{"id":1104188,"date":"2025-11-27T12:19:48","date_gmt":"2025-11-27T17:19:48","guid":{"rendered":"https:\/\/myscena.org\/?p=1104188"},"modified":"2025-11-27T12:19:48","modified_gmt":"2025-11-27T17:19:48","slug":"communique-jordi-savall-un-mar-de-musicas-1440-1880","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/communique-jordi-savall-un-mar-de-musicas-1440-1880\/","title":{"rendered":"Communiqu\u00e9 | Jordi Savall \u2013 Un mar de m\u00fasicas 1440\u20131880<\/em>"},"content":{"rendered":"

Montr\u00e9al, le 27 novembre 2025 \u2014<\/strong> Traquen\u2019Art est fier de pr\u00e9senter \u00e0 Montr\u00e9al la nouvelle cr\u00e9ation magistrale de Jordi Savall, Un mar de m\u00fasicas 1440\u20131880<\/em><\/strong>, un voyage musical et historique qui traverse quatre si\u00e8cles de m\u00e9moire atlantique. Ce concert exceptionnel r\u00e9unira une trentaine d\u2019artistes d\u2019Europe, d\u2019Afrique, d\u2019Am\u00e9rique latine et des Cara\u00efbes, sur la sc\u00e8ne de la Maison symphonique, le samedi 18 avril 2026 \u00e0 20 h.<\/strong><\/p>\n

\"\"

Jordi Savall
Photo: Geri Born<\/p><\/div>\n

Avec cette fresque musicale d\u2019une grande puissance \u00e9vocatrice, le ma\u00eetre catalan \u2014 figure incontournable de la viole de gambe et pionnier de l\u2019interpr\u00e9tation historique \u2014 explore l\u2019Atlantique comme lieu de rencontre, de m\u00e9tissage, mais aussi comme espace marqu\u00e9 par la violence de la traite transatlantique. Un mar de m\u00fasicas<\/em><\/strong> tisse un dialogue entre les musiques baroques europ\u00e9ennes et les chants des peuples r\u00e9duits en esclavage, du XVe au XIXe si\u00e8cle, r\u00e9v\u00e9lant une histoire o\u00f9 la musique devint \u00ab un moyen de survie et \u2014 pour notre plus grand bonheur \u2014 le seul refuge apportant paix, r\u00e9confort et espoir \u00bb<\/em>, t\u00e9moigne Savall.<\/p>\n

Cette \u0153uvre s\u2019inscrit dans la continuit\u00e9 de Les Routes de l\u2019esclavage 1444\u20131888<\/em><\/strong>, la grande fresque historique retra\u00e7ant quatre si\u00e8cles du commerce triangulaire \u00e0 travers la musique et les r\u00e9cits, pr\u00e9sent\u00e9e en premi\u00e8re Nord-Am\u00e9ricaine \u00e0 Montr\u00e9al en 2017 dans le cadre des Grands \u00c9v\u00e9nements de Traquen\u2019Art. Un concert qui avait profond\u00e9ment marqu\u00e9 le public et la critique.<\/p>\n

\"\"

Un mar de mu\u0301sicas
Photo: Toni Pen\u0303arroya<\/p><\/div>\n

Une distribution internationale exceptionnelle<\/strong><\/h4>\n

Aux c\u00f4t\u00e9s de La Capella Reial de Catalunya<\/strong> et d\u2019Hesp\u00e8rion XXI, Jordi Savall<\/strong> r\u00e9unit des artistes du Canada, de la Guadeloupe, de la Guin\u00e9e, du Mali, du Mexique et de la Colombie (avec le Tembembe Ensamble Continuo<\/strong>), du Br\u00e9sil, de Cuba, d\u2019Ha\u00efti et du Venezuela.<\/p>\n

Le programme mettra en lumi\u00e8re des \u0153uvres de Gaspar Fernandes, Diego Dur\u00f3n, Juan Guti\u00e9rrez de Padilla, Felip Olivelles, Santiago de Murcia<\/strong>, ainsi que des pi\u00e8ces anonymes provenant de diff\u00e9rentes r\u00e9gions fa\u00e7onn\u00e9es par l\u2019histoire atlantique.<\/p>\n

Une \u0153uvre n\u00e9cessaire, un moment spirituel<\/strong><\/h4>\n

Dans un geste artistique et humaniste d\u2019une rare intensit\u00e9, Savall propose une m\u00e9ditation musicale sur la m\u00e9moire, la r\u00e9silience et les \u00e9changes culturels issus de cinq si\u00e8cles d\u2019histoire. Entre polyphonies baroques, rythmes africains, chants sacr\u00e9s, musiques traditionnelles d\u2019Am\u00e9rique latine et danses m\u00e9tiss\u00e9es, Un mar de m\u00fasicas<\/em><\/strong> c\u00e9l\u00e8bre la force cr\u00e9atrice n\u00e9e des rencontres, malgr\u00e9 la trag\u00e9die.<\/p>\n

\"\"

Un mar de mu\u0301sicas
Photo: Toni Pen\u0303arroya<\/p><\/div>\n

Au programme :<\/b><\/h4>\n

Un Mar de M\u00fasicas 1440\u20131880<\/b><\/i>
\nUn dialogue avec la musique d’Afrique, d’Am\u00e9rique et des Cara\u00efbes<\/b><\/p>\n

\u0152uvres de\u00a0Gaspar Fernandes, Diego Duron, Juan Guti\u00e9rrez de Padilla, Felip Olivelles\u00a0<\/b>et\u00a0Santiago de Murcia<\/b>\u00a0et anonymes<\/p>\n

INTERPR\u00c8TES :<\/b><\/p>\n

Musiciennes et musiciens invit\u00e9s (18)
\nCANADA<\/b>\u00a0\u2022\u00a0Neema Bickersteth<\/b>,\u00a0chants d\u2019esclaves d\u2019origine afro-am\u00e9ricaine<\/i>
\nGUIN\u00c9E<\/b>\u00a0\u2022\u00a0Sekouba Bambino<\/b>,\u00a0chant griot<\/i>
\nGUADELOUPE<\/b>\u00a0\u2022\u00a0Yannis Fran\u00e7ois<\/b>,\u00a0baryton et danse<\/i>
\nMALI\u00a0<\/b>\u2022\u00a0Ballak\u00e9 Sissoko,\u00a0<\/i><\/b>kora et voix<\/i>\u00a0; Mamani<\/b>\u00a0Keita, Tanti Kouyat\u00e9\u00a0<\/b>et\u00a0Fanta Sissoko<\/b>,\u00a0voix et danse<\/i>
\nMEXIQUE \/ COLOMBIE<\/b>\u00a0\u2022\u00a0Tembembe Ensamble Continuo :<\/b>\u00a0Ada Coronel<\/b>,\u00a0voix et danse<\/i>\u00a0;\u00a0Leopoldo Novoa<\/b>,\u00a0marimbol, marimba de chonta et tiple colombiano<\/i>\u00a0;\u00a0Ulises Mart\u00ednez<\/b>,\u00a0violon, vihuela, leona et voix<\/i>
\nBR\u00c9SIL<\/b>\u00a0\u2022\u00a0Maria Juliana Linhares<\/b>,\u00a0soprano<\/i>\u00a0;\u00a0Z\u00e9 Luis Nascimento<\/b>,\u00a0percussions<\/i>
\nCUBA<\/b>\u00a0\u2022\u00a0Teresa Yanet<\/b>,\u00a0voix<\/i>\u00a0;\u00a0Lixsania Fern\u00e1ndez<\/b>,\u00a0voix et viole basse<\/i>\u00a0;\u00a0Marlon Rodr\u00edguez<\/b>,\u00a0percussions et voix<\/i>\u00a0;\u00a0Frank Pereira<\/b>,\u00a0guitare, tres cubano et voix<\/i>
\nHA\u00cfTI<\/b>\u00a0\u2022\u00a0Sylvie Henry<\/b>,\u00a0voix<\/i>
\nVENEZUELA<\/b>\u00a0\u2022\u00a0Iv\u00e1n Garc\u00eda<\/b>,\u00a0basse<\/i><\/p>\n

La Capella Reial de Catalunya
\nAnna Piroli<\/b>,\u00a0soprano<\/i>\u00a0|\u00a0David Sagastume<\/b>,\u00a0contre-t\u00e9nor<\/i>\u00a0|\u00a0V\u00edctor Sordo<\/b>,\u00a0t\u00e9nor<\/i>\u00a0|\u00a0Llu\u00eds Vilamaj\u00f3<\/b>,\u00a0t\u00e9nor<\/i><\/p>\n

Hesp\u00e8rion XXI (9)
\nPierre Hamon<\/b>,\u00a0fl\u00fbtes<\/i>\u00a0|\u00a0B\u00e9atrice Delpierre<\/b>,\u00a0fl\u00fbte et chalemie<\/i>\u00a0|\u00a0Daniel Lassalle<\/b>,\u00a0saqueboute<\/i>\u00a0|\u00a0Josep Borr\u00e0s<\/b>,\u00a0dulcian<\/i>\u00a0|\u00a0Jordi Savall<\/b>,\u00a0dessus de viole<\/i>\u00a0|\u00a0Xavier Puertas<\/b>,\u00a0violone<\/i>\u00a0|\u00a0Xavier D\u00edaz-Latorre<\/b>,\u00a0th\u00e9orbe, guitare\u00a0<\/i>et\u00a0vihuela de mano<\/i>\u00a0|\u00a0Andrew Lawrence-King<\/b>,\u00a0harpe baroque espagnole\u00a0<\/i>|\u00a0David Mayoral<\/b>,\u00a0percussions<\/i><\/p>\n

Narrateur : \u00c0 confirmer<\/p>\n

Jordi Savall \u2013\u00a0<\/b>DIRECTION<\/b><\/p>\n

Avec le soutien du\u00a0Departament de Cultura de la Generalitat de Catalunya<\/i>\u00a0et de\u00a0l\u2019Institut Ramon Llull.<\/i><\/p>\n

Billets<\/strong><\/p>\n

Billetterie : \u00a0\u00a0\u00a0\u00a0 Place des Arts \u2013 1600, rue Saint-Urbain
\nSite web\u00a0:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 placedesarts.com<\/a>
\nT\u00e9l\u00e9phone\u00a0:\u00a0\u00a0\u00a0\u00a0 514 842-2112 \/ 1 866 842-2112<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Montr\u00e9al, le 27 novembre 2025 \u2014 Traquen\u2019Art est fier de pr\u00e9senter \u00e0 Montr\u00e9al la nouvelle cr\u00e9ation magistrale de Jordi Savall, Un mar de m\u00fasicas 1440\u20131880, un voyage musical et historique qui traverse quatre si\u00e8cles de m\u00e9moire atlantique. Ce concert exceptionnel r\u00e9unira une trentaine d\u2019artistes d\u2019Europe, d\u2019Afrique, d\u2019Am\u00e9rique latine et des Cara\u00efbes, sur la sc\u00e8ne de<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":1104173,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17259,16922,53514,17286],"tags":[64510,64512,64509,64506,62005,64511,64508,64513,64507,59108],"class_list":{"0":"post-1104188","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ancienne-et-baroque","8":"category-communiques","9":"category-montreal","10":"category-musiques-du-monde","11":"tag-diego-duron-fr","12":"tag-felip-olivelles-fr","13":"tag-gaspar-fernandes-fr","14":"tag-hesperion-xxi-fr-3","15":"tag-jordi-savall-fr-3","16":"tag-juan-gutierrez-de-padilla-fr","17":"tag-la-capella-reial-de-catalunya-fr","18":"tag-santiago-de-murcia-fr","19":"tag-tembembe-ensamble-continuo-fr","20":"tag-traquenart"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jordi-Savall_feature-image.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jordi-Savall_feature-image-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jordi-Savall_feature-image.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"group_select","label":"Group","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1104188"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1104188"}],"version-history":[{"count":3,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1104188\/revisions"}],"predecessor-version":[{"id":1104193,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1104188\/revisions\/1104193"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1104173"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1104188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1104188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1104188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}