{"id":346435,"date":"2017-07-26T10:43:54","date_gmt":"2017-07-26T15:43:54","guid":{"rendered":"http:\/\/myscena.org\/?p=346435\/"},"modified":"2017-07-26T10:44:52","modified_gmt":"2017-07-26T15:44:52","slug":"une-rencontre-dexception-entre-stephane-tetreault-et-paul-huang","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/une-rencontre-dexception-entre-stephane-tetreault-et-paul-huang\/","title":{"rendered":"Une rencontre d\u2019exception entre St\u00e9phane T\u00e9treault et Paul Huang"},"content":{"rendered":"

Orford, le 26 juillet 2017<\/strong>. \u2013 Le Festival Orford Musique 2017 est fier d\u2019orchestrer une rencontre sur sc\u00e8ne entre deux\u00a0<\/span>jeunes talentueux musiciens<\/span><\/strong>\u00a0<\/span>au parcours similaire, le violoncelliste St\u00e9phane T\u00e9treault<\/strong> et le violoniste Paul Huang<\/strong>. Accompagn\u00e9s de la grande pianiste Katherine Chi<\/strong>, ils uniront leur savoir-faire et leur personnalit\u00e9 lors d\u2019un concert \u00e0 la salle Gilles-Lefebvre le samedi\u00a0<\/span>5 ao\u00fbt<\/span><\/strong>\u00a0<\/span>d\u00e8s 20 h. Le m\u00e9lange de l\u2019\u00e9nergie fougueuse<\/span><\/strong>\u00a0<\/span>de ces trois jeunes musiciens cr\u00e9era certainement une prestation hors norme.<\/span><\/p>\n

\u00ab Ce rendez-vous entre le violoniste am\u00e9ricain Paul Huang et le\u00a0<\/span>tr\u00e8s aim\u00e9 violoncelliste<\/span><\/strong>\u00a0<\/span>de chez nous St\u00e9phane T\u00e9treault traduit mon d\u00e9sir de faire d\u2019Orford Musique un\u00a0<\/span>lieu de rencontre<\/span><\/strong>\u00a0<\/span>pour les artistes afin que ceux-ci puissent d\u00e9velopper des\u00a0<\/span>relations professionnelles<\/span><\/strong>\u00a0<\/span>et s\u2019entraider dans leur carri\u00e8re \u00bb, affirme Wonny Song, directeur artistique d\u2019Orford Musique.<\/span><\/p>\n

Au programme<\/span><\/strong><\/h3>\n


\n<\/span>Les deux musiciens auront l\u2019occasion de jouer ensemble lors de l\u2019interpr\u00e9tation de\u00a0<\/span>Passacaglia<\/span><\/em>\u00a0<\/i><\/span>de Johan Halvorsen (Haendel<\/span><\/strong>) ainsi que du\u00a0<\/span>Duo pour violon et violoncelle<\/span><\/em>, op. 7 de\u00a0<\/span>Zolt\u00e1n Kod\u00e1ly<\/span><\/strong>. Il s\u2019agit d\u2019un grand duo o\u00f9 l\u2019on per\u00e7oit, d\u00e8s les premi\u00e8res notes, des sonorit\u00e9s\u00a0<\/span>folkloriques hongroises<\/span><\/strong>, lieu de naissance du compositeur. En compagnie de la pianiste\u00a0<\/span>Katherine Chi<\/span><\/strong>, les jeunes prodiges interpr\u00e9teront \u00e9galement le\u00a0<\/span>Trio avec piano n\u00b0 1 en r\u00e9 mineur<\/span><\/em>, op. 49 du compositeur allemand\u00a0<\/span>Felix Mendelssohn<\/span><\/strong>. En \u00e9coutant cette pi\u00e8ce, le public reconna\u00eetra, cette fois-ci, des sonorit\u00e9s du\u00a0<\/span>folklore tch\u00e8que<\/span><\/strong>, mais un folklore\u00a0<\/span>plus sombre<\/span><\/strong>, puisque Mendelssohn a compos\u00e9 cette pi\u00e8ce pour rendre hommage \u00e0 sa d\u00e9funte fille.<\/span><\/p>\n

\u00c0 propos de St\u00e9phane T\u00e9treault<\/span><\/strong><\/h3>\n


\n<\/span>D\u00e9tenteur d\u2019innombrables\u00a0<\/span>prix et distinctions<\/span><\/strong>, St\u00e9phane T\u00e9treault a re\u00e7u la\u00a0<\/span>Bourse de carri\u00e8re Fernand-Lindsay<\/span><\/strong>\u00a0<\/b><\/span>de la Fondation P\u00e8re Lindsay en 2013 et a \u00e9t\u00e9 choisi dans la Classe d\u2019excellence de violoncelle\u00a0<\/span>Gautier Capu\u00e7on<\/span><\/strong>\u00a0<\/span>de la Fondation Louis Vuitton en 2015. L\u2019ann\u00e9e suivante, il fait ses d\u00e9buts avec l\u2019Orchestre symphonique de Philadelphie sous la direction de\u00a0<\/span>Maestro N\u00e9zet-S\u00e9guin<\/span><\/strong>. Lors de la saison 2017-2018, il aura la chance de se produire \u00e0 la K\u00f6lner Philharmonie, \u00e0 la Philharmonie de Paris ainsi qu\u2019au c\u00e9l\u00e8bre Concertgebouw d\u2019Amsterdam. Ses deux albums ont re\u00e7u\u00a0<\/span>plusieurs honneurs<\/span><\/strong>; son premier disque, enregistr\u00e9 avec l\u2019Orchestre symphonique de Qu\u00e9bec, s\u2019est vu remettre le Choix de l\u2019\u00e9diteur du prestigieux magazine\u00a0<\/span>Gramophone<\/span><\/em>\u00a0<\/i><\/span>et son deuxi\u00e8me album, avec la pianiste Marie-\u00c8ve Scarfone, s\u2019est trouv\u00e9 parmi les\u00a0<\/span>meilleurs albums de l\u2019ann\u00e9e<\/span><\/strong>\u00a0<\/span>dans la liste Critic’s Choice 2016 du\u00a0m\u00eame \u00a0magazine.\u00a0 St\u00e9phane \u00a0T\u00e9treault \u00a0joue \u00a0sur \u00a0le \u00a0violoncelle \u00a0Stradivarius<\/span><\/strong>\u00a0 \u00ab \u00a0Comtesse \u00a0de \u00a0Stainlein, \u00a0Ex-
\nPaganini \u00bb de 1707.<\/span><\/p>\n

\u00c0 propos de Paul Huang<\/span><\/strong><\/p>\n


\n<\/span>Laur\u00e9at de la prestigieuse\u00a0<\/span>Bourse de carri\u00e8re Avery-Fisher<\/span><\/strong>\u00a0<\/span>en 2015, le violoniste am\u00e9ricain d\u2019origine ta\u00efwanaise Paul Huang se distingue rapidement par\u00a0son\u00a0<\/span>unique<\/span><\/strong>\u00a0<\/span>et sa grande\u00a0<\/span>virtuosit\u00e9<\/span><\/strong>. D\u2019ailleurs, leNew York Post l<\/span><\/em>e d\u00e9crit comme \u00e9tant \u00ab un artiste vou\u00e9 \u00e0 une grande carri\u00e8re \u00bb. D\u00e8s le d\u00e9but de son parcours professionnel, Paul Huang re\u00e7oit\u00a0<\/span>plusieurs r\u00e9compenses<\/span><\/strong>, dont le premier prix de l\u2019International Violin Competition Sion-Valais en 2009 et le prix de la Classical Recording Foundation Young Artist en 2014. Au cours de la m\u00eame ann\u00e9e, M. Huang sort son premier\u00a0<\/b><\/span>album solo<\/span><\/strong>\u00a0<\/span>avec l\u2019\u00e9tiquette CHIMEI. Cette saison, il se produira en r\u00e9cital dans plusieurs grandes villes, dont New York, Chicago et Toronto. M. Huang a obtenu son baccalaur\u00e9at et sa ma\u00eetrise de la\u00a0<\/span>Juilliard School<\/span><\/strong>\u00a0<\/span>\u00e0 New York aux c\u00f4t\u00e9s des professeurs Hyo Kang et I-Hao Lee.<\/span><\/p>\n


\n<\/span>–
\nBilletterie<\/span><\/strong>
\n3165, ch. du Parc
\nOrford (Qu\u00e9bec) J1X 7A2
\n1 800 567-6155<\/span><\/a>
\nbilletterie@orford.mu<\/span><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Orford, le 26 juillet 2017. \u2013 Le Festival Orford Musique 2017 est fier d\u2019orchestrer une rencontre sur sc\u00e8ne entre deux\u00a0jeunes talentueux musiciens\u00a0au parcours similaire, le violoncelliste St\u00e9phane T\u00e9treault et le violoniste Paul Huang. Accompagn\u00e9s de la grande pianiste Katherine Chi, ils uniront leur savoir-faire et leur personnalit\u00e9 lors d\u2019un concert \u00e0 la salle Gilles-Lefebvre le<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":346440,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[16922,394,17279,17271],"tags":[13735,31597,13343,31596,14895,12671],"class_list":{"0":"post-346435","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-communiques","8":"category-musique-classique","9":"category-quebec-fr","10":"category-violon","11":"tag-felix-mendelssohn","12":"tag-festival-orford-musique","13":"tag-katherine-chi","14":"tag-paul-huang","15":"tag-stephane-tetreault","16":"tag-zoltan-kodaly"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/07\/Orford.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/07\/Orford.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/07\/Orford.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/346435"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=346435"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/346435\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/346440"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=346435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=346435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=346435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}