{"id":338639,"date":"2017-02-06T10:21:02","date_gmt":"2017-02-06T15:21:02","guid":{"rendered":"http:\/\/myscena.org\/fr\/?p=338639"},"modified":"2017-02-23T13:07:02","modified_gmt":"2017-02-23T18:07:02","slug":"les-nouvelles-du-jour-6-fevrier-2017","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/olivier-gentil\/les-nouvelles-du-jour-6-fevrier-2017\/","title":{"rendered":"Les nouvelles du jour : 6 f\u00e9vrier 2017"},"content":{"rendered":"<p><strong>Montreal<\/strong><\/p>\n<p>Julie Boulianne re\u00e7oit le prix d\u2019interpr\u00e8te de l\u2019ann\u00e9e et Charles Richard-Hamelin le prix du rayonnement \u00e0 l\u2019\u00e9tranger dans le cadre de la 20<sup>e<\/sup> \u00e9dition des prix Opus du Conseil qu\u00e9b\u00e9cois de la musique. <a href=\"http:\/\/www.ledevoir.com\/culture\/musique\/490954\/prix-opus-julie-boulianne-interprete-de-l-annee\">http:\/\/www.ledevoir.com\/culture\/musique\/490954\/prix-opus-julie-boulianne-interprete-de-l-annee<\/a><\/p>\n<p><strong>\u00ab <\/strong>La pianiste arm\u00e9nienne [Nareh Arghamanyan] revient \u00e0 Montr\u00e9al neuf ans apr\u00e8s avoir \u00e9t\u00e9 r\u00e9v\u00e9l\u00e9e par le Concours musical\u00a0<strong>\u00bb <\/strong>: \u00ab\u00a0Je viens sp\u00e9cialement pour vous, pour tous les amis de la musique \u00e0 Montr\u00e9al\u00a0\u00bb\u00a0&#8211;En entrevue dans le journal Le Devoir. &#8211; <a href=\"http:\/\/www.ledevoir.com\/culture\/musique\/490745\/classique-nareh-arghamanyan-entre-melancolie-et-pyrotechnie\">http:\/\/www.ledevoir.com\/culture\/musique\/490745\/classique-nareh-arghamanyan-entre-melancolie-et-pyrotechnie<\/a><\/p>\n<p>La fermeture des HMV pourrait engendrer une augmentation des prix des albums de r\u00e9\u00e9ditions jazz. <a href=\"http:\/\/www.ledevoir.com\/culture\/musique\/490746\/turbulences-en-vue-pour-le-jazz\">http:\/\/www.ledevoir.com\/culture\/musique\/490746\/turbulences-en-vue-pour-le-jazz<\/a><\/p>\n<p>La fermeture des HMV pourrait engendrer une augmentation des prix des albums de r\u00e9\u00e9ditions jazz. <a href=\"http:\/\/www.ledevoir.com\/culture\/musique\/490746\/turbulences-en-vue-pour-le-jazz\">http:\/\/www.ledevoir.com\/culture\/musique\/490746\/turbulences-en-vue-pour-le-jazz<\/a><\/p>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/02\/Capture-d\u2019e\u0301cran-2017-02-05-a\u0300-21.33.26.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-338637\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/02\/Capture-d\u2019e\u0301cran-2017-02-05-a\u0300-21.33.26.png\" alt=\"Capture d\u2019e\u0301cran 2017-02-05 a\u0300 21.33.26\" width=\"388\" height=\"507\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/02\/Capture-d\u2019e\u0301cran-2017-02-05-a\u0300-21.33.26.png 388w, https:\/\/myscena.org\/wp-content\/uploads\/2017\/02\/Capture-d\u2019e\u0301cran-2017-02-05-a\u0300-21.33.26-300x392.png 300w\" sizes=\"(max-width: 388px) 100vw, 388px\" \/><\/a><\/p>\n<p><strong>International<\/strong><\/p>\n<p>\u00ab Le violoncelliste autrichien de 25 ans\u00a0<a href=\"http:\/\/www.resmusica.com\/mot-clef\/kian-soltani\/\">Kian Soltani<\/a>\u00a0a \u00e9t\u00e9 nomm\u00e9 laur\u00e9at du Prix Leonard Bernstein \u00bb <a href=\"http:\/\/www.resmusica.com\/2017\/02\/05\/kian-soltani-laureat-du-prix-leonard-bernstein\/\">http:\/\/www.resmusica.com\/2017\/02\/05\/kian-soltani-laureat-du-prix-leonard-bernstein\/<\/a><\/p>\n<p>En Suisse, se d\u00e9roulait hier la finale du 45<sup>e<\/sup> Prix de Lausanne, \u00e9v\u00e9nement visant \u00e0 remettre des bourses aux jeunes musiciens prometteurs. <a href=\"http:\/\/www.resmusica.com\/2017\/02\/05\/les-laureats-du-prix-de-lausanne-2017\/\">http:\/\/www.resmusica.com\/2017\/02\/05\/les-laureats-du-prix-de-lausanne-2017\/<\/a><\/p>\n<p>Les s\u0153urs Lab\u00e8que pr\u00e9sentent un nouvel enregistrement pr\u00e9sentant une adaptation \u00e0 deux pianos du Sacre du printemps de Stravinsky (sous Deutsche Grammophon) <a href=\"http:\/\/www.lefigaro.fr\/musique\/2017\/02\/05\/03006-20170205ARTFIG00036-les-soeurs-labeque-adaptent-le-sacre-du-printemps.php\">http:\/\/www.lefigaro.fr\/musique\/2017\/02\/05\/03006-20170205ARTFIG00036-les-soeurs-labeque-adaptent-le-sacre-du-printemps.php<\/a><\/p>\n<p>Le chef Otto Tausk nomm\u00e9 \u00e0 la t\u00eate de l\u2019Orchestre symphonique de Vancouver. <a href=\"http:\/\/www.resmusica.com\/2017\/02\/06\/otto-tausk-nouveau-directeur-musical-du-vancouver-symphony-orchestra\/\">http:\/\/www.resmusica.com\/2017\/02\/06\/otto-tausk-nouveau-directeur-musical-du-vancouver-symphony-orchestra\/<\/a> &#8211; \u00a0<a href=\"http:\/\/vancouversun.com\/entertainment\/local-arts\/vancouver-symphony-orchestra-taps-dutch-conductor-otto-tausk-as-next-music-director\">http:\/\/vancouversun.com\/entertainment\/local-arts\/vancouver-symphony-orchestra-taps-dutch-conductor-otto-tausk-as-next-music-director<\/a><\/p>\n<p>Sonya Yoncheva ne jouera pas dans la production d\u2019Eug\u00e8ne On\u00e9guine, arguant que le r\u00f4le ne convient plus artistiquement. <a href=\"https:\/\/www.francemusique.fr\/actualite-musicale\/sonya-yoncheva-ne-veut-plus-chanter-tatiana-32280\">https:\/\/www.francemusique.fr\/actualite-musicale\/sonya-yoncheva-ne-veut-plus-chanter-tatiana-32280<\/a><\/p>\n<p>Le pianiste <em>Walter Hautzig <\/em>est mort \u00e0 l\u2019\u00e2ge de 95 ans. Le New York Times nous offre un article particulier d\u00e9di\u00e9 \u00e0 sa vie et \u00e0 son exp\u00e9rience durant la Seconde Guerre mondiale.\u00a0<a href=\"https:\/\/www.nytimes.com\/2017\/02\/04\/arts\/music\/walter-hautzig-dead-flee-nazis.html?rref=collection%2Fspotlightcollection%2Fclassical-music-reviews\">https:\/\/www.nytimes.com\/2017\/02\/04\/arts\/music\/walter-hautzig-dead-flee-nazis.html?rref=collection%2Fspotlightcollection%2Fclassical-music-reviews<\/a><\/p>\n<p>Air Canada refuse au Violoncelliste Kremer d\u2019apporter son instrument \u00e0 bord de l\u2019avion. <a href=\"http:\/\/slippedisc.com\/2017\/02\/air-canada-refuse-to-fly-kremers-cellos\/\">http:\/\/slippedisc.com\/2017\/02\/air-canada-refuse-to-fly-kremers-cellos\/<\/a><\/p>\n<p>Gervase de Peyer, clarinettiste, conducteur et membre fondateur du Melos Ensemble est d\u00e9c\u00e9d\u00e9 \u00e0 l\u2019\u00e2ge de 90 ans. &#8211;\u00a0<a href=\"http:\/\/www.rhinegold.co.uk\/classical_music\/gervase-de-peyer-11-april-1926-4-february-2017\/\">http:\/\/www.rhinegold.co.uk\/classical_music\/gervase-de-peyer-11-april-1926-4-february-2017\/<\/a> \u00a0&#8211; <a href=\"http:\/\/slippedisc.com\/2017\/02\/sadness-a-clarinet-legend-has-died\/\">http:\/\/slippedisc.com\/2017\/02\/sadness-a-clarinet-legend-has-died\/<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Montreal Julie Boulianne re\u00e7oit le prix d\u2019interpr\u00e8te de l\u2019ann\u00e9e et Charles Richard-Hamelin le prix du rayonnement \u00e0 l\u2019\u00e9tranger dans le cadre de la 20e \u00e9dition des prix Opus du Conseil qu\u00e9b\u00e9cois de la musique. http:\/\/www.ledevoir.com\/culture\/musique\/490954\/prix-opus-julie-boulianne-interprete-de-l-annee \u00ab La pianiste arm\u00e9nienne [Nareh Arghamanyan] revient \u00e0 Montr\u00e9al neuf ans apr\u00e8s avoir \u00e9t\u00e9 r\u00e9v\u00e9l\u00e9e par le Concours musical\u00a0\u00bb :<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/olivier-gentil\/les-nouvelles-du-jour-6-fevrier-2017\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":3086,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17040,17261,416],"tags":[],"class_list":{"0":"post-338639","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-apercu-des-nouvelles","7":"category-classique-fr","8":"category-non-classe"},"featured_image_src":"","blog_images":{"medium":"","large":""},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/338639"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/3086"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=338639"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/338639\/revisions"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=338639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=338639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=338639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}