{"id":1113655,"date":"2026-04-03T08:00:14","date_gmt":"2026-04-03T12:00:14","guid":{"rendered":"https:\/\/myscena.org\/heather-weinreb\/critique-de-disque-prokofiev-nemanja-radulovic-warner-classics\/"},"modified":"2026-04-07T15:21:56","modified_gmt":"2026-04-07T19:21:56","slug":"critique-de-disque-prokofiev-nemanja-radulovic-warner-classics","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/heather-weinreb\/critique-de-disque-prokofiev-nemanja-radulovic-warner-classics\/","title":{"rendered":"Critique de Disque | <em>Prokofiev<\/em>, Nemanja Radulovi\u0107, Warner Classics"},"content":{"rendered":"<blockquote><p><b><i>Prokofiev<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400;\">Nemanja Radulovi\u0107, violon; Orchestre Philharmonique; <a href=\"https:\/\/myscena.org\/fr\/norman-lebrecht\/lhebdo-lebrecht-santtu-offre-des-interpretations-imaginatives-des-6e-et-9e-symphonies-de-chostakovitch-avec-le-philharmonia-orchestra\/\" target=\"_blank\" rel=\"noopener\">Santtu-Matias Rouvali<\/a>, chef d\u2019orchestre; Johan Dalene, violon; Laure Favre-Kahne, piano; Les Trilles du Diable.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Warner Classics, 2026<\/span><\/p><\/blockquote>\n<p class=\"has-drop-cap has-medium-font-size\">Le dernier album du violoniste serbe <a href=\"https:\/\/www.nemanjaviolin.com\/\" target=\"_blank\" rel=\"noopener\">Nemanja Radulovi\u0107<\/a> nous transporte dans l\u2019univers musical ironique et si particulier de Prokofiev. Chaque note est jou\u00e9e avec intention et virtuosit\u00e9.<\/p>\n<p><span style=\"font-weight: 400;\">Le phras\u00e9 de Radulovi\u0107 nous plonge dans les subtilit\u00e9s changeantes de la musique de Prokofiev, marqu\u00e9e par des modifications de caract\u00e8re fr\u00e9quentes et souvent soudaines. Il incarne chaque personnage musical avec conviction et passe de l\u2019un \u00e0 l\u2019autre avec une telle agilit\u00e9 que le fil narratif reste intact. Dans <\/span><i><span style=\"font-weight: 400;\">Cendrillon<\/span><\/i><span style=\"font-weight: 400;\">, par exemple, son rubato subtil et ses accelerandos \u00e9voquent l\u2019atmosph\u00e8re d\u2019une salle de bal o\u00f9 quelque chose ne tourne pas tout \u00e0 fait rond.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Il maintient un ton concentr\u00e9 et pr\u00e9cis sans sacrifier la l\u00e9g\u00e8ret\u00e9 de l\u2019articulation. Dans les passages plus denses, le timbre change constamment \u2013 tant\u00f4t plaintif, tant\u00f4t chantant ou psalmodiant \u2013 tout en restant toujours envelopp\u00e9 d\u2019un sentiment de myst\u00e8re. Radulovi\u0107 pr\u00e9serve l\u2019\u00e9nigme caract\u00e9ristique de la musique de Prokofiev; rien ne se d\u00e9voile d\u2019un coup et la musique se d\u00e9ploie comme un r\u00e9cit \u00e9pique et dramatique. Il puise dans une palette sonore remarquable, \u00e0 la fois a\u00e9rienne et dense, pla\u00e7ant chaque note avec pr\u00e9cision tout en laissant la ligne m\u00e9lodique progresser avec \u00e9lan.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Cet album pr\u00e9sente les concertos et sonates pour violon de Prokofiev ainsi que des arrangements d\u2019\u0153uvres de musique de chambre et de ballets. <\/span>Particuli\u00e8rement saisissante est la capacit\u00e9 de Radulovi\u0107 \u00e0 \u00e9voquer, par le seul violon, la puissance d\u2019un orchestre tout entier. <span style=\"font-weight: 400;\">Le mouvement \u00ab\u00a0Capulet et Montaigu\u00a0\u00bb de <\/span><i><span style=\"font-weight: 400;\">Rom\u00e9o et Juliette<\/span><\/i><span style=\"font-weight: 400;\"> est interpr\u00e9t\u00e9 avec urgence et dynamisme, son intensit\u00e9 tenant l\u2019auditeur en haleine. Il nous entra\u00eene dans les variations harmoniques de la musique, de sorte qu\u2019\u00e0 chaque retour du th\u00e8me initial, l\u2019auditeur est plong\u00e9 plus profond\u00e9ment dans le drame de l\u2019\u0153uvre.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Bien qu\u2019il soit clairement un virtuose de tr\u00e8s haut niveau, Radulovi\u0107 ne sacrifie jamais la musicalit\u00e9 au profit de la virtuosit\u00e9 technique. Dans l\u2019ensemble, cet album est un v\u00e9ritable tour de force et m\u00e9rite une place de choix dans l\u2019histoire discographique de ce r\u00e9pertoire.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Traduction\u00a0: Mick Guttman<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Nemanja Radulovi\u0107 records &quot;Prokofiev&quot;\" width=\"702\" height=\"395\" src=\"https:\/\/www.youtube.com\/embed\/e4wdffKp_Go?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Prokofiev Nemanja Radulovi\u0107, violon; Orchestre Philharmonique; Santtu-Matias Rouvali, chef d\u2019orchestre; Johan Dalene, violon; Laure Favre-Kahne, piano; Les Trilles du Diable. Warner Classics, 2026 Le dernier album du violoniste serbe Nemanja Radulovi\u0107 nous transporte dans l\u2019univers musical ironique et si particulier de Prokofiev. Chaque note est jou\u00e9e avec intention et virtuosit\u00e9. Le phras\u00e9 de Radulovi\u0107 nous<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/heather-weinreb\/critique-de-disque-prokofiev-nemanja-radulovic-warner-classics\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":39311,"featured_media":1114309,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038],"tags":[60348,59945,1410,55301,830,39857,45385,18976],"class_list":{"0":"post-1113655","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"tag-nemanja-radulovic-fr","9":"tag-philharmonia-orchestra-fr","10":"tag-prokofiev","11":"tag-santtu-matias-rouvali-fr","12":"tag-violon","13":"tag-violon-fr","14":"tag-warner-classics-fr","15":"tag-warner-classics","16":"type-critique-de-disque","17":"volume-volume-31","18":"issue-vol-31-issue-6-fr","19":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2026\/04\/CD-review-featured.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2026\/04\/CD-review-featured-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2026\/04\/CD-review-featured.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"group_select","label":"Group","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1113655"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/39311"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1113655"}],"version-history":[{"count":4,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1113655\/revisions"}],"predecessor-version":[{"id":1114308,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1113655\/revisions\/1114308"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1114309"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1113655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1113655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1113655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}