{"id":333212,"date":"2016-09-01T00:00:17","date_gmt":"2016-09-01T05:00:17","guid":{"rendered":"http:\/\/myscena.org\/fr\/?p=333212"},"modified":"2016-09-16T13:51:43","modified_gmt":"2016-09-16T18:51:43","slug":"critique-overtures-bach-matt-haimovitz-pentatone-oxingale","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/kiersten-van-vliet\/critique-overtures-bach-matt-haimovitz-pentatone-oxingale\/","title":{"rendered":"Critique \u2013 Overtures to Bach : Matt Haimovitz (Pentatone Oxingale)"},"content":{"rendered":"<div id=\"attachment_333208\" style=\"width: 712px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/09\/Overtures-to-Bach-Matt-Haimovitz-Pentatone-Oxingale.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-333208\" class=\" wp-image-333208\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/09\/Overtures-to-Bach-Matt-Haimovitz-Pentatone-Oxingale-300x300.jpg\" alt=\"Matt Haimovitz, cello and cello piccolo Pentatone Oxingale PTC 5186 561. 75 min 48 s.\" width=\"702\" height=\"702\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2016\/09\/Overtures-to-Bach-Matt-Haimovitz-Pentatone-Oxingale-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/09\/Overtures-to-Bach-Matt-Haimovitz-Pentatone-Oxingale-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/09\/Overtures-to-Bach-Matt-Haimovitz-Pentatone-Oxingale-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2016\/09\/Overtures-to-Bach-Matt-Haimovitz-Pentatone-Oxingale.jpg 1500w\" sizes=\"(max-width: 702px) 100vw, 702px\" \/><\/a><p id=\"caption-attachment-333208\" class=\"wp-caption-text\">Matt Haimovitz, violoncelle et violoncelle piccolo<br \/>Pentatone Oxingale PTC 5186 561. 75 min 48 s.<\/p><\/div>\n<p>R\u00e9cemment nomm\u00e9 Artiste de la saison de Pentatone, Matt Haimovitz n\u2019a jamais h\u00e9sit\u00e9 \u00e0 faire des vagues en concert ou en studio. Le violoncelliste \u00e9tabli \u00e0 Montr\u00e9al a d\u00e9j\u00e0 d\u00e9montr\u00e9 tout au long de sa carri\u00e8re son aisance dans la musique de Bach. Pentatone a produit en 2015 les <em>Suites<\/em> bas\u00e9es sur une copie de la main de la deuxi\u00e8me femme de Bach Anna Magdalena, jou\u00e9es sur des instruments d\u2019\u00e9poque.<\/p>\n<p>Ce nouveau disque explore six nouvelles commandes de Haimovitz, chacune une ouverture au pr\u00e9lude de chaque suite. La structure d\u2019une ouverture suivie du pr\u00e9lude fait de ce Bach un commentaire sur l\u2019avenir, une sorte de machine sonore \u00e0 voyager dans le temps. La premi\u00e8re pi\u00e8ce est l\u2019aust\u00e8re <em>Overture <\/em>en mineure de Phillip Glass, un prolongement sombre de l\u2019omnipr\u00e9sent pr\u00e9lude de la <em>Suite en sol majeur<\/em>. <em>The Veronica<\/em> de Du Yun est une d\u00e9construction \u00e9th\u00e9r\u00e9e de la <em>Sarabande<\/em> de Bach, avec des \u00e9vocations du <em>Kontakion<\/em>, un hymne orthodoxe aux morts, de chants serbes et du violon tzigane d\u2019Europe centrale. Cela est suivi du virtuose et audacieux <em>Run<\/em> de Vijay Iyer, un morceau certainement plus \u00e9nergique que le pr\u00e9lude de Bach \u00e0 sa troisi\u00e8me suite. <em>La memoria<\/em> de Roberto Sierra reprend des motifs de toute la quatri\u00e8me suite tout en ajoutant une touche de basse et de rythmes de salsa des Cara\u00efbes. Haimovitz \u00e9crit\u00a0: \u00ab\u00a0La division entre la m\u00e9moire et le pr\u00e9sent est compl\u00e8tement brouill\u00e9e.\u00a0\u00bb<\/p>\n<p>Le sommet dramatique du disque est <em>Es War<\/em> de David Sanford, dont l\u2019ouverture effr\u00e9n\u00e9e en pizzicato \u00e0 la Mingus rappelle deux domaines o\u00f9 Bach s\u2019est particuli\u00e8rement illustr\u00e9\u00a0: la fugue et la cantate. Terminant avec <em>Lili\u2019uokalani<\/em>, compos\u00e9 par sa femme Luna Pearl Woolf, Haimovitz revient au violoncelle piccolo. Nomm\u00e9 d\u2019apr\u00e8s la derni\u00e8re reine d\u2019Hawa\u00ef (et le sujet du premier op\u00e9ra de Woolf, <em>Better Gods<\/em>), le morceau \u00e9voque le chant hawa\u00efen pr\u00e9colombien dans une atmosph\u00e8re inimitable.<\/p>\n<p>Compar\u00e9es au langage ordonn\u00e9 de Bach, ces six commandes semblent diffuses et difficiles, comme c\u2019est le propre des compositions des derni\u00e8res d\u00e9cennies. Elles n\u2019ont peut-\u00eatre pas toutes l\u2019effervescence de celles du vieux ma\u00eetre, mais entre les mains de Haimovitz, elles sont n\u00e9anmoins radieuses. KVV<\/p>\n<p><em><strong>Traduction\u00a0: Alain Cavenne<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>R\u00e9cemment nomm\u00e9 Artiste de la saison de Pentatone, Matt Haimovitz n\u2019a jamais h\u00e9sit\u00e9 \u00e0 faire des vagues en concert ou en studio. Le violoncelliste \u00e9tabli \u00e0 Montr\u00e9al a d\u00e9j\u00e0 d\u00e9montr\u00e9 tout au long de sa carri\u00e8re son aisance dans la musique de Bach. Pentatone a produit en 2015 les Suites bas\u00e9es sur une copie de<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/kiersten-van-vliet\/critique-overtures-bach-matt-haimovitz-pentatone-oxingale\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":2757,"featured_media":333211,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17259,17265,17269,17038],"tags":[19424,13764,5699,28990],"class_list":{"0":"post-333212","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ancienne-et-baroque","8":"category-contemporaine","9":"category-cordes","10":"category-critiques-de-disques-et-livres","11":"tag-bach-fr-11","12":"tag-matt-haimovitz","13":"tag-pentatone","14":"tag-pentatone-oxingale-series","15":"type-critique-de-disque","16":"volume-volume-22","17":"issue-vol-22-issue-1-fr","18":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2016\/09\/Overtures-to-Bach-header.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2016\/09\/Overtures-to-Bach-header.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2016\/09\/Overtures-to-Bach-header.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/333212"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2757"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=333212"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/333212\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/333211"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=333212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=333212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=333212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}