{"id":339376,"date":"2017-02-23T09:59:13","date_gmt":"2017-02-23T14:59:13","guid":{"rendered":"http:\/\/myscena.org\/fr\/?p=339376"},"modified":"2017-02-23T12:59:55","modified_gmt":"2017-02-23T17:59:55","slug":"le-code-des-luthiers-de-la-maison-gand-bernardel-la-valeur-marchande-des-instruments-au-xixe-siecle-sera-revelee","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/olivier-gentil\/le-code-des-luthiers-de-la-maison-gand-bernardel-la-valeur-marchande-des-instruments-au-xixe-siecle-sera-revelee\/","title":{"rendered":"Le code des luthiers de la Maison Gand &#038; Bernardel  : La valeur marchande des instruments au XIXe si\u00e8cle r\u00e9v\u00e9l\u00e9e"},"content":{"rendered":"<p>Le code des luthiers\u00a0: Un cryptographe du CNRS et un conservateur du Mus\u00e9e de la musique ont r\u00e9ussi \u00e0 d\u00e9chiffrer les myst\u00e8res des registres entretenus par la Maison Gand &amp;\u00a0Bernardel (maison de lutherie) au XIXe si\u00e8cle. Certaines informations \u00e9taient not\u00e9es \u00e0 l\u2019aide d&#8217;un code, dans le but de faciliter le commerce en identifiant discr\u00e8tement certains \u00e9l\u00e9ments tels que la notori\u00e9t\u00e9 des luthiers et le prix sugg\u00e9r\u00e9. La d\u00e9couverte pourrait confirmer ou infirmer la valeur marchande qu&#8217;accordaient les acheteurs\u00a0de l&#8217;\u00e9poque \u00e0 certains instruments, notamment certains Stradivarius.\u00a0<a href=\"http:\/\/www.lemonde.fr\/sciences\/article\/2017\/02\/20\/le-code-des-luthiers-decrypte_5082590_1650684.html\">[Le Monde]<\/a>\u00a0<a href=\"http:\/\/www.lefigaro.fr\/musique\/2017\/02\/23\/03006-20170223ARTFIG00012-le-code-secret-des-luthiers-parisiens-au-xixe-siecle-decrypte.php\">[Le Figaro]<\/a>\u00a0<a href=\"http:\/\/www.la-croix.com\/Culture\/Musique\/Un-code-secret-etait-utilise-luthiers-parisiens-pour-cacher-veritable-prix-violons-2017-02-21-1200826374\">[La croix]<\/a>\u00a0<a href=\"https:\/\/www.sciencesetavenir.fr\/high-tech\/un-code-harmonieux-dans-les-registres-d-un-luthier-parisien_110640\">[Science et avenir]<\/a><\/p>\n<p><iframe loading=\"lazy\" frameborder=\"0\" width=\"702\" height=\"394\" src=\"https:\/\/www.dailymotion.com\/embed\/video\/x57ktz7\" allowfullscreen><\/iframe><\/p>\n<p>MONTR\u00c9AL<\/p>\n<ul>\n<li>D\u00e9voilement aujourd\u2019hui de la nouvelle saison musicale des Violons du Roy. <a href=\"http:\/\/www.ledevoir.com\/culture\/musique\/492327\/musique-classique-labadie-cohen-spinosi-garcia-alarcon-le-quatuor-magique-des-violons-du-roy\">[Le Devoir]<\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/02\/violon_Roy.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-339379\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/02\/violon_Roy-150x150.jpg\" alt=\"violon_Roy\" width=\"202\" height=\"179\" \/><\/a><\/p>\n<ul>\n<li>L\u2019OCCQ (qui rel\u00e8ve de l\u2019Institut de la Statistique du Qu\u00e9bec) d\u00e9nonce le manque de disponibilit\u00e9 des donn\u00e9es sur l\u2019\u00e9coute en ligne (<em>streaming<\/em>), d\u00e9tenu bien souvent pas les entreprises priv\u00e9es. <a href=\"http:\/\/www.ledevoir.com\/culture\/actualites-culturelles\/492329\/de-la-difficulte-de-colliger-et-faire-parler-les-donnees-statistiques-en-culture\">[Le Devoir]<\/a><\/li>\n<li>L\u2019INRS d\u00e9nonce un syst\u00e8me de financement des institutions culturelles non arrim\u00e9 aux r\u00e9alit\u00e9s num\u00e9riques et artistiques d\u2019aujourd\u2019hui. <a href=\"http:\/\/www.ledevoir.com\/culture\/actualites-culturelles\/492329\/de-la-difficulte-de-colliger-et-faire-parler-les-donnees-statistiques-en-culture\">[Le Devoir]<\/a><\/li>\n<\/ul>\n<p>INTERNATIONNAL<\/p>\n<ul>\n<li>Jonas Kauffman de retour sur sc\u00e8ne. Il a pratiqu\u00e9 lors de la g\u00e9n\u00e9rale hier \u00e0 l\u2019Op\u00e9ra de Vienne. <a href=\"http:\/\/slippedisc.com\/2017\/02\/jonas-kaufmanns-back\/#sthash.g6knUa8B.dpuf\">[Slippedisc]<\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/02\/1930841_30868129507_3167_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-339381\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/02\/1930841_30868129507_3167_n-225x300.jpg\" alt=\"1930841_30868129507_3167_n\" width=\"163\" height=\"217\" \/><\/a><\/p>\n<ul>\n<li>Les orchestres de Vienne, en Allemagne sous le r\u00e8gne du 3<sup>e<\/sup> Reich. Critique du livre <em>The Political Orchestra:<\/em>\u00a0The Vienna and Berlin Philharmonics During the Third Reich<strong>,\u00a0<\/strong>par Fritz Tr\u00fcmpi. <a href=\"http:\/\/classicalvoiceamerica.org\/2017\/02\/22\/vienna-berlin-orchestras-amid-nazi-brutality\/\">[Classic Voice America]<\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/02\/livre-political.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-339383\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/02\/livre-political.jpeg\" alt=\"livre political\" width=\"177\" height=\"266\" \/><\/a><\/p>\n<ul>\n<li>\u00c0 Brunswick (Basse-Saxe en Allemagne) le mus\u00e9e Herzog Anton Ulrich dit avoir retrouv\u00e9 un croquis de Rembrandt.<a href=\"http:\/\/www.lefigaro.fr\/arts-expositions\/2017\/02\/22\/03015-20170222ARTFIG00289-un-musee-allemand-croit-avoir-retrouve-un-rembrandt.php\"> [Le Figaro]<\/a><\/li>\n<li>D\u00e9c\u00e8s du chef d\u2019orchestre Huang Feili \u00e0 l\u2019\u00e2ge de 99 ans \u00e0 Hong King. <a href=\"http:\/\/slippedisc.com\/2017\/02\/conductor-beaten-up-in-cultural-revolution-dies-at-99\/\">[Slippedisc]<\/a><\/li>\n<li>Lle violoniste Joshua Bell et Sony Interactive Entertainment ont produit une vid\u00e9o permettant de vivre une exp\u00e9rience r\u00e9elle 360\u00b0 d\u2019un musicien en performance, utilisant la PlayStation VR headset. <a href=\"https:\/\/theviolinchannel.com\/joshua-bell-vr-experience-sony-virtual-reality\/\">[The Violin Channel]<\/a><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\"  id=\"_ytid_73372\"  width=\"702\" height=\"394\"  data-origwidth=\"702\" data-origheight=\"394\" src=\"https:\/\/www.youtube.com\/embed\/poI6E8O4jmQ?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le code des luthiers\u00a0: Un cryptographe du CNRS et un conservateur du Mus\u00e9e de la musique ont r\u00e9ussi \u00e0 d\u00e9chiffrer les myst\u00e8res des registres entretenus par la Maison Gand &amp;\u00a0Bernardel (maison de lutherie) au XIXe si\u00e8cle. Certaines informations \u00e9taient not\u00e9es \u00e0 l\u2019aide d&#8217;un code, dans le but de faciliter le commerce en identifiant discr\u00e8tement certains<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/olivier-gentil\/le-code-des-luthiers-de-la-maison-gand-bernardel-la-valeur-marchande-des-instruments-au-xixe-siecle-sera-revelee\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":3086,"featured_media":339431,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17259,17040,17261,17265,17294,17277,394,17275,17279],"tags":[4228,30511,30510,14766,30516,30407,20043,12645,30513,30512,30515,23852,30522,30519,30520,30521,4790,4759,30518,30517,18026,30514],"class_list":{"0":"post-339376","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ancienne-et-baroque","8":"category-apercu-des-nouvelles","9":"category-classique-fr","10":"category-contemporaine","11":"category-industrie-culturelle","12":"category-musique-canadienne","13":"category-musique-classique","14":"category-musique-orchestrale","15":"category-quebec-fr","16":"tag-brunswick","17":"tag-cnrs","18":"tag-code-des-luthiers","19":"tag-huang-feili","20":"tag-inrs","21":"tag-jonas-kauffman","22":"tag-jonas-kaufman","23":"tag-joshua-bell","24":"tag-maison-gand-bernardel","25":"tag-musee-de-la-musique","26":"tag-occq","27":"tag-opera-mcgill-fr-6","28":"tag-playstation-vr-headset","29":"tag-political-music","30":"tag-rembrandt","31":"tag-sony-interactive-entertainment","32":"tag-stradivarius","33":"tag-streaming","34":"tag-third-reich","35":"tag-vienna-and-berlin-philharmonics","36":"tag-violons-du-roy-fr","37":"tag-xixe","38":"type-nouvelles","39":"section-actualites-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/02\/code-1.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/02\/code-1.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/02\/code-1.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/339376"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/3086"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=339376"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/339376\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/339431"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=339376"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=339376"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=339376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}