{"id":338331,"date":"2017-01-31T11:19:34","date_gmt":"2017-01-31T16:19:34","guid":{"rendered":"http:\/\/myscena.org\/?p=338331"},"modified":"2017-01-31T11:28:57","modified_gmt":"2017-01-31T16:28:57","slug":"cette-semaine-montreal-30-janvier-au-5-fevrier","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/olivier-gentil\/cette-semaine-montreal-30-janvier-au-5-fevrier\/","title":{"rendered":"Cette semaine \u00e0 Montr\u00e9al : 30 janvier au 5 f\u00e9vrier"},"content":{"rendered":"<p>Written by Ren\u00e9e Banville<\/p>\n<h3>QUEYRAS \u00a0\u00c0 PRO MUSICA<\/h3>\n<p>N\u00e9 au Qu\u00e9bec, le violoncelliste Jean-Guihen Queyras a \u00e9t\u00e9 longtemps soliste pour\u00a0l\u2019Ensemble intercontemporain dirig\u00e9 par Pierre Boulez, mais ce qui ne l\u2019a pas emp\u00each\u00e9 de s\u2019ouvrir \u00e0 un r\u00e9pertoire tr\u00e8s vari\u00e9. Apr\u00e8s un passage remarqu\u00e9 en 2015 avec le Quatuor Arcanto dont il est cofondateur, il sera de retour \u00e0 Pro Musica, en duo avec son complice Alexander Melnikov, dans un r\u00e9cital d\u2019\u0153uvres de Beethoven, Debussy et Chopin. Th\u00e9\u00e2tre Maisonneuve, 30 janvier, 20\u00a0h. www.promusica.qc.ca<\/p>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Ducros-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-338338\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Ducros-1.jpg\" alt=\"Ducros\" width=\"354\" height=\"236\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Ducros-1.jpg 354w, https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Ducros-1-300x200.jpg 300w\" sizes=\"(max-width: 354px) 100vw, 354px\" \/><\/a><\/p>\n<h3>CHAPELLE HISTORIQUE DU BON-PASTEUR<\/h3>\n<p>Les violoncelliste\u00a0Yegor Dyachkov et pianiste Jean\u00a0Saulnier pr\u00e9senteront un r\u00e9cital\u00a0mettant \u00e0 l&#8217;honneur les compositeurs\u00a0Martin\u016f,Crumb, Barber, et\u00a0Beethoven. Jeudi, 2 f\u00e9vrier, 19h30.\u00a0<a href=\"http:\/\/www.ville.Montreal.qc.ca\/chapellebonpasteur\">www.ville.Montreal.qc.ca\/chapellebonpasteur<\/a><\/p>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Yegor.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-338334\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Yegor.jpg\" alt=\"Yegor\" width=\"236\" height=\"354\" \/><\/a><\/p>\n<h3>LMMC \u2013 UN PROGRAMME D\u00c9DI\u00c9 \u00c0 GLENN GOULD<\/h3>\n<p>Le Ladies\u2019 Morning Musical Club re\u00e7oit pour la deuxi\u00e8me fois le jeune pianiste canadien Stewart Goodyear, aussi \u00e0 l\u2019aise comme concertiste que chambriste, soliste et compositeur. Les m\u00e9lomanes qui se souviennent de l\u2019int\u00e9grale des 32 sonates de Beethoven que Goodyear a ex\u00e9cut\u00e9e en 2012, l\u2019accueilleront sans doute avec enthousiasme. Dans le cadre de la 125<sup>e<\/sup> saison du LMMC, Stewart Goodyear va recr\u00e9er un programme que Glenn Gould a pr\u00e9sent\u00e9 lors de ses\u00a0d\u00e9buts au distingu\u00e9 club au Ritz Carlton, le 6 novembre 1952\u00a0: <em>Pavane<\/em> d\u2019Orlando Gibbons, <em>Partita no 5<\/em> de Bach, <em>Sonate en la majeur<\/em> de Beethoven, deux <em>Intermezzi<\/em> de Brahms et <em>Sonate<\/em> opus 1 de Berg. Salle Pollack, 5 f\u00e9vrier, 15\u00a0h\u00a030. www.lmmc.ca<\/p>\n<h3>JORDI SAVALL RETOURNE \u00c0 MONTR\u00c9AL<\/h3>\n<p>Le conducteur Catalan, compositeur et gambiste Jordi Savall pr\u00e9sentera un concert intitul\u00e9 \u00ab Venice Millenium \u2013 La porte de l\u2019Est \u00bb (<em>The Gateway to the East<\/em>) le 1er f\u00e9vrier en collaboration avec Traquen\u2019Art. De retour en ville pour la premi\u00e8re fois depuis 2010, Savall sera accompagn\u00e9 sur sc\u00e8ne de 32 musiciens de l\u2019Ensemble Vocal Orthodoxe\/Byzantin (Salonique, Gr\u00e8ce), Hesp\u00e8rion XXI, Le Concert des Nations et\u00a0La Capella Reial de Catalunya, afin d\u2019explorer la musique de Venise depuis l\u2019Empire byzantin en 770 jusqu\u2019\u00e0 la fin de la r\u00e9publique en 1797. Le programme, d\u00e9butant en Am\u00e9rique du Nord, pr\u00e9sentera un merveilleux portrait historique des territoires M\u00e9diterran\u00e9en, Byzantin, Ottaman, Grec, Turc, et Italien. &#8211; Th\u00e9\u00e2tre Maisonneuve, Place des des Arts, 19h 30, . <a href=\"http:\/\/www.traquenart.ca\/\">www.traquenart.ca<\/a>, (r\u00e9sum\u00e9 \u00e9crit par Kiersten Van Vliet &#8211; traduit par Olivier Gentil).<\/p>\n<p><iframe loading=\"lazy\"  id=\"_ytid_18286\"  width=\"702\" height=\"394\"  data-origwidth=\"702\" data-origheight=\"394\" src=\"https:\/\/www.youtube.com\/embed\/toIgOj7SqGw?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Written by Ren\u00e9e Banville QUEYRAS \u00a0\u00c0 PRO MUSICA N\u00e9 au Qu\u00e9bec, le violoncelliste Jean-Guihen Queyras a \u00e9t\u00e9 longtemps soliste pour\u00a0l\u2019Ensemble intercontemporain dirig\u00e9 par Pierre Boulez, mais ce qui ne l\u2019a pas emp\u00each\u00e9 de s\u2019ouvrir \u00e0 un r\u00e9pertoire tr\u00e8s vari\u00e9. Apr\u00e8s un passage remarqu\u00e9 en 2015 avec le Quatuor Arcanto dont il est cofondateur, il sera<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/olivier-gentil\/cette-semaine-montreal-30-janvier-au-5-fevrier\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":3086,"featured_media":316076,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17013],"tags":[16475,15240,17185,24861,30233,12067,30234,30270,13518,17461,1350],"class_list":{"0":"post-338331","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cette-semaine-a-montreal","8":"tag-alexander-melnikov","9":"tag-jean-guihen-queyras","10":"tag-jordi-savall","11":"tag-ladies-morning-musical-club","12":"tag-lensemble-intercontemporain","13":"tag-pierre-boulez","14":"tag-quatuor-arcanto","15":"tag-ritz-carlton","16":"tag-stewart-goodyear","17":"tag-theatre-maisonneuve","18":"tag-violoncelle"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2016\/06\/La-Scena-RSS-square.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2016\/06\/La-Scena-RSS-square.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2016\/06\/La-Scena-RSS-square.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/338331"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/3086"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=338331"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/338331\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/316076"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=338331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=338331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=338331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}