{"id":1112834,"date":"2026-03-23T06:51:34","date_gmt":"2026-03-23T10:51:34","guid":{"rendered":"https:\/\/myscena.org\/?p=1112834"},"modified":"2026-03-25T07:26:25","modified_gmt":"2026-03-25T11:26:25","slug":"les-vulnerables-ou-la-poesie-au-theatre","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/nathalie-de-han\/les-vulnerables-ou-la-poesie-au-theatre\/","title":{"rendered":"Les Vuln\u00e9rables\u00a0ou la po\u00e9sie au th\u00e9\u00e2tre"},"content":{"rendered":"<p class=\"yiv1684544527MsoNormal\"><b><i>Les Vuln\u00e9rables<\/i>\u00a0<\/b>est une r\u00e9flexion po\u00e9tique &#8211; et politique &#8211; sur la fragilit\u00e9 du th\u00e9\u00e2tre et celle de ses artisans. Un joli conte th\u00e9\u00e2tral, touchant, sur la rencontre, l\u2019amiti\u00e9 et la transmission. \u00c0 voir \u00e0\u00a0<a href=\"https:\/\/www.denise-pelletier.qc.ca\/pieces\/les-vulnerables\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Fred-Barry jusqu\u2019au 28 mars<\/a>.<\/p>\n<p class=\"yiv1684544527MsoNormal\">Les conteurs Ju (Julie Vincent) et Vic (V\u00edctor\u00a0Cu\u00e9llar) racontent l\u2019histoire d\u2019Emilio, un jeune artiste argentin qui se d\u00e9cide \u00e0 placer sa m\u00e8re en r\u00e9sidence sp\u00e9cialis\u00e9e, puisque qu\u2019elle perd la m\u00e9moire. Avant de le voir partir, elle lui enjoint de retrouver une certaine Estelle B\u00e9liveau, \u00e0 Montr\u00e9al. Emilio entame alors un voyage initiatique qui le m\u00e8ne de Buenos Aires \u00e0 la m\u00e9tropole qu\u00e9b\u00e9coise. Il rencontre l\u2019ancienne \u00e9toile de cabaret devenue directrice du Refuge des Vieux Com\u00e9diens et d\u00e9couvre enfin la v\u00e9rit\u00e9 sur son p\u00e8re.<\/p>\n<div id=\"attachment_1112800\" style=\"width: 2570px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1112800\" class=\"size-full wp-image-1112800\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-56-scaled.jpg\" alt=\"V\u00edctor Cu\u00e9llar et Julie Vincent personnifient notamment des conteurs. Cr\u00e9dit photo\u00a0: Olivier Hardy\" width=\"2560\" height=\"1706\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-56-scaled.jpg 2560w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-56-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-56-1024x683.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-56-768x512.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-56-1536x1024.jpg 1536w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-56-2048x1365.jpg 2048w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-56-600x400.jpg 600w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><p id=\"caption-attachment-1112800\" class=\"wp-caption-text\">Julie Vincent personnifie notamment une ancienne \u00e9toile de cabaret. Cr\u00e9dit photo : Olivier Hardy<\/p><\/div>\n<p class=\"yiv1684544527MsoNormal\">Le texte, \u00e9crit par Julie Vincent et mis en sc\u00e8ne par Ximena Ferrer, emprunte au cabaret berlinois, au cirque, au polar et \u00e0 ce qui pourrait relever du \u00ab\u00a0r\u00e9alisme po\u00e9tique\u00a0\u00bb. Sur sc\u00e8ne, le quotidien des com\u00e9diens d\u00e9sargent\u00e9s et la po\u00e9sie cohabitent en effet naturellement (Sc\u00e9nographie et accessoires\u00a0: Mich\u00e8le Lalibert\u00e9, qui co-signe aussi, avec Julie Vincent l\u2019id\u00e9ation du spectacle).<\/p>\n<p class=\"yiv1684544527MsoNormal\"><i>Les Vuln\u00e9rables<\/i> est un projet tr\u00e8s ambitieux. La pi\u00e8ce questionne la m\u00e9moire collective et la transmission, des th\u00e8mes chers \u00e0 Julie Vincent, qu\u2019elle aborde par l&#8217;entremise du personnage d&#8217;une com\u00e9dienne vieillissante en charge du Refuge des Vieux Com\u00e9diens mais aussi de l\u2019\u00e9criture de Claude Gauvreau, \u00e9voqu\u00e9e \u00e0 plusieurs reprises dans le texte. La vuln\u00e9rabilit\u00e9, que ce soit celle des com\u00e9diens ou du nouvel arrivant, est, bien entendu, centrale.<\/p>\n<div id=\"attachment_1112804\" style=\"width: 2570px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1112804\" class=\"size-full wp-image-1112804\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-34-1-scaled.jpg\" alt=\"V\u00edctor Cu\u00e9llar joue un Emilio\u00a0 tr\u00e8s convaincant. Cr\u00e9dit photo : Olivier Hardy\" width=\"2560\" height=\"1706\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-34-1-scaled.jpg 2560w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-34-1-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-34-1-1024x683.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-34-1-768x512.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-34-1-1536x1024.jpg 1536w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-34-1-2048x1365.jpg 2048w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-34-1-600x400.jpg 600w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><p id=\"caption-attachment-1112804\" class=\"wp-caption-text\">V\u00edctor Cu\u00e9llar joue un Emilio\u00a0 tr\u00e8s convaincant. Cr\u00e9dit photo : Olivier Hardy<\/p><\/div>\n<p class=\"yiv1684544527MsoNormal\">La violence plane sur ce texte, qu\u2019elle soit politique, \u00e9conomique ou familiale. L\u2019histoire gagnerait cependant certainement \u00e0 \u00eatre un peu \u00e9lagu\u00e9e. L\u2019abondance de ramifications n\u2019emp\u00eache n\u00e9anmoins pas\u00a0 le \u00ab courageux spectateur \u00bb comme l\u2019interpelle Julie Vincent, qui rompt \u00e0 plusieurs reprises le quatri\u00e8me mur, de suivre et d\u2019appr\u00e9cier le r\u00e9cit.<\/p>\n<p class=\"yiv1684544527MsoNormal\">\u00c0 la fin du spectacle<i>,\u00a0<\/i>Julie Vincent confie aux spectateurs qu\u2019elle a financi\u00e8rement beaucoup investi pour mener \u00e0 bien <i>Les Vuln\u00e9rables<\/i>. Singulier Pluriel, la compagnie qu\u2019elle a fond\u00e9e en 2000 et qu\u2019elle dirige aujourd\u2019hui avec Ximena Ferrer, a en effet appris tr\u00e8s tard que la dixi\u00e8me production de la compagnie ne b\u00e9n\u00e9ficierait d\u2019aucune subvention. Le propos port\u00e9 par <em>Les vuln\u00e9rables<\/em> devient alors terriblement r\u00e9el.<\/p>\n<div id=\"attachment_1112806\" style=\"width: 2570px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1112806\" class=\"size-full wp-image-1112806\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-38-scaled.jpg\" alt=\"Guillaume Champoux endosse plusieurs personnages. Cr\u00e9dit photo : Olivier Hardy\" width=\"2560\" height=\"1706\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-38-scaled.jpg 2560w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-38-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-38-1024x683.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-38-768x512.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-38-1536x1024.jpg 1536w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-38-2048x1365.jpg 2048w, https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-38-600x400.jpg 600w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><p id=\"caption-attachment-1112806\" class=\"wp-caption-text\">Guillaume Champoux endosse plusieurs personnages. Cr\u00e9dit photo : Olivier Hardy<\/p><\/div>\n<p class=\"yiv1684544527MsoNormal\"><i>Les Vuln\u00e9rables<\/i> est \u00e0 voir pour sa po\u00e9sie, son esth\u00e9tique, Julie<b>\u00a0<\/b>Vincent et V\u00edctor\u00a0Cu\u00e9llar qui sont parfaits sur sc\u00e8ne. Il faut aussi souligner la pr\u00e9sence de Guillaume Champoux, qui incarne avec conviction de nombreux personnages. \u00c0\u00a0<a href=\"https:\/\/www.denise-pelletier.qc.ca\/pieces\/les-vulnerables\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Fred-Barry jusqu\u2019au 28 mars<\/a>.<iframe loading=\"lazy\"  id=\"_ytid_14164\"  width=\"702\" height=\"394\"  data-origwidth=\"702\" data-origheight=\"394\" src=\"https:\/\/www.youtube.com\/embed\/8NvmJ8Xwpt4?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>Les Vuln\u00e9rables\u00a0est une r\u00e9flexion po\u00e9tique &#8211; et politique &#8211; sur la fragilit\u00e9 du th\u00e9\u00e2tre et celle de ses artisans. Un joli conte th\u00e9\u00e2tral, touchant, sur la rencontre, l\u2019amiti\u00e9 et la transmission. \u00c0 voir \u00e0\u00a0Fred-Barry jusqu\u2019au 28 mars. Les conteurs Ju (Julie Vincent) et Vic (V\u00edctor\u00a0Cu\u00e9llar) racontent l\u2019histoire d\u2019Emilio, un jeune artiste argentin qui se d\u00e9cide<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/nathalie-de-han\/les-vulnerables-ou-la-poesie-au-theatre\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2943,"featured_media":1112802,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17013,17036,17243,28147,29949,53514,401],"tags":[35417,56193,65504,38201,65506,65503,41161,65505,41162,30010,63936,58368,65502],"class_list":{"0":"post-1112834","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cette-semaine-a-montreal","8":"category-critiques-de-spectacles","9":"category-la-scena-en-ligne","10":"category-la-scena-plein-feux","11":"category-les-arts-scena","12":"category-montreal","13":"category-theatre-fr","14":"tag-theatre-quebecois","15":"tag-argentine","16":"tag-axe-sud-nord-nord-sud","17":"tag-claude-gauvreau","18":"tag-fed-barry","19":"tag-guillaume-champoux","20":"tag-julie-vincent","21":"tag-rencontres","22":"tag-singulier-pluriel","23":"tag-theatre-denise-pelletier","24":"tag-transmission","25":"tag-victor-cuellar","26":"tag-ximena-ferrer","27":"type-critique"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-82_CROP-1024x715.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-82_CROP-300x209.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2026\/03\/26-03-07-Les-Vulnerables-82_CROP-1024x715.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1112834"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2943"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1112834"}],"version-history":[{"count":4,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1112834\/revisions"}],"predecessor-version":[{"id":1112838,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1112834\/revisions\/1112838"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1112802"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1112834"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1112834"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1112834"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}