{"id":338187,"date":"2017-01-23T19:47:41","date_gmt":"2017-01-24T00:47:41","guid":{"rendered":"http:\/\/myscena.org\/fr\/?p=338187"},"modified":"2017-01-24T11:32:13","modified_gmt":"2017-01-24T16:32:13","slug":"cette-semaine-montreal-23-au-29-janvier-2017","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/olivier-gentil\/cette-semaine-montreal-23-au-29-janvier-2017\/","title":{"rendered":"Cette semaine \u00e0 Montr\u00e9al (23 au 29 janvier 2017)"},"content":{"rendered":"<p><strong>\u00a0<\/strong><\/p>\n<h3>BERTRAND ET AMOYEL<\/h3>\n<p>Pour leur premier concert \u00e0 Montr\u00e9al, la \u00advioloncelliste Emmanuelle Bertrand et le pianiste Pascal Amoyel ont \u00e9labor\u00e9 un programme qui refl\u00e8te la vie et l\u2019art de Chagall. Ce duo exceptionnel, qui a vu le jour en 1999, interpr\u00e9tera des \u0153uvres de Glick, Bloch et Greif. Salle Bourgie, 25 janvier, 19h30.\u00a0<a href=\"http:\/\/www.sallebourgie.ca\"><strong>www.sallebourgie.ca<\/strong><\/a><\/p>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Untitled-4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-338217\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Untitled-4.jpg\" alt=\"Untitled-4\" width=\"236\" height=\"236\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Untitled-4.jpg 236w, https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Untitled-4-100x100.jpg 100w\" sizes=\"(max-width: 236px) 100vw, 236px\" \/><\/a><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<h3>LE TSO \u00c0 MONTR\u00c9AL<\/h3>\n<p>Apr\u00e8s la prestation de l\u2019OSM au Roy Thomson Hall de Toronto en d\u00e9cembre, le Toronto Symphony Orchestra nous rend visite \u00e0 la Maison symphonique. Une tradition qui remonte \u00e0 1966. Avec son chef Peter Oundjan, le TSO pr\u00e9sente la <em>Symphonie no <\/em>7 de Dvor\u030c\u00e1k, une \u0153uvre d\u2019Edward Top, commande du TSO pour souligner le 150e anniversaire de la Conf\u00e9d\u00e9ration canadienne, et le <em>Concerto no 1 <\/em>de Tcha\u00efkovski. Pianiste invit\u00e9 : Stewart Goodyear. Maison symphonique, 25 janvier, 20h.\u00a0<a href=\"http:\/\/www.osm.ca\"><strong>www.osm.ca<\/strong><\/a><\/p>\n<p><iframe loading=\"lazy\"  id=\"_ytid_12764\"  width=\"702\" height=\"394\"  data-origwidth=\"702\" data-origheight=\"394\" src=\"https:\/\/www.youtube.com\/embed\/J0899Jovfe8?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<h3>SOIR\u00c9E DE RECUEILLEMENT<\/h3>\n<p>Deux compositeurs fran\u00e7ais d\u2019\u00e9poques et de styles diff\u00e9rents sont r\u00e9unis dans le <em>Concert fran\u00e7ais <\/em>pr\u00e9sent\u00e9 par le Ch\u0153ur classique de Montr\u00e9al et l\u2019Ensemble Sinfonia, sous la baguette exp\u00e9riment\u00e9e de Louis Lavigueur. <em>La Messe solennelle en l\u2019honneur de sainte C\u00e9cile <\/em>est l\u2019\u0153uvre la plus connue de Gounod hormis ses op\u00e9ras. <em>Le Requiem <\/em>de Durufl\u00e9 est sans doute l\u2019\u0153uvre la plus souvent jou\u00e9e de ce compositeur. Solistes : Julie Daoust, Pascale Spinney, \u00c9ric Th\u00e9riault et Pierre Rancourt. Maison symphonique, 28 janvier, 20h. <a href=\"http:\/\/www.choeurclassiquedemontreal.qc.ca\"><strong>www.choeurclassiquedemontreal.qc.ca<\/strong><\/a><\/p>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Untitled-3-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-338214\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Untitled-3-1.jpg\" alt=\"Untitled-3\" width=\"236\" height=\"236\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Untitled-3-1.jpg 236w, https:\/\/myscena.org\/wp-content\/uploads\/2017\/01\/Untitled-3-1-100x100.jpg 100w\" sizes=\"(max-width: 236px) 100vw, 236px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 BERTRAND ET AMOYEL Pour leur premier concert \u00e0 Montr\u00e9al, la \u00advioloncelliste Emmanuelle Bertrand et le pianiste Pascal Amoyel ont \u00e9labor\u00e9 un programme qui refl\u00e8te la vie et l\u2019art de Chagall. Ce duo exceptionnel, qui a vu le jour en 1999, interpr\u00e9tera des \u0153uvres de Glick, Bloch et Greif. Salle Bourgie, 25 janvier, 19h30.\u00a0www.sallebourgie.ca \u00a0<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/olivier-gentil\/cette-semaine-montreal-23-au-29-janvier-2017\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":3086,"featured_media":316077,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17013],"tags":[15318,572,15723,30233,450,3370,3601,17461,12956,446],"class_list":{"0":"post-338187","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cette-semaine-a-montreal","8":"tag-choeur-classique-de-montreal","9":"tag-classique","10":"tag-ensemble-sinfonia","11":"tag-lensemble-intercontemporain","12":"tag-montreal","13":"tag-queyras","14":"tag-tchaikovski","15":"tag-theatre-maisonneuve","16":"tag-toronto-symphony-orchestra","17":"tag-violin","18":"type-evenements-prochains"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2016\/06\/La-Scena-RSS-square.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2016\/06\/La-Scena-RSS-square.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2016\/06\/La-Scena-RSS-square.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/338187"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/3086"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=338187"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/338187\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/316077"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=338187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=338187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=338187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}