{"id":338586,"date":"2017-02-01T00:00:52","date_gmt":"2017-02-01T05:00:52","guid":{"rendered":"http:\/\/myscena.org\/fr\/?p=338586"},"modified":"2017-02-02T21:34:36","modified_gmt":"2017-02-03T02:34:36","slug":"stradivarius-lopera-spectra","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/ian-cochrane\/stradivarius-lopera-spectra\/","title":{"rendered":"Stradivarius \u00e0 l\u2019Op\u00e9ra (Spectra)"},"content":{"rendered":"

\"619061785926\"<\/a><\/p>\n

Stradivarius \u00e0 l\u2019Op\u00e9ra<\/em>
\n Alexandre Da Costa, violon, Vienna Symphony Orchestra<\/em>
\n Spectra 2016. SPECD7859. 60 min 10 s.<\/em><\/p>\n

Cet album luxueux contenant des extraits d\u2019op\u00e9ras marquants transcrits pour violon solo d\u00e9voile Alexandre Da Costa \u00e0 son meilleur. Le r\u00e9pertoire inclut la habanera de Carmen<\/em> de Bizet, la M\u00e9ditation de Tha\u00efs<\/em> de Massenet, la valse de Cavelleria Rusticana<\/em> de Mascagni et Nessun Dorma de Turandot<\/em> de Puccini. Le disque inclut aussi, de Richard Wagner, les pi\u00e8ces Romance de Tannhauser<\/em>, Liebeslied de Die Walk\u00fcre<\/em> et Preislied de Die Meistersinger von N\u00fcrnberg<\/em>.<\/p>\n

De renomm\u00e9e internationale, l\u2019Orchestre symphonique de Vienne s\u2019est montr\u00e9 un collaborateur id\u00e9al. Son timbre imposant se fusionne parfaitement avec le style r\u00e9sonnant de Da Costa. Au lieu d\u2019\u00e9couter deux m\u00e9lodies distinctes (soliste et orchestre), on per\u00e7oit \u00e0 quel point le soliste et l\u2019orchestre partagent une m\u00eame approche stylistique.<\/p>\n

Preislied tir\u00e9 de Meistersinger<\/em> est un excellent exemple de l\u2019impact \u00e9motionnel que Da Costa a pu communiquer en exploitant les capacit\u00e9s du violon de maintenir le phras\u00e9 au-del\u00e0 des possibilit\u00e9s de la voix. La M\u00e9ditation tir\u00e9e de Tha\u00efs<\/em> illustre parfaitement la pr\u00e9paration judicieuse qui a permis de d\u00e9finir une approche visant une interpr\u00e9tation musicalement satisfaisante.<\/p>\n

Cet enregistrement sera particuli\u00e8rement int\u00e9ressant pour les amateurs tant du violon que de l\u2019op\u00e9ra.<\/p>\n","protected":false},"excerpt":{"rendered":"

Stradivarius \u00e0 l\u2019Op\u00e9ra Alexandre Da Costa, violon, Vienna Symphony Orchestra Spectra 2016. SPECD7859. 60 min 10 s. Cet album luxueux contenant des extraits d\u2019op\u00e9ras marquants transcrits pour violon solo d\u00e9voile Alexandre Da Costa \u00e0 son meilleur. Le r\u00e9pertoire inclut la habanera de Carmen de Bizet, la M\u00e9ditation de Tha\u00efs de Massenet, la valse de Cavelleria<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":3067,"featured_media":338422,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,17275,399,17271],"tags":[14225,30288,30286,30287],"class_list":{"0":"post-338586","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-musique-orchestrale","9":"category-opera-fr","10":"category-violon","11":"tag-alexandre-da-costa","12":"tag-spectra","13":"tag-stradivarius-a-lopera","14":"tag-vienna-symphony-orchestra","15":"type-critique-de-disque","16":"volume-volume-22","17":"issue-vol-22-issue-5-fr","18":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Alexandre-Da-Costa-Stradivarius-a\u0300-lOpe\u0301ra-header.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Alexandre-Da-Costa-Stradivarius-a\u0300-lOpe\u0301ra-header.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Alexandre-Da-Costa-Stradivarius-a\u0300-lOpe\u0301ra-header.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/338586"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/3067"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=338586"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/338586\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/338422"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=338586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=338586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=338586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}