribuent directement au maintien des hauts standards artistiques et d\u2019accueil \u00e0 la client\u00e8le qui le caract\u00e9risent : le commanditaire pr\u00e9sentateur Hydro-Qu\u00e9bec en collaboration avec La Presse+ et le 98,5 fm, le gouvernement du Qu\u00e9bec \u00e0 travers le Conseil des arts et des lettres du Qu\u00e9bec et Tourisme Qu\u00e9bec, le gouvernement du Canada par le Minist\u00e8re du Patrimoine canadien et D\u00e9veloppement \u00e9conomique Canada, le Mouvement Desjardins du Qu\u00e9bec, la Soci\u00e9t\u00e9 des alcools du Qu\u00e9bec, Yamaha Musique, la Soci\u00e9t\u00e9 de la Place des Arts, les municipalit\u00e9s de Joliette, de Notre-Dame-des-Prairies et de Saint-Charles-Borrom\u00e9e, l\u2019Association touristique r\u00e9gionale de Lanaudi\u00e8re, A\u00e9roports de Montr\u00e9al, Amaro, RE-MAX Lanaudi\u00e8re inc., Villa Berthier, M. Jean-Pierre L\u00e9ger, la fondation J.-A. DeS\u00e8ve, Mme Jacqueline Desmarais et finalement les municipalit\u00e9s de la r\u00e9gion ainsi que ses nombreux partenaires du domaine de la culture, des m\u00e9dias, de l\u2019h\u00f4tellerie et de la restauration.<\/span><span style=\"font-size: 9.0pt; font-family: Arial; color: #222222;\">\u00a0<\/span><\/p>\n<p style=\"background: white;\"><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">Le Festival de Lanaudi\u00e8re remercie finalement son \u00e9quipe de b\u00e9n\u00e9voles, les Ami(e)s du Festival, pour leur d\u00e9vouement et la qualit\u00e9 des services offerts \u00e0 la client\u00e8le.<\/span><span style=\"font-size: 9.0pt; font-family: Arial; color: #222222;\">\u00a0<\/span><\/p>\n<p style=\"background: white; orphans: auto; text-align: start; widows: 1; -webkit-text-stroke-width: 0px; word-spacing: 0px;\"><strong><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">Prochain rendez-vous\u00a0: Juillet 2018<\/span><\/strong><b><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\"><br \/>\n<\/span><\/b><span style=\"font-size: 12.0pt; font-family: Arial; color: #222222;\">L\u2019\u00e9quipe du Festival de Lanaudi\u00e8re vous donne rendez-vous en juillet 2018 pour sa 41<sup>e<\/sup><span class=\"apple-converted-space\">\u00a0<\/span>saison. D\u2019ici l\u00e0, inscrivez-vous \u00e0 notre infolettre en consultant la page d\u2019accueil de notre site web au<span class=\"apple-converted-space\">\u00a0<\/span><a style=\"-webkit-tap-highlight-color: rgba(255, 255, 255, 0); word-wrap: break-word;\" href=\"http:\/\/lanaudiere.org\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=https:\/\/www.solutions-emailing.com\/i\/?id%3D2GXvq_2bgJV7h6ltERFoGG4bt_2bIlTN0idxkmirLqQNurT0jnweCOyyO_2bGVF2YoNomBu4HtrOxWYszYghI_2bf26brqyggUzdE3NAimNQfUkBlZKRcgJqfaA8vxzdMqCqtWyr&amp;source=gmail&amp;ust=1502287296358000&amp;usg=AFQjCNF74FrvJQiYkhfILVtm2Yn6B_RY6w\"><span style=\"color: #1155cc;\">www.lanaudiere.org<\/span><\/a><span class=\"apple-converted-space\">\u00a0<\/span>et suivez-nous sur les r\u00e9seaux sociaux pour \u00eatre \u00e0 l\u2019aff\u00fbt des activit\u00e9s qu&#8217;offre le Festival de Lanaudi\u00e8re!<\/span><span style=\"font-size: 9.0pt; font-family: Arial; color: #222222;\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Joliette, le 7 ao\u00fbt 2017 \u2013 Dans le cadre de son 40e\u00a0anniversaire, l\u2019\u00e9quipe du Festival de Lanaudi\u00e8re invitait les m\u00e9lomanes \u00e0 venir red\u00e9couvrir les plus grandes \u0153uvres de la musique classique, du jazz et de l\u2019op\u00e9ra! Du\u00a01er\u00a0juillet au 6 ao\u00fbt 2017, la programmation comprenait quatorze concerts \u00e0 l\u2019Amphith\u00e9\u00e2tre Fernand-Lindsay, huit concerts dans les \u00e9glises de<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/newswire\/40e-anniversaire-du-festival-de-lanaudiere-retour-sur-les-festivites\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":347052,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17261,17269,394,17273,17275,17279,17251,399,17267,17263],"tags":[15648,31696,15997,31699,31734,624,31566,14893,14998,15185,16195,31698,31697,15965,20543,13286,31695,16821],"class_list":{"0":"post-347051","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-classique-fr","8":"category-cordes","9":"category-musique-classique","10":"category-musique-de-chambre","11":"category-musique-orchestrale","12":"category-quebec-fr","13":"category-musique-vocale","14":"category-opera-fr","15":"category-piano-fr","16":"category-romantique","17":"tag-andrew-megill","18":"tag-boaz-daniel","19":"tag-brett-polegato","20":"tag-christian-elsner","21":"tag-ensemble-choral-du-festival","22":"tag-festivals","23":"tag-jean-francois-lapointe","24":"tag-jean-marie-zeitouni","25":"tag-jean-willy-kunz","26":"tag-les-violons-du-roy","27":"tag-mathieu-lussier","28":"tag-mihoko-fujimura","29":"tag-peter-rose","30":"tag-sinfonia-de-lanaudiere","31":"tag-stephane-laforest","32":"tag-sumi-jo","33":"tag-thomas-goerz","34":"tag-yulianna-avdeeva"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/08\/lanaudiere.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/08\/lanaudiere.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/08\/lanaudiere.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/347051"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=347051"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/347051\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/347052"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=347051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=347051"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=347051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}