{"id":1108104,"date":"2026-02-02T08:00:17","date_gmt":"2026-02-02T13:00:17","guid":{"rendered":"https:\/\/myscena.org\/?p=1108104"},"modified":"2026-02-02T15:44:14","modified_gmt":"2026-02-02T20:44:14","slug":"calendrier-choral-4","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/marie-claire-fafard-blais\/calendrier-choral-4\/","title":{"rendered":"Calendrier choral (f\u00e9vrier 2026)"},"content":{"rendered":"

Montr\u00e9al\u00a0<\/span><\/h3>\n

En sens et en sons<\/h4>\n

7 f\u00e9vrier 2026 au Cabaret du Lion d\u2019Or<\/strong><\/em><\/p>\n

La Clique vocale, sous la direction de Milaine Deroy, vous invite \u00e0 une exp\u00e9rience immersive, sensuelle et feutr\u00e9e o\u00f9 les sens s\u2019\u00e9veillent au fil du son qui devient tour \u00e0 tour vibration, murmure, pianissimo ou forte. C\u2019est un hymne \u00e0 la complicit\u00e9\u2026 teint\u00e9 des voix sinc\u00e8res, touchantes et passionn\u00e9es de la Clique vocale.<\/p>\n

\n

www.cliquevocale.com<\/span><\/a><\/p>\n<\/blockquote>\n

\"\"

L\u2019Ensemble vocal Chant de La Fontaine
Photo : Dominick Gravel\/LA PRESSE<\/p><\/div>\n

L\u2019Heptade a 50 ans\u00a0!<\/h4>\n

14 mars \u00e0 19\u00a0h\u00a030 et 15 mars \u00e0 14\u00a0h au Quai 5160 \u2013 Maison de la culture de Verdun<\/strong><\/em><\/p>\n

L\u2019Ensemble vocal Chant de La Fontaine rend hommage \u00e0 l\u2019album culte du rock progressif qu\u00e9b\u00e9cois en interpr\u00e9tant l\u2019int\u00e9grale de L\u2019Heptade <\/i>d\u2019Harmonium qui aura 50 ans en 2026. Les 45 choristes, sous la direction de Julie Beaulieu, vous feront vibrer jusqu’au fin fond de vos \u00e2mes dans ce voyage unique et m\u00e9morable\u00a0!<\/p>\n

\n

www.evclf.ca<\/a><\/p>\n<\/blockquote>\n

Les renaissances \u2013 Polyphonies en dialogue<\/h4>\n

14 mars 2026 \u00e0 19\u00a0h\u00a030 \u00e0 l\u2019\u00e9glise anglicane Saint-George<\/strong><\/em><\/p>\n

Le Ch\u0153ur St-Laurent, sous la direction du chef invit\u00e9 Andrew Gray, pr\u00e9sentera un concert qui mettra de l\u2019avant l\u2019\u00e9clat de la polyphonie de la Renaissance europ\u00e9enne (Byrd, Janequin, Pergolesi) et la puret\u00e9 du chant de la renaissance chorale des XIX\u1d49 <\/span>et XX\u1d49 <\/span>si\u00e8cles (Durufl\u00e9, Elgar, Saint-Sa\u00ebns).<\/p>\n

\n

www.choeur.qc.ca<\/span><\/a><\/p>\n<\/blockquote>\n

\"\"

Ch\u0153ur de l\u2019UQAM<\/p><\/div>\n

Grand concert du Vendredi saint<\/h4>\n

3 avril 2026 \u00e0 20\u00a0h \u00e0 l\u2019\u00e9glise Saint-Jean-Baptiste<\/strong><\/em><\/p>\n

La Soci\u00e9t\u00e9 philharmonique de Montr\u00e9al et le Ch\u0153ur de l\u2019UQAM s\u2019unissent pour pr\u00e9senter le traditionnel grand concert du Vendredi saint. Cette ann\u00e9e, c\u2019est le c\u00e9l\u00e9brissime Requiem<\/i> de Mozart qui sera \u00e0 l\u2019honneur. Les deux ensembles seront dirig\u00e9s par Pascal\u00a0C\u00f4t\u00e9, directeur artistique et musical de la Soci\u00e9t\u00e9 philharmonique de Montr\u00e9al.<\/p>\n

\n

www.philharmontreal.com<\/span><\/a><\/p>\n<\/blockquote>\n

La Passion selon saint Jean | Bach<\/span><\/h4>\n

3 avril 2026 \u00e0 19\u00a0h\u00a030 \u00e0 l\u2019\u00e9glise de St. Andrew & St. Paul<\/strong><\/em><\/p>\n

Le Ch\u0153ur St. Andrew & St. Paul et l\u2019Ensemble Caprice pr\u00e9sentent le concert annuel du Vendredi saint. L\u2019\u00e9mouvante Passion selon saint Jean<\/i> de Bach est \u00e0 l\u2019honneur cette ann\u00e9e.<\/p>\n

\n

www.standrewstpaul.com\/music<\/a><\/p>\n<\/blockquote>\n

\n

Qu\u00e9bec\u00a0<\/span><\/h3>\n

Le bouleversant Stabat Mater de Dvo\u0159\u00e1k<\/h4>\n

19 f\u00e9vrier \u00e0 19 h 30 au Grand th\u00e9\u00e2tre de Qu\u00e9bec<\/strong><\/em><\/p>\n

L\u2019Orchestre symphonique de Qu\u00e9bec et son ch\u0153ur, sous la direction de Clemens Schuldt, pr\u00e9sentent le Stabat Mater<\/i> de Dvo\u0159<\/span>\u00e1k avec une distribution toute canadienne\u00a0: Sarah Dufresne (soprano), Allyson McHardy (mezzo-soprano), \u00c9ric Laporte (t\u00e9nor) et Daniel Okulitch (baryton-basse). L\u2019\u0153uvre, inscrite dans la tradition des grands Stabat Mater<\/i> de Palestrina, Pergolesi et Rossini, est marqu\u00e9e par le romantisme tch\u00e8que. Son intensit\u00e9 \u00e9motionnelle et spirituelle met en lumi\u00e8re la ma\u00eetrise orchestrale et vocale de Dvo\u0159<\/span>\u00e1k.<\/p>\n

\n

www.osq.org<\/a><\/p>\n<\/blockquote>\n

Le Requiem de Mozart<\/h4>\n

26 et 27 mars\u00a0\u00e0 19\u00a0h\u00a030 au Palais Montcalm<\/strong><\/em><\/p>\n

La Chapelle de Qu\u00e9bec et Les Violons du Roy pr\u00e9sentent le Requiem<\/i> de Mozart, clin d\u2019\u0153il au disque enregistr\u00e9 en septembre 2001 par les deux ensembles. En compagnie de Magali Simard-Gald\u00e8s, soprano, Alex Hetherington, mezzo-soprano, Andrew Haji, t\u00e9nor, et Kevin Deas, baryton-basse, Bernard Labadie partage de nouveau sa vision approfondie de ce chef-d\u2019\u0153uvre l\u00e9gendaire.<\/p>\n

\n

www.violonsduroy.com<\/span><\/a><\/p>\n<\/blockquote>\n

\"\"

Cantata Singers<\/p><\/div>\n

Que ma joie demeure<\/h4>\n

28 mars\u00a0\u00e0 19\u00a0h\u00a030 au Palais Montcalm<\/strong><\/em><\/p>\n

Le Ch\u0153ur Les Rhapsodes et son chef David Rompr\u00e9 pr\u00e9sentent un concert tout Bach\u00a0: le motet Lobet den Herrn, alle Heiden<\/i> (BWV 230), la cantate BMW 78 Jesu, der du meine Seele<\/i> et la c\u00e9l\u00e8bre cantate BMW 147 Herz und Mund und Tat und Leben<\/i> (J\u00e9sus que ma joie demeure). Le ch\u0153ur sera accompagn\u00e9 d\u2019Evelyne Larochelle, soprano, Luce\u202f<\/span>Vachon, mezzo-soprano, Louis-Charles Gagnon, t\u00e9nor, Michel Desbiens, basse ainsi que d\u2019un orchestre d\u2019une vingtaine de musiciens.<\/p>\n

\n

www.lesrhapsodes.org<\/a><\/p>\n<\/blockquote>\n

\n

Toronto<\/span><\/h3>\n

Four Directions<\/h4>\n

7 f\u00e9vrier \u00e0 19\u00a0h \u00e0 l\u2019\u00e9glise St. Mary Magdalene<\/strong><\/em><\/p>\n

Viva Singers Toronto pr\u00e9sente un concert regroupant trois ch\u0153urs Viva\u00a0: les Chamber Singers, les Chamber Youth Leadership Singers et la Community Choir, dans un programme choral inspirant et rassembleur. Le r\u00e9pertoire inclura des \u0153uvres allant de J.S. Bach \u00e0 Andrew Balfour, Tyler Versluis et Caroline Shaw, reli\u00e9es par les th\u00e8mes de la paix, de la r\u00e9flexion sur la nature et de la connexion.<\/p>\n

\n

www.vivasingerstoronto.com<\/a><\/p>\n<\/blockquote>\n

La Passion selon saint Matthieu<\/h4>\n

24 et 25 mars \u00e0 19\u00a0h au Koerner Hall, Telus Center for Performance and Learning<\/strong><\/em><\/p>\n

Le Toronto Mendelssohn Choir, sous la direction du chef Jean-S\u00e9bastien Vall\u00e9e, pr\u00e9sente l\u2019\u0153uvre monumentale et dramatique qui souligne le g\u00e9nie de Bach, La Passion selon saint Matthieu<\/i>. Le ch\u0153ur, accompagn\u00e9 d\u2019un orchestre baroque, comptera sur les solistes d\u2019exception Jonathon Adams, baryton, Isaiah Bell, t\u00e9nor, Allyson McHardy, mezzo-soprano, Nicholas Nicolaidis, \u00e9vang\u00e9liste, et Sherezade Panthaki, soprano, pour donner vie \u00e0 cette \u0153uvre intemporelle.<\/p>\n

\n

www.tmchoir.org<\/a><\/p>\n<\/blockquote>\n

A Bach Celebration<\/h4>\n

12 mars \u00e0 19 h 30, 13 et 14 mars \u00e0 20 h et 15 mars \u00e0 15 h au Jeanne Lamon Hall, Trinity-St. Paul\u2019s Centre<\/strong><\/em><\/p>\n

Le ch\u0153ur et l\u2019orchestre Tafelmusik, sous la direction d\u2019Ivars Taurins, pr\u00e9sentent des bijoux cach\u00e9s du r\u00e9pertoire de Bach. La soprano Myriam Leblanc et le t\u00e9nor James Reese se joindront \u00e0 l\u2019ensemble pour l\u2019occasion.<\/p>\n

\n

www.tafelmusik.org<\/span><\/a><\/p>\n<\/blockquote>\n

\n

Ottawa <\/span><\/h3>\n
\"\"

Les Ewashko Singers
Photo : Curtis Perry<\/p><\/div>\n

Vivaldi Delights<\/h4>\n

15 mars \u00e0 15\u00a0h \u00e0 l\u2019\u00e9glise Saint-Joseph<\/strong><\/em><\/p>\n

Les Ewashko Singers, sous la direction de Laurence Ewashko, pr\u00e9sentent le Gloria<\/i> et le Dixit Dominus<\/i> de Vivaldi. L\u2019ensemble sera accompagn\u00e9 d\u2019un orchestre de chambre et de cinq solistes\u00a0: Ania Hejnar, Morgan Strickland, Sonya Sweeney, Philip Klaassen et Ryan Hofman.<\/p>\n

\n

www.ewashkosingers.ca<\/a><\/p>\n<\/blockquote>\n

Magnificat\u00a0: le Cantique de Marie<\/h4>\n

22 mars \u00e0 15\u00a0h \u00e0 l\u2019\u00e9glise Saint-Joseph<\/strong><\/em><\/p>\n

Les Cantata Singers d\u2019Ottawa, sous la direction d\u2019Andrew McAnerney, explorent l\u2019\u00e9volution des arrangements du Magnificat<\/i>, notamment ceux de Palestrina, Rachmaninov et Arvo P\u00e4rt. Des commentaires fourniront le contexte historique et des informations g\u00e9n\u00e9rales sur les compositeurs et le texte.<\/p>\n

\n

www.cantatasingersottawa.ca<\/a><\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Montr\u00e9al\u00a0 En sens et en sons 7 f\u00e9vrier 2026 au Cabaret du Lion d\u2019Or La Clique vocale, sous la direction de Milaine Deroy, vous invite \u00e0 une exp\u00e9rience immersive, sensuelle et feutr\u00e9e o\u00f9 les sens s\u2019\u00e9veillent au fil du son qui devient tour \u00e0 tour vibration, murmure, pianissimo ou forte. C\u2019est un hymne \u00e0 la<\/p>\n

Read More<\/a><\/div>\n","protected":false},"author":3395,"featured_media":1107915,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[53514,17255,394,53995,58076,53515],"tags":[23840,45214,64966,64973,63637,36301,64971,35123,64967,64969,64975,64972,64968,64965,64970,64974],"class_list":{"0":"post-1108104","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-montreal","8":"category-musique-chorale","9":"category-musique-classique","10":"category-ottawa-fr","11":"category-quebec-city-fr","12":"category-toronto","13":"tag-ensemble-caprice-fr-10","14":"tag-la-chapelle-de-quebec-fr-3","15":"tag-la-clique-vocale-fr","16":"tag-le-coeur-les-rhapsodes-fr","17":"tag-les-ewashko-singers","18":"tag-les-violons-du-roy-fr","19":"tag-st-andrew-st-pauls-choir-fr","20":"tag-tafelmusik-fr","21":"tag-the-chant-de-la-fontaine-vocal-ensemble-fr","22":"tag-the-montreal-philharmonic-society-fr","23":"tag-the-ottawa-cantata-singers-fr","24":"tag-the-quebec-symphony-orchestra-fr","25":"tag-the-st-lawrence-choir-fr","26":"tag-the-toronto-mendelssohn-choir-fr","27":"tag-the-uqam-choir-fr","28":"tag-viva-singers-toronto-fr","29":"volume-volume-31","30":"issue-vol-31-issue-5-fr","31":"section-chorale"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2026\/01\/33_Choral-Calendar_featured-image.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2026\/01\/33_Choral-Calendar_featured-image-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2026\/01\/33_Choral-Calendar_featured-image.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1108104"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/3395"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1108104"}],"version-history":[{"count":4,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1108104\/revisions"}],"predecessor-version":[{"id":1108846,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1108104\/revisions\/1108846"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1107915"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1108104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1108104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1108104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}