{"id":1096416,"date":"2025-10-06T14:08:42","date_gmt":"2025-10-06T18:08:42","guid":{"rendered":"https:\/\/myscena.org\/?p=1096416"},"modified":"2025-10-06T14:08:42","modified_gmt":"2025-10-06T18:08:42","slug":"la-releve-tessa-fackelmann-gala-talent-lopera-de-montreal","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/kaitlyn-chan\/la-releve-tessa-fackelmann-gala-talent-lopera-de-montreal\/","title":{"rendered":"La rel\u00e8ve | Tessa Fackelmann \u2013 Gala talent, l&#8217;Op\u00e9ra de Montr\u00e9al"},"content":{"rendered":"<p class=\"has-drop-cap has-medium-font-size\">Apr\u00e8s avoir \u00e9chou\u00e9 en chimie au secondaire, la carri\u00e8re de Tessa Fackelmann a pris un tournant inattendu, passant des soins infirmiers \u00e0 la musique. Dix ans plus tard, elle est aujourd&#8217;hui une jeune artiste \u00e0 l&#8217;Atelier lyrique de l&#8217;Op\u00e9ra de Montr\u00e9al, o\u00f9 elle \u00e9tudie avec la soprano de renomm\u00e9e internationale Nova Thomas. \u00ab\u00a0Je suis tellement reconnaissante de vivre mon r\u00eave de musicienne\u00a0\u00bb, confie-t-elle.<\/p>\n<p>Au gala des talents 2024 de l&#8217;Op\u00e9ra de Montr\u00e9al, Tessa Fackelmann a remport\u00e9 le prix du jury en interpr\u00e9tant <em>Enfin, je suis ici <\/em>de<em> Cendrillon<\/em> de Massenet, un air qu&#8217;elle aime pour sa virtuosit\u00e9 vocale et sa signification profonde. Gr\u00e2ce \u00e0 ses remarquables talents d&#8217;interpr\u00e8te, Fackelmann a \u00e9t\u00e9 \u00e9galement laur\u00e9ate du prix Rumbold de chant 2024 et finaliste du Concours de chant Hans Gabor Belvedere 2025.<\/p>\n<p>La mezzo-soprano aspire \u00e0 donner vie \u00e0 des personnages qui lui sont particuli\u00e8rement chers. Des h\u00e9ro\u00efnes comme Angelina dans <em>La Cenerentola<\/em> aux r\u00f4les masculins ou de jeunes gar\u00e7ons comme le compositeur dans <em>Ariane \u00e0 Naxos<\/em>, elle cherche \u00e0 comprendre et \u00e0 transmettre leur profondeur. \u00ab\u00a0Pour moi, le plaisir r\u00e9side dans la d\u00e9couverte de chaque personnage et le partage de leurs histoires avec autant de c\u0153ur et d&#8217;authenticit\u00e9 que possible.\u00a0\u00bb Fackelmann a eu l&#8217;occasion d&#8217;explorer l&#8217;un de ces personnages la saison derni\u00e8re en incarnant Ch\u00e9rubin dans <em>Les Noces de Figaro<\/em> de Mozart, pour ses d\u00e9buts \u00e0 l&#8217;Op\u00e9ra de Sarasota.<\/p>\n<p>La saison \u00e0 venir s&#8217;annonce aussi charg\u00e9e et passionnante que la pr\u00e9c\u00e9dente. Fackelmann fera deux d\u00e9buts\u00a0: l&#8217;un avec l&#8217;Op\u00e9ra de Montr\u00e9al dans le r\u00f4le de Karolka dans <em>Jen<\/em><em>\u016ffa<\/em>, l&#8217;autre avec l&#8217;Op\u00e9ra de Dallas dans le r\u00f4le du Renard dans<em> Le Petit Prince<\/em>. Elle donnera \u00e9galement un r\u00e9cital au Yukon juste avant No\u00ebl. Avec toutes ces opportunit\u00e9s \u00e0 l&#8217;horizon, Fackelmann se dit enchant\u00e9e de pouvoir s&#8217;\u00e9panouir en tant qu&#8217;artiste, de relever de nouveaux d\u00e9fis et de partager une musique qui inspire et touche le public.<\/p>\n<p><strong>Traduction\u00a0: Justin Bernard<\/strong><\/p>\n<blockquote><p><a href=\"http:\/\/www.tessafackelmannmezzo.com\" target=\"_blank\" rel=\"noopener\">www.tessafackelmannmezzo.com<\/a><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Apr\u00e8s avoir \u00e9chou\u00e9 en chimie au secondaire, la carri\u00e8re de Tessa Fackelmann a pris un tournant inattendu, passant des soins infirmiers \u00e0 la musique. Dix ans plus tard, elle est aujourd&#8217;hui une jeune artiste \u00e0 l&#8217;Atelier lyrique de l&#8217;Op\u00e9ra de Montr\u00e9al, o\u00f9 elle \u00e9tudie avec la soprano de renomm\u00e9e internationale Nova Thomas. \u00ab\u00a0Je suis tellement<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/kaitlyn-chan\/la-releve-tessa-fackelmann-gala-talent-lopera-de-montreal\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":39298,"featured_media":1096412,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17039,17251,399],"tags":[63981,63979,63982,63980,23886,49816,59868],"class_list":{"0":"post-1096416","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entrevues","8":"category-musique-vocale","9":"category-opera-fr","10":"tag-concours-de-chant-hans-gabor-belvedere","11":"tag-lopera-de-dallas","12":"tag-lopera-de-sarasota","13":"tag-nova-thomas-fr","14":"tag-opera-de-montreal-fr-15","15":"tag-prix-rumbold-vocal","16":"tag-tessa-fackelmann-fr","17":"volume-volume-31","18":"issue-vol-31-issue-2-fr","19":"section-la-releve"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Tessa-Fackelmann_featured-image.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Tessa-Fackelmann_featured-image-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Tessa-Fackelmann_featured-image.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Editor\u2019s Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"group_select","label":"Group","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1096416"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/39298"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1096416"}],"version-history":[{"count":1,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1096416\/revisions"}],"predecessor-version":[{"id":1096417,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1096416\/revisions\/1096417"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1096412"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1096416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1096416"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1096416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}