{"id":1097465,"date":"2025-10-24T02:41:27","date_gmt":"2025-10-24T06:41:27","guid":{"rendered":"https:\/\/myscena.org\/?p=1097465"},"modified":"2025-10-26T23:03:58","modified_gmt":"2025-10-27T03:03:58","slug":"calendrier-choral-oct-2025","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/marie-claire-fafard-blais\/calendrier-choral-oct-2025\/","title":{"rendered":"Calendrier choral octobre 2025"},"content":{"rendered":"<h3><u>Montr\u00e9al<\/u><\/h3>\n<h4>En qu\u00eate de paix<\/h4>\n<h5>18 octobre 2025 \u00e0 19\u00a0h\u00a030 \u00e0 l\u2019\u00e9glise du Tr\u00e8s-Saint-Nom-de-J\u00e9sus<\/h5>\n<div id=\"attachment_1097458\" style=\"width: 160px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1097458\" class=\"wp-image-1097457 size-thumbnail\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Henry-Webb-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Henry-Webb-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Henry-Webb-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Henry-Webb-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Henry-Webb.jpg 490w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><p id=\"caption-attachment-1097458\" class=\"wp-caption-text\">Henry Webb<\/p><\/div>\n<p>Voces Boreales d\u00e9bute sa 20<sup>e<\/sup> saison en pr\u00e9sentant un concert apaisant o\u00f9 la beaut\u00e9 et l\u2019humanit\u00e9 sont au c\u0153ur d\u2019une m\u00e9ditation sur le d\u00e9sir universel de paix. Le ch\u0153ur, sous la direction d\u2019Andrew Gray, pr\u00e9sentera des \u0153uvres de Taverner, Sch\u00f6nberg et Dove, entre autres. Il sera accompagn\u00e9 pour l\u2019occasion par l\u2019organiste Henry Webb. <a href=\"http:\/\/www.vocesboreales.org\">www.vocesboreales.org<\/a><\/p>\n<h4>Au ch\u0153ur du Qu\u00e9bec<\/h4>\n<h5>30 octobre 2025 \u00e0 19\u00a0h\u00a030 \u00e0 la chapelle Notre-Dame-de-Bon-Secours<\/h5>\n<p>Le ch\u0153ur de Temps Fort, sous la direction musicale et artistique de son chef Pascal Germain-Berardi, pr\u00e9sente <em>Au ch\u0153ur du Qu\u00e9bec<\/em>, un concert d\u00e9di\u00e9 \u00e0 la musique chorale qu\u00e9b\u00e9coise, d\u2019hier \u00e0 aujourd\u2019hui. Le programme mettra de l\u2019avant des \u0153uvres de Lionel Daunais, Denis Gougeon, Louis Desjarlais et Ana Sokolovi\u0107, notamment. Ce concert est pr\u00e9sent\u00e9 dans le cadre de la s\u00e9rie Hommage\/Les 60 ans de la SMCQ\u00a0: Dialogue interg\u00e9n\u00e9rationnel. <a href=\"http:\/\/www.smcq.qc.ca\">www.smcq.qc.ca<\/a><\/p>\n<h4>Arcs de lumi\u00e8re et d\u2019ombre<\/h4>\n<h5>1<sup>er<\/sup> novembre 2025 \u00e0 19\u00a0h\u00a030 \u00e0 l\u2019\u00e9glise Saint-Matthias de Westmount<\/h5>\n<p>Le Ch\u0153ur de chambre du Qu\u00e9bec, sous la direction de Robert Ingari, pr\u00e9sentera un concert de musique a cappella qui fera d\u00e9couvrir la beaut\u00e9 des contrastes en musique. <a href=\"http:\/\/www.ch\u0153urdechambre.ca\">www.ch\u0153urdechambre.ca<\/a><\/p>\n<h3><u>Qu\u00e9bec <\/u><\/h3>\n<h4>Lumi\u00e8re sur Les Plan\u00e8tes de Holst<\/h4>\n<h5>5 novembre 2025 \u00e0 20\u00a0h au Grand Th\u00e9\u00e2tre de Qu\u00e9bec<\/h5>\n<p>L\u2019Orchestre symphonique de Qu\u00e9bec, sous la direction de Delyana Lazarova, pr\u00e9sente un concert qui \u00e9voque l\u2019immensit\u00e9 de l\u2019univers, en collaboration avec l\u2019ASTROLab. Le programme inclura <em>Orpheus\u2019 Comet<\/em> de la compositrice bulgare Dobrinka Tabakova, le <em>Concerto pour violon n<sup>o<\/sup>\u00a02<\/em> de Sergue\u00ef Prokofiev et, bien s\u00fbr, <em>Les Plan\u00e8tes<\/em> de Gustav Holst dans laquelle on pourra entendre les voix de femmes du Ch\u0153ur de l\u2019Orchestre symphonique de Qu\u00e9bec, pr\u00e9par\u00e9 par David Rompr\u00e9. <a href=\"http:\/\/www.osq.org\">www.osq.org<\/a><\/p>\n<h3><u>Ottawa<\/u><\/h3>\n<h4>Northern Elements<\/h4>\n<h5>19 octobre 2025 \u00e0 15\u00a0h \u00e0 St. Joseph Parish<\/h5>\n<div id=\"attachment_1097450\" style=\"width: 160px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1097450\" class=\"size-thumbnail wp-image-1097449\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Andrew-Balfour-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Andrew-Balfour-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Andrew-Balfour-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><p id=\"caption-attachment-1097450\" class=\"wp-caption-text\">Andrew Balfour<\/p><\/div>\n<p>Le Capital Chamber Choir pr\u00e9sentera un concert sous le th\u00e8me du nord. On pourra y entendre <em>Ziibiwan (like a river<\/em>), une \u0153uvre en cinq mouvements compos\u00e9e en 2021 par Ian Cusson, de m\u00eame que <em>21 <\/em>du jeune compositeur Soroosh Kahnemuyipour. Les habitu\u00e9s reconna\u00eetront <em>Winter Sun<\/em> de Don Macdonald, <em>Qilak<\/em> d\u2019Andrew Balfour et <em>Peace; come away<\/em> de Stephanie Martin. L\u2019ensemble vocal sera dirig\u00e9 par son directeur musical et artistique Jamie Loback.\u00a0<a href=\"http:\/\/www.capitalchamberchoir.ca\">www.capitalchamberchoir.ca<\/a><\/p>\n<h4>Ein deutsches Requiem<\/h4>\n<h5>9 novembre 2025 \u00e0 16\u00a0h \u00e0 la cath\u00e9drale Christ Church<\/h5>\n<div id=\"attachment_1097462\" style=\"width: 160px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1097462\" class=\"size-thumbnail wp-image-1097461\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Ryan-Hofman-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Ryan-Hofman-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Ryan-Hofman-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><p id=\"caption-attachment-1097462\" class=\"wp-caption-text\">Ryan Hofman<\/p><\/div>\n<p>Les Cantata Singers d\u2019Ottawa, sous la direction d\u2019Andrew McAnerney, pr\u00e9senteront le <em>Requiem allemand <\/em>de Brahms, un chef-d\u2019\u0153uvre ind\u00e9modable de la musique chorale romantique. Les solistes Susan Elizabeth Brown (soprano) et Ryan Hofman (baryton) se joindront au ch\u0153ur. Ils seront accompagn\u00e9s de Jennifer Loveless et Roland Graham au piano 4 mains.\u00a0<a href=\"http:\/\/www.cantatasingersottawa.ca\">www.cantatasingersottawa.ca<\/a><\/p>\n<h3><u>Toronto<\/u><\/h3>\n<h4>Songs of the Forest<\/h4>\n<h5>25 octobre 2025 \u00e0 15\u00a0h \u00e0 l\u2019\u00e9glise Metropolitan United<\/h5>\n<p>Le Toronto Children\u2019s Chorus vous plongera dans l\u2019univers enchant\u00e9 des contes pour enfants. Le programme s\u2019articulera autour de chansons \u00e9voquant les animaux de la for\u00eat. Un concert avec narration pour les petits\u2026 et les grands\u00a0!\u00a0<a href=\"http:\/\/www.torontochildrenschorus.com\">www.torontochildrenschorus.com<\/a><\/p>\n<h4>Brahms: A German Requiem<\/h4>\n<h5>5 novembre 2025 \u00e0 19\u00a0h\u00a030 au George Weston Recital Hall du Meridian Art Centre<br \/>\n7 novembre 2025 \u00e0 19\u00a0h\u00a030 au Koerner Hall du TELUS Centre for Performance and Learning<\/h5>\n<div id=\"attachment_1097452\" style=\"width: 160px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1097452\" class=\"size-thumbnail wp-image-1097451\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Charlotte-Siegel-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Charlotte-Siegel-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Charlotte-Siegel-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Charlotte-Siegel-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Charlotte-Siegel.jpg 490w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><p id=\"caption-attachment-1097452\" class=\"wp-caption-text\">Charlotte Siegel<\/p><\/div>\n<p>Le chef Jean-S\u00e9bastien Vall\u00e9e et le Toronto Mendelssohn Choir pr\u00e9senteront le <em>Requiem allemand<\/em> de Brahms avec les solistes Russell Braun (baryton) et Charlotte Siegel (soprano) ainsi que la Kitchener Symphony Orchestra. Le concert sera compl\u00e9t\u00e9 par <em>ECHO<\/em> de Stephanie Martin, pr\u00e9sent\u00e9e en premi\u00e8re mondiale. <a href=\"http:\/\/www.tmchoir.org\">www.tmchoir.org<\/a><\/p>\n<h3><u>CALGARY<\/u><\/h3>\n<h4>Libert\u00e9<\/h4>\n<h5>9 novembre 2025 \u00e0 15\u00a0h au Bella Concert Hall, Mount Royal University<\/h5>\n<p>Le ch\u0153ur de chambre professionnel Luminous Voices, sous la direction du chef Timothy Shantz, pr\u00e9sente un concert sous le th\u00e8me de la guerre, de la paix et de la libert\u00e9. <em>Figure humaine<\/em> de Francis Poulenc, sur un po\u00e8me de Paul \u00c9luard, une pi\u00e8ce a cappella particuli\u00e8rement exigeante, sera l\u2019\u0153uvre principale du programme. Le ch\u0153ur accueillera pour <em>Dona nobis pacem<\/em> de Ralph Vaugh William les solistes Laura Brandt (soprano) et Adam Brousseau (baryton). Le concert sera compl\u00e9t\u00e9 par une \u0153uvre du compositeur qu\u00e9b\u00e9cois Robert Ingari. <a href=\"http:\/\/www.luminousvoices.com\">www.luminousvoices.com<\/a><\/p>\n<h3><u>Vancouver<\/u><\/h3>\n<h4>True North<\/h4>\n<h5>24 octobre 2024 \u00e0 19\u00a0h\u00a030 \u00e0 l\u2019\u00e9glise anglicane St. Philip\u2019s<\/h5>\n<div id=\"attachment_1097460\" style=\"width: 160px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1097460\" class=\"size-thumbnail wp-image-1097459\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Nico-Muhly-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Nico-Muhly-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Nico-Muhly-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><p id=\"caption-attachment-1097460\" class=\"wp-caption-text\">Nico Muhly<\/p><\/div>\n<p>Le Vancouver Chamber Choir pr\u00e9sente True North \u00e0 Vancouver le 24 octobre en conclusion d\u2019une semaine de tourn\u00e9e dans le nord du Canada. Dirig\u00e9 par le chef Kari Turunen, le programme captivant, empreint de nordicit\u00e9, \u00e9voquera les aurores bor\u00e9ales, la nature nordique et ses habitants. <em>Rough Notes<\/em> de Nico Muhly, <em>Snowforms<\/em> de Murray Schafer et <em>Autumn Landscapes<\/em> de Veljo Tormis sont quelques-unes des pi\u00e8ces au programme. <a href=\"http:\/\/www.vancouverchamberchoir.com\">www.vancouverchamberchoir.com<\/a><\/p>\n<h4>In Paradisum<\/h4>\n<h5>1<sup>er<\/sup> novembre 2025 \u00e0 19 h 30 \u00e0 l\u2019\u00e9glise Pacific Spirit<\/h5>\n<p>Les Vancouver Cantata Singers vous invitent au premier concert de leur saison 2025-2026 qui vous transportera dans un paradis dor\u00e9, un lieu de lumi\u00e8re \u00e9ternelle. L\u2019\u0153uvre centrale du concert sera la <em>Messe en sol mineur<\/em> du compositeur anglais Vaughan Williams. Le programme sera compl\u00e9t\u00e9 par <em>Raua needmine<\/em> de Veljo Tormis, <em>Nox Arumque<\/em> de Eric Whitacre et <em>In Paradisum<\/em> de Christine Donkin.\u00a0<a href=\"http:\/\/www.vancouverchamberchoir.com\">www.vancouvercantatasingers.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Montr\u00e9al En qu\u00eate de paix 18 octobre 2025 \u00e0 19\u00a0h\u00a030 \u00e0 l\u2019\u00e9glise du Tr\u00e8s-Saint-Nom-de-J\u00e9sus Voces Boreales d\u00e9bute sa 20e saison en pr\u00e9sentant un concert apaisant o\u00f9 la beaut\u00e9 et l\u2019humanit\u00e9 sont au c\u0153ur d\u2019une m\u00e9ditation sur le d\u00e9sir universel de paix. Le ch\u0153ur, sous la direction d\u2019Andrew Gray, pr\u00e9sentera des \u0153uvres de Taverner, Sch\u00f6nberg et<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/marie-claire-fafard-blais\/calendrier-choral-oct-2025\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":3395,"featured_media":1097454,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[53514,53995,58076,53515,53639],"tags":[],"class_list":{"0":"post-1097465","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-montreal","8":"category-ottawa-fr","9":"category-quebec-city-fr","10":"category-toronto","11":"category-vancouver","12":"type-article-fr","13":"volume-volume-31","14":"issue-vol-31-issue-2-fr","15":"section-actualites-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/featured-image-18.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/featured-image-18-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/featured-image-18.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1097465"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/3395"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1097465"}],"version-history":[{"count":3,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1097465\/revisions"}],"predecessor-version":[{"id":1097659,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1097465\/revisions\/1097659"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1097454"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1097465"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1097465"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1097465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}