{"id":336647,"date":"2016-12-01T00:00:49","date_gmt":"2016-12-01T05:00:49","guid":{"rendered":"http:\/\/myscena.org\/fr\/?p=336647"},"modified":"2016-12-08T00:35:52","modified_gmt":"2016-12-08T05:35:52","slug":"la-scena-musicale-20-ans-gala-de-la-releve-2016-moments-forts-et-marques-daffection","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/hassan-laghcha\/la-scena-musicale-20-ans-gala-de-la-releve-2016-moments-forts-et-marques-daffection\/","title":{"rendered":"La Scena Musicale a 20 ans\u00a0! Gala de la rel\u00e8ve 2016, moments forts et marques d\u2019affection"},"content":{"rendered":"<p><em>La Scena Musicale<\/em> a vingt ans. L\u2019\u00e2ge de tous les r\u00eaves. Le concert-gala c\u00e9l\u00e9brant cet anniversaire, le 24 novembre \u00e0 la salle Pierre-Mercure du Centre Pierre-P\u00e9ladeau, d\u00e9bordait, en effet, de jeunesse et d\u2019espoir. Plusieurs \u00e9toiles montantes de la musique classique et de l\u2019op\u00e9ra ont enchant\u00e9 cet \u00e9v\u00e9nement d\u00e9di\u00e9 \u00e0 la rel\u00e8ve et au cours duquel un vibrant hommage a \u00e9t\u00e9 rendu \u00e0 la m\u00e9moire de l\u2019auteure et journaliste Lucie Renaud, d\u00e9c\u00e9d\u00e9e r\u00e9cemment et qui \u00e9tait parmi les plumes les plus inspir\u00e9es de <em>La Scena Musicale<\/em>.<\/p>\n<p>\u00ab\u00a0Nous avons lanc\u00e9 <em>La Scena Musicale<\/em> \u00e0 un moment o\u00f9 l\u2019avenir de la musique classique paraissait bien incertain, et nous avions comme mission d\u2019informer, d\u2019\u00e9duquer, d\u2019inspirer, de promouvoir la musique classique et la rendre accessible au public, d\u2019enflammer l\u2019imagination de chaque lecteur, qu\u2019il soit novice ou musicien professionnel\u00a0\u00bb, a dit, en ouverture, Wah Keung Chan, fondateur et r\u00e9dacteur en chef, soulignant le travail accompli pour le d\u00e9veloppement de la mission initiale afin d\u2019inclure tous les arts par le biais du magazine <em>La Scena<\/em> et le site maScena.org. \u00ab\u00a0<em>La Scena Musicale<\/em> est n\u00e9e humblement, avec des ressources financi\u00e8res limit\u00e9es. Aujourd\u2019hui encore, le magazine vit tr\u00e8s modestement\u00a0\u00bb, a-t-il indiqu\u00e9, exprimant au nom de ceux et celles qui contribuent de pr\u00e8s ou de loin \u00e0 la poursuite de ce r\u00eave la grande fiert\u00e9 de ce qui a \u00e9t\u00e9 r\u00e9alis\u00e9 durant ces 20 ans. \u00ab\u00a0Je vois bien plus que 212 num\u00e9ros lus par des millions de lecteurs. C\u2019est toute une vie de travail et d\u2019amour de la part des collaborateurs, b\u00e9n\u00e9voles, membres du conseil d\u2019administration, lecteurs et amis de <em>La Scena Musicale<\/em>.\u00a0\u00bb<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-336647 gallery-columns-2 gallery-size-main-block'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_012_FB.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"278\" height=\"185\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_012_FB.jpg\" class=\"attachment-main-block size-main-block\" alt=\"\" aria-describedby=\"gallery-1-336644\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_012_FB.jpg 2400w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_012_FB-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_012_FB-600x400.jpg 600w\" sizes=\"(max-width: 278px) 100vw, 278px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-336644'>\n\t\t\t\tWah Keung Chan, Photo: Marc Bourgeois\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_013_FB.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"278\" height=\"185\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_013_FB.jpg\" class=\"attachment-main-block size-main-block\" alt=\"\" aria-describedby=\"gallery-1-336642\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_013_FB.jpg 2400w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_013_FB-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_013_FB-600x400.jpg 600w\" sizes=\"(max-width: 278px) 100vw, 278px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-336642'>\n\t\t\t\tEmily Oulousian, Photo: Marc Bourgeois\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_015_FB.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"278\" height=\"185\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_015_FB.jpg\" class=\"attachment-main-block size-main-block\" alt=\"\" aria-describedby=\"gallery-1-336640\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_015_FB.jpg 2400w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_015_FB-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_015_FB-600x400.jpg 600w\" sizes=\"(max-width: 278px) 100vw, 278px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-336640'>\n\t\t\t\tHugo Laporte, Photo: Marc Bourgeois\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_017_FB.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"278\" height=\"185\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_017_FB.jpg\" class=\"attachment-main-block size-main-block\" alt=\"\" aria-describedby=\"gallery-1-336638\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_017_FB.jpg 2400w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_017_FB-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_017_FB-600x400.jpg 600w\" sizes=\"(max-width: 278px) 100vw, 278px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-336638'>\n\t\t\t\tQuartom, Photo: Marc Bourgeois\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_016_FB.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"278\" height=\"185\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_016_FB.jpg\" class=\"attachment-main-block size-main-block\" alt=\"\" aria-describedby=\"gallery-1-336636\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_016_FB.jpg 2400w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_016_FB-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_016_FB-600x400.jpg 600w\" sizes=\"(max-width: 278px) 100vw, 278px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-336636'>\n\t\t\t\tMichael McMahon, Photo: Marc Bourgeois\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_018_FB.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"278\" height=\"185\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_018_FB.jpg\" class=\"attachment-main-block size-main-block\" alt=\"\" aria-describedby=\"gallery-1-336634\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_018_FB.jpg 2400w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_018_FB-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_018_FB-600x400.jpg 600w\" sizes=\"(max-width: 278px) 100vw, 278px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-336634'>\n\t\t\t\tPiano Cam\u00e9l\u00e9ons, Photo: Marc Bourgeois\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_020_FB.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"278\" height=\"185\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_020_FB.jpg\" class=\"attachment-main-block size-main-block\" alt=\"\" aria-describedby=\"gallery-1-336632\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_020_FB.jpg 2400w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_020_FB-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_020_FB-600x400.jpg 600w\" sizes=\"(max-width: 278px) 100vw, 278px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-336632'>\n\t\t\t\tOlivier H\u00e9bert-Bouchard et David Dias da Silva, Photo: Marc Bourgeois\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_021_FB.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"278\" height=\"185\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_021_FB.jpg\" class=\"attachment-main-block size-main-block\" alt=\"\" aria-describedby=\"gallery-1-336630\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_021_FB.jpg 2400w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_021_FB-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_021_FB-600x400.jpg 600w\" sizes=\"(max-width: 278px) 100vw, 278px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-336630'>\n\t\t\t\tChelsea Rus, Photo: Marc Bourgeois\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_022_FB.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"278\" height=\"185\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_022_FB.jpg\" class=\"attachment-main-block size-main-block\" alt=\"\" aria-describedby=\"gallery-1-336628\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_022_FB.jpg 2400w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_022_FB-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_022_FB-600x400.jpg 600w\" sizes=\"(max-width: 278px) 100vw, 278px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-336628'>\n\t\t\t\tMusiciens avec bouquets de fleur, Photo: Marc Bourgeois\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_115-copy-scaled.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"277\" height=\"185\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_115-copy-scaled.jpg\" class=\"attachment-main-block size-main-block\" alt=\"\" aria-describedby=\"gallery-1-336626\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_115-copy-scaled.jpg 2560w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_115-copy-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_115-copy-600x400.jpg 600w\" sizes=\"(max-width: 277px) 100vw, 277px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-336626'>\n\t\t\t\tLe r\u00e9dacteur en chef Wah Keung Chan et son \u00e9pouse Lilian Liganor, Photo: Marc Bourgeois\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n<h3>De futures \u00e9toiles illuminent le gala<\/h3>\n<p>Au cours de cette soir\u00e9e haute en couleur, de brillants repr\u00e9sentants de la rel\u00e8ve se sont succ\u00e9d\u00e9s sur sc\u00e8ne, emmenant le public de voyage en voyage \u00e0 travers les merveilles de la musique classique et de l\u2019op\u00e9ra. La soprano Chelsea Rus et le baryton Hugo Laporte dans des airs d\u2019op\u00e9ra et des m\u00e9lodies des r\u00e9pertoires fran\u00e7ais, italien et allemand. Le clarinettiste David Dias da Silva, interpr\u00e9tant la <em>Premi\u00e8re Rapsodie<\/em> de Debussy. Le violoniste Joshua Peters, accompagn\u00e9 par le pianiste Philip Chiu dans le premier mouvement de la <em>Sonate no 9<\/em> \u00ab Kreutzer \u00bb de Beethoven.\u00a0 La pianiste Emily Oulousian, jouant avec gr\u00e2ce du Beethoven, du Chopin et du Prokofiev.\u00a0 Matt Herskowitz et John Roney (Piano Cam\u00e9l\u00e9ons), reproduisant des m\u00e9lodies de Bach, Chopin et Debussy sous des couleurs jazz. \u00c0 noter que l\u2019accompagnement des chanteurs a \u00e9t\u00e9 assur\u00e9 par le c\u00e9l\u00e8bre pianiste Michael McMahon. Le gala a \u00e9t\u00e9 anim\u00e9 avec brio par les membres du quatuor vocal Quartom qui ont su agr\u00e9menter la soir\u00e9e gr\u00e2ce \u00e0 leur sens de l\u2019humour subtil et raffin\u00e9.<\/p>\n<p>\u00c0 la fin du gala, le public a \u00e9t\u00e9 invit\u00e9 \u00e0 partager le g\u00e2teau de ce 20<sup>e<\/sup> anniversaire qui annonce de nouveaux horizons pour une publication qui a su marquer la sc\u00e8ne musicale qu\u00e9b\u00e9coise et canadienne par son originalit\u00e9 et sa singularit\u00e9, comme en t\u00e9moignent les nombreux messages de f\u00e9licitation et d\u2019encouragement venus de personnalit\u00e9s des milieux politique et artistique.<\/p>\n<h3>Soutiens, reconnaissances et beaucoup d\u2019amour<\/h3>\n<div id=\"attachment_336645\" style=\"width: 249px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_014_FB.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-336645\" class=\"wp-image-336645\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_014_FB-200x300.jpg\" alt=\"Joshua Peters et Philip Chiu, Photo: Marc Bourgeois\" width=\"239\" height=\"357\" \/><\/a><p id=\"caption-attachment-336645\" class=\"wp-caption-text\">Joshua Peters et Philip Chiu, Photo: Marc Bourgeois<\/p><\/div>\n<p>\u00ab\u00a0R\u00e9f\u00e9rence canadienne dans le domaine de la musique classique et des arts, <em>La Scena Musicale<\/em> contribue de fa\u00e7on admirable au rayonnement de la culture, et ce, dans les deux langues officielles, a affirm\u00e9 Justin Trudeau, premier ministre du Canada. Cette publication pose un regard expert sur l\u2019actualit\u00e9 musicale et artistique par le biais d\u2019articles et d\u2019analyses de qualit\u00e9 pour le plus grand plaisir de son lectorat.\u00a0\u00bb De son c\u00f4t\u00e9, le premier ministre du Qu\u00e9bec, Philippe Couillard, a salu\u00e9 les \u00ab\u00a0vingt ans de passion consacr\u00e9s \u00e0 promouvoir les artistes et les diff\u00e9rents \u00e9v\u00e9nements qui animent la sc\u00e8ne de la musique et des arts au Qu\u00e9bec et en Ontario\u00a0\u00bb, mettant l\u2019accent sur l\u2019importance de <em>La Scena Musicale<\/em> comme \u00ab\u00a0ressource pr\u00e9cieuse pour tous les m\u00e9lomanes soucieux de se tenir \u00e0 l\u2019aff\u00fbt de l\u2019actualit\u00e9 musicale\u00a0\u00bb.<\/p>\n<p>\u00ab\u00a0C\u2019est tout un accomplissement que d\u2019avoir r\u00e9ussi, constamment et continuellement, \u00e0 insuffler la vie musicale au paysage artistique montr\u00e9alais, et ce, au cours d\u2019une aussi longue p\u00e9riode de temps, a affirm\u00e9 pour sa part le maire de Montr\u00e9al, Denis Coderre. C\u2019est tous ensemble que nous avons b\u00e2ti notre m\u00e9tropole culturelle et la faisons grandir au quotidien.\u00a0\u00bb<\/p>\n<p>Soulignons aussi les messages d\u2019amour et de reconnaissance provenant des milieux artistique et culturel. Entre autres, citons Yannick N\u00e9zet-S\u00e9guin qui fait le parall\u00e8le entre la mission de l\u2019 Orchestre M\u00e9tropolitain et celle de <em>La Scena Musicale,<\/em> \u00ab\u00a0apporter la musique classique vers les gens, dans une d\u00e9marche de d\u00e9mocratisation primordiale et indispensable \u00e0 sa survie \u00bb\u00a0; Walter Boudreau, le directeur artistique de la Soci\u00e9t\u00e9 de musique contemporaine du Qu\u00e9bec (SMCQ), qui affirme que \u00ab <em>La Scena Musicale<\/em> est un des rares magazines \u00e0 faire une place \u00e0 la musique contemporaine et aux compositeurs d\u2019ici\u00a0\u00bb; ou encore le virtuose St\u00e9phane T\u00e9treault, qui t\u00e9moigne de sa profonde reconnaissance\u00a0: \u00ab\u00a0Sans <em>La Scena Musicale<\/em>, la vie des musiciens au Canada ne serait pas la m\u00eame\u00a0!\u00a0\u00bb Ces exemples d\u2019appr\u00e9ciation \u00e9loquents attestent de l\u2019apport ind\u00e9niable de <em>La Scena Musicale<\/em> au secteur des arts et de la culture. Ce qui confirme, comme le souligne le maire de Montr\u00e9al, \u00ab combien M. Wah Keung Chan a \u00e9t\u00e9 visionnaire en fondant cette publication et en rassemblant une \u00e9quipe passionn\u00e9e autour de cette id\u00e9e de promouvoir la musique classique et le jazz aupr\u00e8s d\u2019un vaste public \u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Scena Musicale a vingt ans. L\u2019\u00e2ge de tous les r\u00eaves. Le concert-gala c\u00e9l\u00e9brant cet anniversaire, le 24 novembre \u00e0 la salle Pierre-Mercure du Centre Pierre-P\u00e9ladeau, d\u00e9bordait, en effet, de jeunesse et d\u2019espoir. Plusieurs \u00e9toiles montantes de la musique classique et de l\u2019op\u00e9ra ont enchant\u00e9 cet \u00e9v\u00e9nement d\u00e9di\u00e9 \u00e0 la rel\u00e8ve et au cours duquel<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/hassan-laghcha\/la-scena-musicale-20-ans-gala-de-la-releve-2016-moments-forts-et-marques-daffection\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2816,"featured_media":336624,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17036,17039,17277,394,17279],"tags":[17314,16716,29216,29706,16191,16273,29217,29215,12985,29781,27969,14554,29779,29780,16275,4689,28849,1472,29778,14895,12100,16839,24106,18027],"class_list":{"0":"post-336647","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-spectacles","8":"category-entrevues","9":"category-musique-canadienne","10":"category-musique-classique","11":"category-quebec-fr","12":"tag-chelsea-rus","13":"tag-denis-coderre","14":"tag-emily-oulousian","15":"tag-gala-la-releve-rising-stars","16":"tag-hugo-laporte","17":"tag-john-roney","18":"tag-joshua-peters","19":"tag-la-releve","20":"tag-la-scena-musicale","21":"tag-lucie-renaud","22":"tag-matt-herskowitz","23":"tag-michael-mcmahon","24":"tag-olivier-hebert-bouchard","25":"tag-philippe-chiu","26":"tag-piano-cameleons","27":"tag-quartom","28":"tag-rising-stars","29":"tag-smcq","30":"tag-societe-de-musique-contemporaine-de-quebec","31":"tag-stephane-tetreault","32":"tag-wah-keung-chan","33":"tag-walter-boudreau","34":"tag-yannick-nezet-seguin-fr-10","35":"tag-yannick-nezet-seguin-fr","36":"type-article-fr","37":"type-critique","38":"volume-volume-22","39":"issue-vol-22-issue-4-fr","40":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_082-copy-scaled.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_082-copy-scaled.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2016\/12\/20th_082-copy-scaled.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/336647"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2816"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=336647"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/336647\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/336624"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=336647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=336647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=336647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}