{"id":1113597,"date":"2026-04-03T08:00:52","date_gmt":"2026-04-03T12:00:52","guid":{"rendered":"https:\/\/myscena.org\/gianmarco-segato\/critique-de-disque-the-beethoven-project-beethoven-5-vol-5-jonathan-biss\/"},"modified":"2026-04-07T15:32:11","modified_gmt":"2026-04-07T19:32:11","slug":"critique-de-disque-the-beethoven-project-beethoven-5-vol-5-jonathan-biss","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/heather-weinreb\/critique-de-disque-the-beethoven-project-beethoven-5-vol-5-jonathan-biss\/","title":{"rendered":"Critique de Disque | The Beethoven Project : Beethoven 5\/Vol. 5; Jonathan Biss"},"content":{"rendered":"<blockquote><p><b><i>Le Projet Beethoven\u00a0: Beethoven 5 \/ Vol. 5<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400;\">Jonathan Biss, piano; Orchestre symphonique de la Radio su\u00e9doise; Malin Broman, violon solo<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Orchid Classics<\/span><\/p><\/blockquote>\n<p class=\"has-drop-cap has-medium-font-size\"><a href=\"https:\/\/myscena.org\/newswire\/newswire-renowned-pianist-jonathan-biss-steps-in-for-stephen-kovacevich-amid-health-concerns\/\" target=\"_blank\" rel=\"noopener\">Jonathan Biss<\/a> explore avec brio l\u2019\u0153uvre de Beethoven. Ce dernier volet du <i><span style=\"font-weight: 400;\">Projet Beethoven<\/span><\/i><span style=\"font-weight: 400;\">, qui associe son interpr\u00e9tation du <\/span><i><span style=\"font-weight: 400;\">Concerto pour piano n\u00b0\u00a03<\/span><\/i><span style=\"font-weight: 400;\"> de Beethoven \u00e0 <\/span><i><span style=\"font-weight: 400;\">Watermark<\/span><\/i><span style=\"font-weight: 400;\"> de <a href=\"https:\/\/carolineshaw.com\/\" target=\"_blank\" rel=\"noopener\">Caroline Shaw<\/a> \u2013 une \u0153uvre \u00e9crite en r\u00e9ponse directe \u00e0 ce concerto \u2013, offre aux auditeurs une perspective in\u00e9dite sur le compositeur.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Le troisi\u00e8me concerto pour piano de Beethoven se situe \u00e0 la crois\u00e9e des chemins entre ses premi\u00e8res \u0153uvres et sa p\u00e9riode interm\u00e9diaire \u00ab\u00a0h\u00e9ro\u00efque\u00a0\u00bb, durant laquelle ses compositions ont pris une plus grande ampleur et sont devenues \u00e9motionnellement puissantes. Contrairement \u00e0 de nombreux grands enregistrements de ce concerto, Biss met l\u2019accent sur la clart\u00e9 de l\u2019\u00e9criture harmonique et la force rythmique caract\u00e9ristiques du style beethov\u00e9nien. Autrement dit, il privil\u00e9gie une approche hautement classique plut\u00f4t qu\u2019une approche enti\u00e8rement romantique. Son attention se porte moins sur les nuances expressives que sur la restitution de la logique structurelle de l\u2019\u0153uvre.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dans l\u2019enregistrement de Biss, on per\u00e7oit l\u2019intention derri\u00e8re chaque note et chaque accord. Il invite l\u2019auditeur \u00e0 partager sa profonde compr\u00e9hension de Beethoven, nous montrant comment chaque note de chaque accord, telle une pierre dans un \u00e9difice, s\u2019int\u00e8gre dans une r\u00e9alit\u00e9 plus vaste. Dans l\u2019ensemble, son interpr\u00e9tation est d\u2019une grande pr\u00e9cision, d\u2019une clart\u00e9 remarquable et d\u2019une richesse intellectuelle saisissante.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Watermark<\/span><\/i><span style=\"font-weight: 400;\"> est une r\u00e9ponse saisissante au concerto de Beethoven. Shaw transforme et d\u00e9veloppe l\u2019\u0153uvre originale \u2013 et il est fascinant d\u2019entendre l\u2019\u0153uvre de Beethoven r\u00e9interpr\u00e9t\u00e9e dans un langage musical moderne. Elle met en valeur les harmonies de Beethoven et l\u2019accompagnement orchestral est principalement compos\u00e9 de tr\u00e9molos et de pizzicatos.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Si l\u2019orchestration est assez puissante et la pi\u00e8ce tr\u00e8s bien construite, l\u2019\u0153uvre de Shaw, contrairement \u00e0 celle de Beethoven, ne d\u00e9gage pas une impression de progression marqu\u00e9e. De ce fait, la musique peut sembler quelque peu statique, m\u00eame si elle reste un exercice int\u00e9ressant qui suscite la r\u00e9flexion.<\/span><\/p>\n<p><strong>Traduction\u00a0: Mick Guttman<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"THE FINAL CHAPTER: Beethoven\/5 Vol. 5 - Jonathan Biss\" width=\"702\" height=\"395\" src=\"https:\/\/www.youtube.com\/embed\/dETjHA0ewGM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Projet Beethoven\u00a0: Beethoven 5 \/ Vol. 5 Jonathan Biss, piano; Orchestre symphonique de la Radio su\u00e9doise; Malin Broman, violon solo Orchid Classics Jonathan Biss explore avec brio l\u2019\u0153uvre de Beethoven. Ce dernier volet du Projet Beethoven, qui associe son interpr\u00e9tation du Concerto pour piano n\u00b0\u00a03 de Beethoven \u00e0 Watermark de Caroline Shaw \u2013 une<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/heather-weinreb\/critique-de-disque-the-beethoven-project-beethoven-5-vol-5-jonathan-biss\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":39311,"featured_media":1113589,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[394],"tags":[21938,55064,54846,37204,58840,65583,65584],"class_list":{"0":"post-1113597","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musique-classique","8":"tag-beethoven-fr-7","9":"tag-caroline-shaw-fr","10":"tag-cd-fr","11":"tag-concerto-pour-piano","12":"tag-jonathan-biss-fr","13":"tag-orchid-classics-fr","14":"tag-swedish-radio-symphony-orchestra-malin-broman-fr","15":"type-critique-de-disque","16":"volume-volume-31","17":"issue-vol-31-issue-6-fr","18":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2026\/04\/Biss-Beethoven.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2026\/04\/Biss-Beethoven-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2026\/04\/Biss-Beethoven.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"group_select","label":"Group","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1113597"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/39311"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1113597"}],"version-history":[{"count":5,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1113597\/revisions"}],"predecessor-version":[{"id":1114314,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1113597\/revisions\/1114314"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1113589"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1113597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1113597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1113597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}