{"id":1096056,"date":"2025-10-03T15:00:01","date_gmt":"2025-10-03T19:00:01","guid":{"rendered":"https:\/\/myscena.org\/?p=1096056"},"modified":"2025-10-03T15:17:11","modified_gmt":"2025-10-03T19:17:11","slug":"la-releve-fleuranne-brockway-cmim-chant","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/kaitlyn-chan\/la-releve-fleuranne-brockway-cmim-chant\/","title":{"rendered":"La rel\u00e8ve | Fleuranne Brockway \u2013 CMIM &#8211; Chant"},"content":{"rendered":"<p class=\"has-drop-cap has-medium-font-size\">Le premier voyage de l&#8217;Australienne Fleuranne Brockway au Canada a \u00e9t\u00e9 un franc succ\u00e8s. La mezzo-soprano a \u00e9t\u00e9 couronn\u00e9e grande laur\u00e9ate du Concours musical international de Montr\u00e9al (CMIM) 2025, remportant 30\u00a0000\u00a0$ et une bourse de d\u00e9veloppement de carri\u00e8re. \u00ab\u00a0Contrairement \u00e0 de nombreux concours, le CMIM exige une r\u00e9elle polyvalence \u2013 airs, m\u00e9lodie et oratorio \u2013, ce qui m&#8217;a permis de r\u00e9v\u00e9ler toutes les facettes de mon art, explique-t-elle. J&#8217;ai ador\u00e9 pr\u00e9senter une telle vari\u00e9t\u00e9 en un seul lieu et partager toutes les facettes de ma personnalit\u00e9 de musicienne.\u00a0\u00bb<\/p>\n<p>Pendant ses \u00e9tudes \u00e0 Perth, Fleuranne Brockway a particip\u00e9 \u00e0 de nombreux programmes choraux. Elle a ensuite obtenu un baccalaur\u00e9at en musique \u00e0 l&#8217;Universit\u00e9 d&#8217;Australie-Occidentale avant de rejoindre plusieurs programmes pour jeunes artistes en Australie. Ses \u00e9tudes se sont poursuivies \u00e0 Londres, o\u00f9 elle a obtenu un dipl\u00f4me d&#8217;artiste en op\u00e9ra \u00e0 l&#8217;International Opera Studio du Royal College of Music. Elle en est maintenant \u00e0 sa septi\u00e8me saison comme mezzo-soprano au Hessisches Staatstheater Wiesbaden en Allemagne.<\/p>\n<p>Brockway a v\u00e9cu de nombreux moments \u00e9blouissants la saison derni\u00e8re. \u00ab\u00a0Un moment fort a \u00e9t\u00e9 mon retour en Australie-Occidentale apr\u00e8s huit ans d\u2019absence pour interpr\u00e9ter Suzuki dans <em>Madame Butterfly<\/em>.\u00a0\u00bb Puccini \u00e9tant son compositeur pr\u00e9f\u00e9r\u00e9, elle a eu l&#8217;impression de vivre l&#8217;une des plus belles histoires jamais \u00e9crites. Une autre joie a \u00e9t\u00e9 de jouer avec la pianiste Yuriko Watanabe. \u00ab\u00a0Je suis tellement reconnaissante d&#8217;avoir trouv\u00e9 une collaboratrice aussi talentueuse et inspirante avec qui partager la sc\u00e8ne montr\u00e9alaise.\u00a0\u00bb<\/p>\n<p>La saison prochaine, elle reprendra son r\u00f4le favori, Carmen, interpr\u00e9tera Lel dans <em>Snegourotchka<\/em> de Rimski-Korsakov et commencera \u00e0 se pr\u00e9parer pour l&#8217;un de ses r\u00f4les de r\u00eave, le compositeur d&#8217;<em>Ariane \u00e0 Naxos<\/em>. Avec plusieurs engagements passionnants \u00e0 l&#8217;horizon, Brockway affirme que la curiosit\u00e9 et l&#8217;excellence la m\u00e8nent toujours plus loin.<\/p>\n<p><strong>Traduction\u00a0: Justin Bernard<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le premier voyage de l&#8217;Australienne Fleuranne Brockway au Canada a \u00e9t\u00e9 un franc succ\u00e8s. La mezzo-soprano a \u00e9t\u00e9 couronn\u00e9e grande laur\u00e9ate du Concours musical international de Montr\u00e9al (CMIM) 2025, remportant 30\u00a0000\u00a0$ et une bourse de d\u00e9veloppement de carri\u00e8re. \u00ab\u00a0Contrairement \u00e0 de nombreux concours, le CMIM exige une r\u00e9elle polyvalence \u2013 airs, m\u00e9lodie et oratorio \u2013,<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/kaitlyn-chan\/la-releve-fleuranne-brockway-cmim-chant\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":39298,"featured_media":1096051,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17039,17251,399],"tags":[23884,53971,63909,63908,63910],"class_list":{"0":"post-1096056","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entrevues","8":"category-musique-vocale","9":"category-opera-fr","10":"tag-concours-musical-international-de-montreal-fr-21","11":"tag-fleuranne-brockway-fr","12":"tag-hessisches-staatstheater-wiesbaden-fr","13":"tag-royal-college-of-music-fr","14":"tag-yuriko-watanabe-fr","15":"volume-volume-31","16":"issue-vol-31-issue-2-fr","17":"section-la-releve"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Fleuranne-Brockway_feaured-image.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Fleuranne-Brockway_feaured-image-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Fleuranne-Brockway_feaured-image.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Editor\u2019s Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"group_select","label":"Group","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1096056"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/39298"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1096056"}],"version-history":[{"count":1,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1096056\/revisions"}],"predecessor-version":[{"id":1096057,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1096056\/revisions\/1096057"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1096051"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1096056"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1096056"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1096056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}