{"id":1096409,"date":"2025-10-06T13:18:32","date_gmt":"2025-10-06T17:18:32","guid":{"rendered":"https:\/\/myscena.org\/?p=1096409"},"modified":"2025-10-06T13:18:32","modified_gmt":"2025-10-06T17:18:32","slug":"la-releve-samuel-lauzon-schnittka-prix-deurope","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/kaitlyn-chan\/la-releve-samuel-lauzon-schnittka-prix-deurope\/","title":{"rendered":"La rel\u00e8ve | Samuel Lauzon-Schnittka \u2013 Prix d\u2019Europe"},"content":{"rendered":"<p class=\"has-drop-cap has-medium-font-size\">Le pianiste Samuel Lauzon-Schnittka affirme que la musique favorise la connexion humaine. Que ce soit entre partenaires, l\u2019interpr\u00e8te et son public ou le compositeur et l\u2019interpr\u00e8te, Lauzon-Schnittka reconna\u00eet les multiples fa\u00e7ons dont la musique permet de nous d\u00e9couvrir l\u2019un l\u2019autre. C\u2019est peut-\u00eatre pourquoi il affirme que l\u2019honn\u00eatet\u00e9, ou authenticit\u00e9, est la qualit\u00e9 qu\u2019il recherche le plus chez un artiste.<\/p>\n<p>Deux de ses exp\u00e9riences musicales les plus marquantes illustrent le pouvoir f\u00e9d\u00e9rateur de la musique. Le pianiste affirme d\u2019abord que le d\u00e9veloppement d\u2019une relation musicale profonde et stimulante avec sa partenaire de duo, la violoniste Am\u00e9lie Gendron, a donn\u00e9 naissance \u00e0 un travail enrichissant. Ils collaborent depuis plus de deux ans et ont r\u00e9cemment donn\u00e9 un concert de musique de chambre, <em>Du cr\u00e9puscule \u00e0 l\u2019aurore\u00a0: sous les \u00e9toiles de la Belle \u00c9poque<\/em>, sur lequel ils travaillaient depuis plusieurs mois. Ce concert a \u00e9t\u00e9 l\u2019un des moments forts de la saison derni\u00e8re.<\/p>\n<p>Deuxi\u00e8mement, depuis plus de deux ans, Lauzon-Schnittka fr\u00e9quente r\u00e9guli\u00e8rement les CHSLD de la r\u00e9gion de Montr\u00e9al, o\u00f9 il interpr\u00e8te des joyaux du r\u00e9pertoire classique et surtout des chansons fran\u00e7aises populaires des ann\u00e9es 1950 et 1960. \u00ab\u00a0C\u2019est ce projet qui m\u2019a le plus d\u00e9montr\u00e9 l\u2019impact consid\u00e9rable que la musique peut avoir sur la vie d\u2019une personne.\u00a0\u00bb<\/p>\n<p>Laur\u00e9at du Prix d\u2019Europe 2025, Lauzon-Schnittka a de grands projets pour l\u2019ann\u00e9e \u00e0 venir. Le 1er f\u00e9vrier, il interpr\u00e9tera le <em>Premier Concerto<\/em> de Brahms avec l\u2019Orchestre symphonique du Conservatoire de musique de Montr\u00e9al. Le 14 mars, il se joindra \u00e0 l\u2019Orchestre symphonique des jeunes de Montr\u00e9al pour le <em>Deuxi\u00e8me Concerto <\/em>de Beethoven. Gr\u00e2ce \u00e0 sa bourse du Prix d&#8217;Europe, Lauzon-Schnittka pr\u00e9voit poursuivre sa ma\u00eetrise et auditionnera dans plusieurs universit\u00e9s allemandes en juin.<\/p>\n<p><strong>Traduction\u00a0: Justin Bernard<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le pianiste Samuel Lauzon-Schnittka affirme que la musique favorise la connexion humaine. Que ce soit entre partenaires, l\u2019interpr\u00e8te et son public ou le compositeur et l\u2019interpr\u00e8te, Lauzon-Schnittka reconna\u00eet les multiples fa\u00e7ons dont la musique permet de nous d\u00e9couvrir l\u2019un l\u2019autre. C\u2019est peut-\u00eatre pourquoi il affirme que l\u2019honn\u00eatet\u00e9, ou authenticit\u00e9, est la qualit\u00e9 qu\u2019il recherche le<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/kaitlyn-chan\/la-releve-samuel-lauzon-schnittka-prix-deurope\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":39298,"featured_media":1096406,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17039,17267],"tags":[63974,63975,31893,54655,40009,62856],"class_list":{"0":"post-1096409","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entrevues","8":"category-piano-fr","9":"tag-amellie-gendron-fr","10":"tag-orchestre-symphonique-des-jeunes-de-montreal-fr","11":"tag-orchestre-symphonique-du-conservatoire-de-musique-de-montreal","12":"tag-prix-deurope-fr-3","13":"tag-prix-deurope-fr","14":"tag-samuel-lauzon-schnittka","15":"volume-volume-31","16":"issue-vol-31-issue-2-fr","17":"section-la-releve"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Samuel-Lauzon_featured-image.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Samuel-Lauzon_featured-image-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Samuel-Lauzon_featured-image.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Editor\u2019s Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"group_select","label":"Group","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1096409"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/39298"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1096409"}],"version-history":[{"count":1,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1096409\/revisions"}],"predecessor-version":[{"id":1096410,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1096409\/revisions\/1096410"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1096406"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1096409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1096409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1096409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}