{"id":1101883,"date":"2025-11-10T08:00:15","date_gmt":"2025-11-10T13:00:15","guid":{"rendered":"https:\/\/myscena.org\/?p=1101883"},"modified":"2025-11-09T14:45:10","modified_gmt":"2025-11-09T19:45:10","slug":"nouvelles-des-universites","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/kaitlyn-chan\/nouvelles-des-universites\/","title":{"rendered":"Nouvelles des universit\u00e9s"},"content":{"rendered":"<h3 class=\"p1\">L\u2019Universit\u00e9 de la Colombie-Britannique<\/h3>\n<div id=\"attachment_1101855\" style=\"width: 301px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1101855\" class=\"size-medium wp-image-1101855\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/David-Fung.-Photo-Neda-Navaee-291x300.jpg\" alt=\"\" width=\"291\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/David-Fung.-Photo-Neda-Navaee-291x300.jpg 291w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/David-Fung.-Photo-Neda-Navaee-993x1024.jpg 993w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/David-Fung.-Photo-Neda-Navaee-768x792.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/David-Fung.-Photo-Neda-Navaee-1490x1536.jpg 1490w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/David-Fung.-Photo-Neda-Navaee-1986x2048.jpg 1986w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/David-Fung.-Photo-Neda-Navaee-300x309.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/David-Fung.-Photo-Neda-Navaee-600x619.jpg 600w\" sizes=\"(max-width: 291px) 100vw, 291px\" \/><p id=\"caption-attachment-1101855\" class=\"wp-caption-text\">David Fung<br \/>Photo : Neda Navaee<\/p><\/div>\n<p class=\"p2\">Apr\u00e8s une pause d\u2019un an en raison de changements administratifs, la s\u00e9rie de concerts <i>Wednesday Noon Hours<\/i> fait son retour au Roy Barnett Recital Hall de l\u2019Universit\u00e9 de la Colombie-Britannique. Cette s\u00e9rie de concerts, organis\u00e9e par le pianiste <b>David Fung<\/b>, met en avant des artistes grandement acclam\u00e9s, y compris certains qui font partie de la communaut\u00e9 UBC. La saison a \u00e9t\u00e9 inaugur\u00e9e le 10\u00a0septembre avec un r\u00e9cital du pianiste Roman Rabinovich qui a jou\u00e9 la <i>Sonate pour piano <\/i>op. 110 et les <i>\u00c9tudes symphoniques<\/i> de Schumann. Restent encore \u00e0 venir des concerts men\u00e9s par le contre-t\u00e9nor <b>Daniel Moody<\/b>, la pianiste <b>Inna Faliks<\/b> et le duo cor\u00e9en \u00e9minent de fl\u00fbte et piano <b>Hyunim Yoon <\/b>et<b> Ju Yeon Shin<\/b>. Le retour de ces s\u00e9ries de concerts convoit\u00e9es instaure une nouvelle fois une tradition longue de plusieurs dizaines d\u2019ann\u00e9es et accueille le public afin de les faire profiter de musiciens de r\u00e9putation internationale durant leurs pauses midi.<\/p>\n<blockquote>\n<p class=\"p3\"><a href=\"https:\/\/music.ubc.ca\/\" target=\"_blank\" rel=\"noopener\">www.music.ubc.ca<\/a><\/p>\n<\/blockquote>\n<hr \/>\n<div id=\"attachment_1101880\" style=\"width: 310px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1101880\" class=\"size-medium wp-image-1101880\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Simone-Willmann-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Simone-Willmann-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Simone-Willmann-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Simone-Willmann-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Simone-Willmann-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Simone-Willmann-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Simone-Willmann.jpg 900w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1101880\" class=\"wp-caption-text\">Simone Willmann<\/p><\/div>\n<h3 class=\"p5\">Universit\u00e9 de l\u2019Alberta<\/h3>\n<p class=\"p2\">En mai, l\u2019\u00e9tudiante en doctorat de musicologie Simone Willmann a soutenu sa th\u00e8se de diplomation \u00ab\u00a0Posi-<br \/>\ntioning Honesty, Positioning Scholars: Praxis of Acknowledging to Create Care Centered Academic Practice\u00a0\u00bb \u00e0 l\u2019occasion de la conf\u00e9rence annuelle de la Soci\u00e9t\u00e9 de musique des universit\u00e9s canadiennes de 2025. Elle a re\u00e7u le prix George Proctor de la meilleure th\u00e8se d\u2019\u00e9tudiant dipl\u00f4m\u00e9, soutenue en fran\u00e7ais ou en anglais. En ce semestre d\u2019hiver, Simone est charg\u00e9e de cours parmi le personnel enseignant acad\u00e9mique au d\u00e9partement de musique de l\u2019Universit\u00e9 de l\u2019Alberta. Elle donne un cours sur l\u2019histoire de la musique et la culture occidentale jusqu\u2019aux environs de 1800.<\/p>\n<blockquote>\n<p class=\"p3\"><a href=\"https:\/\/www.ualberta.ca\/en\/index.html\" target=\"_blank\" rel=\"noopener\">www.ualberta.ca<\/a><\/p>\n<\/blockquote>\n<hr \/>\n<div id=\"attachment_1101858\" style=\"width: 310px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1101858\" class=\"size-medium wp-image-1101858\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Roydon-Tse.-Photo-Shalan-and-Paul-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Roydon-Tse.-Photo-Shalan-and-Paul-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Roydon-Tse.-Photo-Shalan-and-Paul-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Roydon-Tse.-Photo-Shalan-and-Paul-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Roydon-Tse.-Photo-Shalan-and-Paul-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Roydon-Tse.-Photo-Shalan-and-Paul.jpg 640w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1101858\" class=\"wp-caption-text\">Roydon Tse<br \/>Photo : Shalan and Paul<\/p><\/div>\n<h3 class=\"p1\">L\u2019Universit\u00e9 de la Saskatchewan<\/h3>\n<p class=\"p2\">Le College of Arts and Science de l\u2019Universit\u00e9 de la Saskatchewan a accueilli 11\u00a0nouveaux professeurs pour 2025, y compris deux professeurs assistants sp\u00e9cialis\u00e9s en \u00e9ducation musicale, composition et th\u00e9orie musicale\u00a0: les docteurs<b> Laurel Forshaw<\/b> et <b>Roydon Tse<\/b>. Forshaw a effectu\u00e9 son doctorat en \u00e9ducation musicale \u00e0 l\u2019Universit\u00e9 de Toronto. \u00c9ducatrice musicale et cheffe de ch\u0153ur originaire du territoire du trait\u00e9 Robinson-Sup\u00e9rieur, Laurel Forshaw a soutenu sa th\u00e8se sur la participation des Autochtones \u00e0 l\u2019enseignement sup\u00e9rieur de la musique gr\u00e2ce \u00e0 une bourse de doctorat Joseph-Armand Bombardier du SSHRC-CRSH. N\u00e9 \u00e0 Hong Kong, Tse a commenc\u00e9 sa carri\u00e8re en tant que pianiste et a \u00e9tudi\u00e9 la composition \u00e0 l\u2019Universit\u00e9 de la Colombie-Britannique et l\u2019Universit\u00e9 de Toronto. Avant de travailler \u00e0 USask, Tse a enseign\u00e9 la composition et la musicalit\u00e9 \u00e0 l\u2019Universit\u00e9 de Calgary.<\/p>\n<blockquote>\n<p class=\"p3\"><a href=\"https:\/\/www.artsandscience.usask.ca\/\" target=\"_blank\" rel=\"noopener\">www.artsandscience.usask.ca<\/a><\/p>\n<\/blockquote>\n<hr \/>\n<div id=\"attachment_1101860\" style=\"width: 235px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1101860\" class=\"size-medium wp-image-1101860\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Patti-Kusturok.-Photo-Leo-Kopelow-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Patti-Kusturok.-Photo-Leo-Kopelow-225x300.jpg 225w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Patti-Kusturok.-Photo-Leo-Kopelow-768x1024.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Patti-Kusturok.-Photo-Leo-Kopelow-1152x1536.jpg 1152w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Patti-Kusturok.-Photo-Leo-Kopelow-1536x2048.jpg 1536w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Patti-Kusturok.-Photo-Leo-Kopelow-300x400.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Patti-Kusturok.-Photo-Leo-Kopelow-600x800.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Patti-Kusturok.-Photo-Leo-Kopelow-scaled.jpg 1920w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><p id=\"caption-attachment-1101860\" class=\"wp-caption-text\">Patti Kusturok<br \/>Photo : Leo Kopelow<\/p><\/div>\n<h3 class=\"p1\">Universit\u00e9 du Manitoba<\/h3>\n<p class=\"p2\">Au cours de l\u2019\u00e9t\u00e9, l\u2019Universit\u00e9 du Manitoba a annonc\u00e9 que la facult\u00e9 de musique Desautels (DFOM) avait re\u00e7u une subvention de 52\u00a0532\u00a0$ du Fonds de soutien aux initiatives strat\u00e9giques afin de poursuivre le d\u00e9veloppement du programme de violon traditionnel lanc\u00e9 par le d\u00e9partement en 2024-2025. \u00c0 l\u2019aide de ce fonds, la DFOM a nomm\u00e9 <b>Patti Kusturok<\/b> \u2013 violoniste des \u00c9tats-Unis du Nord et membre du Temple de la renomm\u00e9e \u2013 comme artiste en r\u00e9sidence. Kusturok offre d\u00e9sormais des cours particuliers aux \u00e9tudiants et enseigne un cours explorant la diversit\u00e9 de la tradition du violon au Canada. La DFOM a pour objectif de faire mieux conna\u00eetre le violon en 2025-2026 en collaborant avec le programme Sistema et en accueillant des \u00e9v\u00e9nements de diffusion de la pratique du violon, y compris une d\u00e9monstration de violon au Desautels Concert Hall le 14\u00a0mars 2026, en partenariat avec la Red River Fiddle and Dance Society.<\/p>\n<blockquote>\n<p class=\"p3\"><a href=\"https:\/\/www.umanitoba.ca\/\" target=\"_blank\" rel=\"noopener\">www.umanitoba.ca<\/a><\/p>\n<\/blockquote>\n<hr \/>\n<div id=\"attachment_1101862\" style=\"width: 250px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1101862\" class=\"size-medium wp-image-1101862\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Timothy-Chooi.-Photo-Den-Sweeney-240x300.jpg\" alt=\"\" width=\"240\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Timothy-Chooi.-Photo-Den-Sweeney-240x300.jpg 240w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Timothy-Chooi.-Photo-Den-Sweeney-300x376.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Timothy-Chooi.-Photo-Den-Sweeney.jpg 575w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/><p id=\"caption-attachment-1101862\" class=\"wp-caption-text\">Timothy Chooi<br \/>Photo : Den Sweeney<\/p><\/div>\n<h3 class=\"p1\">Universit\u00e9 d\u2019Ottawa<\/h3>\n<p class=\"p2\"><b>Timothy Chooi<\/b>, professeur associ\u00e9 de violon \u00e0 l\u2019\u00c9cole de musique de l\u2019Universit\u00e9 d\u2019Ottawa, a re\u00e7u cette ann\u00e9e le prix EDI en recherche du bureau du vice-pr\u00e9sident, recherche et innovation. Les concerts et recherches de Timothy ont pour but de faire de l\u2019univers de la musique classique un espace davantage inclusif. Certains de ses projets au fil des ann\u00e9es comprennent la cofondation de VISION Collective, permettant de tisser des relations entre personnes r\u00e9fugi\u00e9es et n\u00e9oam\u00e9ricaines; la pr\u00e9sentation de s\u00e9ries d\u2019interpr\u00e9tations musicales num\u00e9riques durant la COVID-19; et la gestion d\u2019ateliers et d\u2019interpr\u00e9tations dans des communaut\u00e9s recul\u00e9es du nord du Qu\u00e9bec, des Territoires du Nord-Ouest et du sud du Chili. Dans son r\u00f4le \u00e0 l\u2019U. d\u2019Ottawa, Chooi dirige le programme des cordes, supervise les relations publiques de l\u2019\u00c9cole de musique et prend part au comit\u00e9 EDI.<\/p>\n<blockquote>\n<p class=\"p3\"><a href=\"https:\/\/www.uottawa.ca\/en\">www.uottawa.ca<\/a><\/p>\n<\/blockquote>\n<hr \/>\n<div id=\"attachment_1101864\" style=\"width: 310px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1101864\" class=\"size-medium wp-image-1101864\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Francesca-Hauser.-Photo-University-of-Toronto-300x264.jpg\" alt=\"\" width=\"300\" height=\"264\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Francesca-Hauser.-Photo-University-of-Toronto-300x264.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Francesca-Hauser.-Photo-University-of-Toronto-1024x902.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Francesca-Hauser.-Photo-University-of-Toronto-768x676.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Francesca-Hauser.-Photo-University-of-Toronto-110x96.jpg 110w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Francesca-Hauser.-Photo-University-of-Toronto-600x528.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Francesca-Hauser.-Photo-University-of-Toronto.jpg 1509w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1101864\" class=\"wp-caption-text\">Francesca Hauser \u2028<br \/>Photo : University of Toronto<\/p><\/div>\n<h3 class=\"p1\">Universit\u00e9 de Toronto<\/h3>\n<p class=\"p2\">Cet automne, la facult\u00e9 de musique \u00e0 l\u2019Universit\u00e9 de Toronto a pr\u00e9sent\u00e9 plusieurs grandes r\u00e9compenses pour aider les \u00e9tudiants dipl\u00f4m\u00e9s dans leur d\u00e9veloppement de carri\u00e8re. Depuis 2006, le d\u00e9partement d\u00e9cerne chaque ann\u00e9e deux prix d\u2019une valeur de 25\u00a0000\u00a0$ chacun\u00a0: le prix William et Phyllis Waters et le prix Tecumseh Sherman Rogers. Les laur\u00e9ats de ces deux prix \u00e9taient respectivement <b>Francesca Hauser<\/b>, dipl\u00f4m\u00e9e d\u2019une ma\u00eetrise en musique en technologie musicale et m\u00e9dias num\u00e9riques, et <b>Aljo\u0161a Jurini<\/b><span class=\"s1\"><b>\u0107<\/b><\/span>, docteur en arts musicaux en piano. \u00c0 partir de cette ann\u00e9e, le d\u00e9partement d\u00e9cernera \u00e9galement le prix Carolyn et Robert Lake aux dipl\u00f4m\u00e9s, d\u2019une valeur de 18\u00a0000\u00a0$. Le laur\u00e9at inaugural de l\u2019ann\u00e9e est <b>Danial Khan-Sheibani<\/b>, bachelier en composition musicale.<\/p>\n<blockquote>\n<p class=\"p3\"><a href=\"https:\/\/music.utoronto.ca\/\" target=\"_blank\" rel=\"noopener\">www.music.utoronto.ca<\/a><\/p>\n<\/blockquote>\n<hr \/>\n<div id=\"attachment_1101866\" style=\"width: 215px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1101866\" class=\"wp-image-1101866 size-medium\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Michael-Kim.-Photo-Ken-Frazier_RVB-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Michael-Kim.-Photo-Ken-Frazier_RVB-205x300.jpg 205w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Michael-Kim.-Photo-Ken-Frazier_RVB-699x1024.jpg 699w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Michael-Kim.-Photo-Ken-Frazier_RVB-300x440.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Michael-Kim.-Photo-Ken-Frazier_RVB-600x879.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Michael-Kim.-Photo-Ken-Frazier_RVB.jpg 720w\" sizes=\"(max-width: 205px) 100vw, 205px\" \/><p id=\"caption-attachment-1101866\" class=\"wp-caption-text\">Michael Kim Photo : Ken Frazier<\/p><\/div>\n<h3 class=\"p1\">Universit\u00e9 Western<\/h3>\n<p class=\"p2\"><b>Michael Kim<\/b>, doyen de la Facult\u00e9 de musique Don Wright de l\u2019Universit\u00e9 Western, s\u2019est vu remettre officiellement le prix Dream Tree 2025 de la Fondation des bourses d\u2019\u00e9tudes cor\u00e9ennes-canadiennes le 18\u00a0octobre dernier. Cette distinction rend hommage aux Canadiens d\u2019origine cor\u00e9enne qui ont apport\u00e9 une contribution importante et durable \u00e0 leur communaut\u00e9. Pianiste de concert de renomm\u00e9e internationale et leader universitaire, Michael incarne l\u2019esprit du prix par son engagement \u00e0 encadrer la prochaine g\u00e9n\u00e9ration de jeunes musiciens. Il supervise plus de 650\u00a0\u00e9tudiants et 125\u00a0enseignants et membres du personnel, et met en \u0153uvre un plan strat\u00e9gique ax\u00e9 sur l\u2019excellence dans la recherche et l\u2019enseignement, l\u2019\u00e9quit\u00e9 et l\u2019inclusion ainsi que les partenariats communautaires.<\/p>\n<blockquote>\n<p class=\"p3\"><a href=\"https:\/\/music.uwo.ca\/\" target=\"_blank\" rel=\"noopener\">www.music.uwo.ca<\/a><\/p>\n<\/blockquote>\n<hr \/>\n<div id=\"attachment_1101868\" style=\"width: 693px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1101868\" class=\"size-large wp-image-1101868\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Penderecki-String-Quartet-683x1024.jpg\" alt=\"\" width=\"683\" height=\"1024\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Penderecki-String-Quartet-683x1024.jpg 683w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Penderecki-String-Quartet-200x300.jpg 200w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Penderecki-String-Quartet-768x1152.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Penderecki-String-Quartet-1024x1536.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Penderecki-String-Quartet-300x450.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Penderecki-String-Quartet-600x900.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Penderecki-String-Quartet.jpg 1365w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/><p id=\"caption-attachment-1101868\" class=\"wp-caption-text\">Penderecki String Quartet<br \/>Photo : Cottonbro Studio<\/p><\/div>\n<h3 class=\"p1\">Universit\u00e9 Wilfrid-Laurier<\/h3>\n<p class=\"p2\">La facult\u00e9 de musique de l\u2019Universit\u00e9 Wilfried-Laurier f\u00eate ses 50\u00a0ans en 2025-2026. La saison inclura des concerts par des ensembles d\u2019\u00e9tudiants et des artistes invit\u00e9s, la s\u00e9rie \u00ab\u00a0Music at Noon\u00a0\u00bb et les concerts du gala du 50<span class=\"s2\"><sup>e<\/sup><\/span> anniversaire (les 21 et 22\u00a0mars). Les repr\u00e9sentations ont lieu sur le campus Waterloo de l\u2019Universit\u00e9 Wilfried-Laurier. Certaines d\u2019entre elles sont \u00e0 entr\u00e9e libre. Des concerts \u00e0 venir mettent en avant le <b>Gryphon Piano Trio<\/b> et les <b>Nordic Voices<\/b> (29\u00a0janvier), le quintette \u00e0 vent <b>Penta\u00e8dre<\/b>, le <b>Penderecki String Quartet <\/b>et amis (15\u00a0mars) ainsi que beaucoup d\u2019autres r\u00e9citals \u00e9tudiants.<\/p>\n<blockquote>\n<p class=\"p3\"><a href=\"https:\/\/www.wlu.ca\/\" target=\"_blank\" rel=\"noopener\">www.wlu.ca<\/a><\/p>\n<\/blockquote>\n<hr \/>\n<h3 class=\"p1\">Conservatoire de musique et d\u2019art dramatique du Qu\u00e9bec<\/h3>\n<p class=\"p2\">Le <b>Conservatoire d\u2019art dramatique de Montr\u00e9al<\/b> (CADM) a tiss\u00e9 un partenariat avec le <b>Centre de services scolaire de Montr\u00e9al<\/b> (CSSDM) pour proposer des programmes de th\u00e9\u00e2tre dans les \u00e9coles \u00e9l\u00e9mentaires du r\u00e9seau CSSDM. Dans le cadre de ce partenariat, les \u00e9l\u00e8ves et les enseignants du CADM proposent des ateliers et des programmes de sensibilisation aux \u00e9l\u00e8ves du CSSDM afin de stimuler leur cr\u00e9ativit\u00e9 et de d\u00e9velopper leurs comp\u00e9tences artistiques. Cette collaboration entre les deux organismes permettra aux jeunes apprenants de d\u00e9couvrir la richesse des arts de repr\u00e9sentation, nourrissant la prochaine g\u00e9n\u00e9ration d\u2019artistes canadiens. Le CADM annonce que cette collaboration ouvre la voie \u00e0 de nouvelles possibilit\u00e9s d\u2019initier les jeunes au th\u00e9\u00e2tre et aux arts directement dans leur milieu scolaire.<\/p>\n<blockquote>\n<p class=\"p3\"><a href=\"https:\/\/www.conservatoire.gouv.qc.ca\/fr\/\" target=\"_blank\" rel=\"noopener\">www.conservatoire.gouv.qc.ca<\/a><\/p>\n<\/blockquote>\n<hr \/>\n<div id=\"attachment_1101870\" style=\"width: 230px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1101870\" class=\"size-full wp-image-1101870\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Liliana-Araujo.-Photo-McGill-University.png\" alt=\"\" width=\"220\" height=\"220\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Liliana-Araujo.-Photo-McGill-University.png 220w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Liliana-Araujo.-Photo-McGill-University-150x150.png 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Liliana-Araujo.-Photo-McGill-University-100x100.png 100w\" sizes=\"(max-width: 220px) 100vw, 220px\" \/><p id=\"caption-attachment-1101870\" class=\"wp-caption-text\">Liliana Ara\u00fajo<br \/>Photo : McGill University<\/p><\/div>\n<h3 class=\"p1\">Universit\u00e9 McGill<\/h3>\n<p class=\"p2\">En octobre, l\u2019Universit\u00e9 McGill a annonc\u00e9 que deux professeurs de l\u2019\u00c9cole de musique Schulich ont gagn\u00e9 le prix John R. Evans Leaders Fund de la Fondation canadienne pour l\u2019innovation. Les docteures<b> Liliana Ara\u00fajo<\/b> et <b>Andrea Creech<\/b> ont re\u00e7u plus de 400\u00a0000\u00a0$ pour soutenir la cr\u00e9ation du premier laboratoire Applied Performance Sciences (APS) Studio Lab au Canada et leurs travaux continus dans le d\u00e9veloppement de ce nouveau domaine. Le laboratoire APS Studio se concentrera sur la recherche appliqu\u00e9e en vue d\u2019approfondir notre compr\u00e9hension des exigences li\u00e9es aux carri\u00e8res durables et transformatrices dans le domaine de la musique. Ara\u00fajo, professeure adjointe en sciences appliqu\u00e9es des arts du spectacle, et Creech, professeure de p\u00e9dagogie musicale, examinent dans leurs recherches les liens entre la psychologie musicale, la p\u00e9dagogie et les sciences des arts du spectacle.<\/p>\n<blockquote>\n<p class=\"p3\"><a href=\"https:\/\/www.mcgill.ca\/\" target=\"_blank\" rel=\"noopener\">www.mcgill.ca<\/a><\/p>\n<\/blockquote>\n<hr \/>\n<div id=\"attachment_1101872\" style=\"width: 310px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1101872\" class=\"wp-image-1101872 size-medium\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jean-Francois-Rivest.-Photo-Julie-Marois-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jean-Francois-Rivest.-Photo-Julie-Marois-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jean-Francois-Rivest.-Photo-Julie-Marois-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jean-Francois-Rivest.-Photo-Julie-Marois-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jean-Francois-Rivest.-Photo-Julie-Marois-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jean-Francois-Rivest.-Photo-Julie-Marois-1536x1536.jpg 1536w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jean-Francois-Rivest.-Photo-Julie-Marois-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jean-Francois-Rivest.-Photo-Julie-Marois-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jean-Francois-Rivest.-Photo-Julie-Marois.jpg 2000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1101872\" class=\"wp-caption-text\">Jean-Fran\u00e7ois Rivest<br \/>Photo : Julia Marois<\/p><\/div>\n<h3 class=\"p1\">Universit\u00e9 de Montr\u00e9al<\/h3>\n<p class=\"p2\">Lors de sa toute derni\u00e8re c\u00e9r\u00e9monie de remise des dipl\u00f4mes, l\u2019Universit\u00e9 de Montr\u00e9al a d\u00e9cern\u00e9 le titre de professeur \u00e9m\u00e9rite \u00e0 14 personnes, reconnaissant leur contribution durable au sein de la communaut\u00e9 UdeM. Venant tout droit de la facult\u00e9 de musique, le chef d\u2019orchestre du Qu\u00e9bec <b>Jean-Fran\u00e7ois Rivest<\/b> \u00e9tait l\u2019un des professeurs qui ont re\u00e7u cet honneur. Il a enseign\u00e9 le violon, la direction d\u2019orchestre et une vari\u00e9t\u00e9 de cours d\u2019interpr\u00e9tation avanc\u00e9e \u00e0 l\u2019Universit\u00e9 de Montr\u00e9al depuis 1992. En 1993, peu de temps apr\u00e8s sa premi\u00e8re ann\u00e9e d\u2019enseignement du violon \u00e0 l\u2019UdeM, Jean-Fran\u00e7ois Rivest a cr\u00e9\u00e9 l\u2019Orchestre de l\u2019Universit\u00e9 de Montr\u00e9al. Cet orchestre permet aux \u00e9tudiants d\u2019appliquer ce qu\u2019ils ont appris sur sc\u00e8ne et lors de concerts pour la communaut\u00e9. \u00c0 la lumi\u00e8re de ses plus de 30 ans de travail visant \u00e0 am\u00e9liorer la facult\u00e9 de musique, ce titre de professeur \u00e9m\u00e9rite est amplement justifi\u00e9.<\/p>\n<blockquote>\n<p class=\"p3\"><a href=\"https:\/\/musique.umontreal.ca\/accueil\/\" target=\"_blank\" rel=\"noopener\">www.musique.umontreal.ca<\/a><\/p>\n<\/blockquote>\n<hr \/>\n<div id=\"attachment_1101874\" style=\"width: 297px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1101874\" class=\"wp-image-1101874 size-medium\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Linda-Pearse.-Photo-Mount-Allison-University-287x300.jpg\" alt=\"\" width=\"287\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Linda-Pearse.-Photo-Mount-Allison-University-287x300.jpg 287w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Linda-Pearse.-Photo-Mount-Allison-University-980x1024.jpg 980w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Linda-Pearse.-Photo-Mount-Allison-University-768x803.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Linda-Pearse.-Photo-Mount-Allison-University-300x314.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Linda-Pearse.-Photo-Mount-Allison-University-600x627.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Linda-Pearse.-Photo-Mount-Allison-University.jpg 1021w\" sizes=\"(max-width: 287px) 100vw, 287px\" \/><p id=\"caption-attachment-1101874\" class=\"wp-caption-text\">Linda Pearse \u2028<br \/>Photo : Mount Allison University<\/p><\/div>\n<h3 class=\"p1\">Universit\u00e9 Mount Allison<\/h3>\n<p class=\"p2\">Quatre membres du corps professoral de l\u2019Universit\u00e9 Mount Allison ont re\u00e7u des subventions du Conseil de recherches en sciences humaines du Canada au cours de l\u2019\u00e9t\u00e9. Parmi ces b\u00e9n\u00e9ficiaires, on retrouve la <b>Dre Linda Pearse<\/b>, titulaire de la chaire de recherche du Canada en musique, contact et conflit et professeure de musique \u00e0 l\u2019Universit\u00e9 de Mount Allison.<\/p>\n<p class=\"p2\">En collaboration avec deux co-candidates (Margaret Walker de l\u2019Universit\u00e9 Queen\u2019s et Sandria P. Bouliane de l\u2019Universit\u00e9 Laval) et des collaborateurs internationaux, le projet de Pearse examine pourquoi certaines musiques et certains r\u00e9cits historiques continuent d\u2019\u00eatre privil\u00e9gi\u00e9s dans les \u00e9tudes universitaires et comment les m\u00e9thodologies de recherche fa\u00e7onnent la recherche et l\u2019enseignement dans le domaine de l\u2019histoire de la musique.<\/p>\n<blockquote>\n<p class=\"p3\"><a href=\"https:\/\/mta.ca\/\" target=\"_blank\" rel=\"noopener\">www.mta.ca<\/a><\/p>\n<\/blockquote>\n<hr \/>\n<div id=\"attachment_1101876\" style=\"width: 310px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1101876\" class=\"size-medium wp-image-1101876\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jerome-Blais-300x273.jpg\" alt=\"\" width=\"300\" height=\"273\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jerome-Blais-300x273.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jerome-Blais-1024x932.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jerome-Blais-768x699.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jerome-Blais-600x546.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Jerome-Blais.jpg 1354w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1101876\" class=\"wp-caption-text\">J\u00e9r\u00f4me Blais<\/p><\/div>\n<h3 class=\"p1\">Universit\u00e9 Dalhousie<\/h3>\n<p class=\"p2\">Aux East Coast Music Awards 2025, la so-prano Suzie LeBlanc a re\u00e7u le prix \u00ab\u00a0Sortie classique de l\u2019ann\u00e9e\u00a0\u00bb pour <i>Pour une Am\u00e9-rique engloutie<\/i>. Le compositeur, <b>J\u00e9r\u00f4me Blais<\/b>, est professeur de composition \u00e0 la Fountain School of Performing Arts de l\u2019Universit\u00e9 Dalhousie. Cette \u0153uvre prim\u00e9e figure sur son album <i>mouvance<\/i>, qui a \u00e9t\u00e9 s\u00e9lectionn\u00e9 pour un prix Juno en 2024. L\u2019enseignante \u00e0 temps partiel \u00e0 la Fountain School et clarinettiste <b>Eileen Walsh<\/b> est \u00e9galement pr\u00e9sente sur l\u2019album.<\/p>\n<blockquote>\n<p class=\"p3\"><a href=\"https:\/\/www.dal.ca\/\" target=\"_blank\" rel=\"noopener\">www.dal.ca<\/a><\/p>\n<\/blockquote>\n<hr \/>\n<div id=\"attachment_1101878\" style=\"width: 293px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1101878\" class=\"size-medium wp-image-1101878\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Sarah-Comerford-283x300.jpg\" alt=\"\" width=\"283\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Sarah-Comerford-283x300.jpg 283w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Sarah-Comerford-967x1024.jpg 967w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Sarah-Comerford-768x813.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Sarah-Comerford-300x318.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Sarah-Comerford-600x635.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/Sarah-Comerford.jpg 1137w\" sizes=\"(max-width: 283px) 100vw, 283px\" \/><p id=\"caption-attachment-1101878\" class=\"wp-caption-text\">Sarah Comerford<br \/>Photo : Larson Harley<\/p><\/div>\n<h3 class=\"p1\">Universit\u00e9 Memorial<\/h3>\n<p class=\"p2\">La cheffe d\u2019orchestre, professeure de musique et fl\u00fbtiste <b>Sarah Comerford<\/b> a \u00e9t\u00e9 nomm\u00e9e nouvelle directrice des Memorial University Concert Winds. Elle a pris ses fonctions en septembre, succ\u00e9dant au Dr Dylan Maddix, professeur adjoint de direction instrumentale et d\u2019engagement communautaire. L\u2019ensemble MUN Concert Winds a \u00e9t\u00e9 lanc\u00e9 d\u00e9but janvier et revient apr\u00e8s ses d\u00e9buts hivernaux couronn\u00e9s de succ\u00e8s. Comerford apporte au poste une richesse de connaissances et d\u2019exp\u00e9rience gr\u00e2ce \u00e0 ses dipl\u00f4mes en fl\u00fbte, en \u00e9ducation musicale et en direction instrumentale obtenus \u00e0 l\u2019Universit\u00e9 Memorial. Elle enseigne actuellement au Macdonald Drive Junior High, o\u00f9 elle dirige six ensembles, dont un orchestre symphonique, un ensemble \u00e0 cordes et un orchestre de jazz.<span class=\"Apple-converted-space\">\u00a0 <\/span><\/p>\n<blockquote>\n<p class=\"p10\"><a href=\"www.mun.ca\" target=\"_blank\" rel=\"noopener\">www.mun.ca<\/a><\/p>\n<\/blockquote>\n<p class=\"p11\"><strong>Traduction\u00a0: Mathilde Wahl<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019Universit\u00e9 de la Colombie-Britannique Apr\u00e8s une pause d\u2019un an en raison de changements administratifs, la s\u00e9rie de concerts Wednesday Noon Hours fait son retour au Roy Barnett Recital Hall de l\u2019Universit\u00e9 de la Colombie-Britannique. Cette s\u00e9rie de concerts, organis\u00e9e par le pianiste David Fung, met en avant des artistes grandement acclam\u00e9s, y compris certains qui<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/kaitlyn-chan\/nouvelles-des-universites\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":39298,"featured_media":1101852,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17296,53514,53995,63412,58076,53515],"tags":[48574,64324,46967,64334,39669,64337,64335,64336,46950,39546,64331,46969,55768,64333,64323,53019,64338,64332,64327,64325,39459,30108,36944,56684,64329,64326,64328,37723,64330],"class_list":{"0":"post-1101883","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-education-fr","8":"category-montreal","9":"category-ottawa-fr","10":"category-ouest","11":"category-quebec-city-fr","12":"category-toronto","13":"tag-conservatoire-de-musique-et-dart-dramatique-du-quebec-fr","14":"tag-dalhousie-university-fr","15":"tag-david-fung-fr","16":"tag-francesca-hauser-fr","17":"tag-jean-francois-rivest-fr","18":"tag-jerome-blais-fr","19":"tag-liliana-araujo-fr","20":"tag-linda-pearse-fr","21":"tag-manhattan-school-of-music-fr","22":"tag-mcgill-university-fr","23":"tag-memorial-university-fr","24":"tag-michael-kim-fr","25":"tag-mount-allison-university-fr","26":"tag-patti-kusturok-fr","27":"tag-penderecki-string-quartet-fr","28":"tag-roydon-tse-fr","29":"tag-sarah-comerford-fr","30":"tag-simone-willman-fr","31":"tag-the-university-of-british-columbia-fr","32":"tag-timothy-chooi-fr-2","33":"tag-timothy-chooi-fr","34":"tag-universite-de-montreal-fr-2","35":"tag-universite-de-toronto","36":"tag-university-of-alberta-fr","37":"tag-university-of-manitoba-fr","38":"tag-university-of-ottawa-fr","39":"tag-university-of-saskatchewan-fr","40":"tag-western-university-fr","41":"tag-wilfrid-laurier-university-fr","42":"volume-volume-31","43":"issue-vol-31-issue-34-fr","44":"section-education-superieure-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/36_Higher-Ed.-News_featured-image-1.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/36_Higher-Ed.-News_featured-image-1-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/11\/36_Higher-Ed.-News_featured-image-1.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1101883"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/39298"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1101883"}],"version-history":[{"count":4,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1101883\/revisions"}],"predecessor-version":[{"id":1101887,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1101883\/revisions\/1101887"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1101852"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1101883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1101883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1101883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}