{"id":1095951,"date":"2025-10-03T08:00:42","date_gmt":"2025-10-03T12:00:42","guid":{"rendered":"https:\/\/myscena.org\/?p=1095951"},"modified":"2025-10-03T19:23:59","modified_gmt":"2025-10-03T23:23:59","slug":"concours-international-de-piano-honens-et-les-demi-finalistes-sont","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/hal-kowalewski\/concours-international-de-piano-honens-et-les-demi-finalistes-sont\/","title":{"rendered":"Concours international de piano Honens : Et les demi-finalistes sont\u2026"},"content":{"rendered":"\r\n<p class=\"has-drop-cap has-medium-font-size\">Le Concours international de piano Honens 2025 se d\u00e9roule \u00e0 Calgary du 16 au 24 octobre. En lice pour les \u00e9preuves finales, 10 jeunes pianistes de divers horizons socioculturels et professionnels\u00a0: artistes multidisciplinaires, auteurs, enseignants, \u00e9tudiants et militants.<\/p>\r\n<h4 class=\"p2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1095942 size-thumbnail\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Balogh-1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Balogh-1-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Balogh-1-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Balogh-1-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Balogh-1-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Balogh-1-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Balogh-1-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Balogh-1.jpg 1080w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\u00c1d\u00e1m Balogh<\/h4>\r\n<p class=\"p1\">Laur\u00e9at du prix Honens 2022 pour la meilleure interpr\u00e9tation de l\u2019\u0153uvre command\u00e9e, Balogh est l\u2019un des pianistes \u00e0 suivre de pr\u00e8s au cours de ce concours. Depuis 2022, il poursuit une carri\u00e8re de pianiste solo tout en pr\u00e9parant une ma\u00eetrise sous la direction d\u2019Arie Vardi, D\u00e9nes V\u00e1rjon et G\u00e1bor Farkas.\u00a0<\/p>\r\n<h4 class=\"p2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1095940 size-thumbnail\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Cecino-1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Cecino-1-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Cecino-1-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Cecino-1-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Cecino-1-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Cecino-1-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Cecino-1-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Cecino-1.jpg 1080w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Elia Cecino<\/h4>\r\n<p class=\"p1\">C\u2019est l\u2019un des plus jeunes participants au concours, mais Cecino n\u2019est pas moins talentueux que ses pairs. En 2020, il a enregistr\u00e9 l\u2019album <i>Un pian pentru Bucure\u0219ti <\/i>(Un piano pour Bucarest) en tant que membre de l\u2019association Kinder in Not, qui vient en aide aux enfants sans-abri de Bucarest, en Roumanie. Les recettes des ventes de l\u2019album ont permis de se procurer un piano pour les enfants d\u2019un foyer d\u2019accueil. Elia a particip\u00e9 \u00e0 de nombreux concours, dont le Concours international de piano Iturbi, o\u00f9 il a remport\u00e9 le premier prix.<\/p>\r\n<h4 class=\"p2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1095934 size-thumbnail\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Johnson-1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Johnson-1-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Johnson-1-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Johnson-1-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Johnson-1-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Johnson-1-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Johnson-1-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Johnson-1.jpg 1080w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Carter Johnson<\/h4>\r\n<p class=\"p1\">N\u00e9 \u00e0 Campbell River, en Colombie-Britannique, Johnson est \u00e0 la fois interpr\u00e8te et instructeur. Il poursuit actuellement ses \u00e9tudes \u00e0 la Yale School of Music. Sa formation en art oratoire et en th\u00e9\u00e2tre donne \u00e0 ses interpr\u00e9tations une grande pr\u00e9cision technique et lui permet de mener des conversations pertinentes avant ses concerts.<\/p>\r\n<h4 class=\"p2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1095933 size-thumbnail\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Lazzari-1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Lazzari-1-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Lazzari-1-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Lazzari-1-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Lazzari-1-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Lazzari-1-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Lazzari-1-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Lazzari-1.jpg 1080w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Giorgio Lazzari<\/h4>\r\n<p class=\"p1\">Originaire de Bergame, au nord de l\u2019Italie, Lazzari affectionne tout particuli\u00e8rement le r\u00e9pertoire allemand et autrichien. Sa collaboration avec la violoniste Sofia Manvati au sein du Duo Rodin est un exemple de son travail en musique de chambre. Son dernier projet en duo, Cavalcando l\u2019altro ieri per un cammino (\u00ab\u00a0En voyage avant-hier\u00a0\u00bb), est inspir\u00e9 d\u2019un sonnet de Dante. Il aborde les th\u00e8mes de l\u2019identit\u00e9, des \u00e9changes culturels et de l\u2019amour pour l\u2019Italie.<\/p>\r\n<h4 class=\"p2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1095931 size-thumbnail\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Nebieridze-1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Nebieridze-1-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Nebieridze-1-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Nebieridze-1-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Nebieridze-1-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Nebieridze-1-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Nebieridze-1-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Nebieridze-1.jpg 1080w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Sandro Nebieridze<\/h4>\r\n<p class=\"p1\">Il est l\u2019un des deux participants de moins de 25 ans. Nebieridze se d\u00e9marque par la diversit\u00e9 de ses int\u00e9r\u00eats artistiques. Outre le piano, il est passionn\u00e9 d\u2019op\u00e9ra et de po\u00e9sie. Son recueil <i>Departure of the Prodigal Son <\/i>(Le d\u00e9part du fils prodigue), \u00e9voque son d\u00e9part de Tbilissi, en G\u00e9orgie, pour poursuivre ses \u00e9tudes en musique en Allemagne.<\/p>\r\n<h4 class=\"p2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1095929 size-thumbnail\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Park-1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Park-1-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Park-1-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Park-1-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Park-1-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Park-1-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Park-1-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Park-1.jpg 1080w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Chaeyoung Park<\/h4>\r\n<p class=\"p1\">Park avait seulement 21 ans quand elle a donn\u00e9 son premier concert \u00e0 Carnegie Hall en 2019, et ce, suite \u00e0 sa victoire au Concours international de piano de Hilton Head. Elle est \u00e9galement membre de Groupmuse, une coop\u00e9rative de musiciens qui vise \u00e0 promouvoir l\u2019accessibilit\u00e9 de la musique pour tous en organisant des concerts dans des espaces conviviaux tels que des salons et des arri\u00e8re-cours.<\/p>\r\n<h4 class=\"p2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1095939 size-thumbnail\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Elisabeth-1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Elisabeth-1-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Elisabeth-1-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Elisabeth-1-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Elisabeth-1-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Elisabeth-1-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Elisabeth-1-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Elisabeth-1.jpg 1080w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\u00c9lisabeth Pion<\/h4>\r\n<p class=\"p1\">Ayant jou\u00e9 avec l\u2019Orchestre symphonique d\u2019Edmonton, Pion se sentira chez elle \u00e0 Calgary, la ville voisine. Elle a particip\u00e9 \u00e0 des \u00e9missions de CBC\/-Radio-Classique et a \u00e9t\u00e9 s\u00e9lectionn\u00e9e pour les R\u00e9v\u00e9lations Radio-Canada 2024-2025 comme repr\u00e9sentante de la sc\u00e8ne musicale classique canadienne. Sa composition originale pour le court m\u00e9trage <i>Spirit of the Tree<\/i> a remport\u00e9 le prix de la meilleure bande originale au Festival international du film Vesuvius 2023.<\/p>\r\n<h4 class=\"p2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1095947 size-thumbnail\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Vorotnaya-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Vorotnaya-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Vorotnaya-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Vorotnaya-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Vorotnaya-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Vorotnaya-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Vorotnaya-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Vorotnaya.jpg 1080w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Anastasia Vorotnaya<\/h4>\r\n<p class=\"p1\">L\u2019un des moments cl\u00e9s de la carri\u00e8re musicale de Vorotnaya fut son interpr\u00e9tation du Concerto n\u00b0 3 de Beethoven avec l\u2019Orquesta de C\u00e1mara de la Escuela Superior de M\u00fasica Reina Sof\u00eda. Anastasia estime qu\u2019\u00e0 ce moment-l\u00e0, elle a atteint la profondeur \u00e9motionnelle qu\u2019elle cherche \u00e0 exprimer dans son art. La pianiste russe a \u00e9galement enregistr\u00e9 un CD de sonates pour piano de Medtner et Rachmaninov.<\/p>\r\n<h4 class=\"p2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1095927 size-thumbnail\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Wang-1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Wang-1-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Wang-1-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Wang-1-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Wang-1-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Wang-1-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Wang-1-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Wang-1.jpg 1080w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Derek Wang<\/h4>\r\n<p class=\"p1\">Wang se d\u00e9crit comme un \u00ab\u00a0pianiste et un communicateur\u00a0\u00bb. Il est convaincu de la grande importance sociale de la musique, comme en t\u00e9moigne son projet en partenariat avec Juilliard Station pour une c\u00e9l\u00e9bration multidisciplinaire des arts en libre acc\u00e8s. En tant que directeur artistique, Wang souhaite promouvoir la sc\u00e8ne artistique new-yorkaise gr\u00e2ce \u00e0 des ateliers et des spectacles ouverts \u00e0 tous. Ce projet s\u2019inspire de ses collaborations multidisciplinaires avec des chor\u00e9graphes, des cin\u00e9astes, des maisons d\u2019op\u00e9ra et des po\u00e8tes.<\/p>\r\n<h4 class=\"p2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1095924 size-thumbnail\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Yang-1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Yang-1-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Yang-1-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Yang-1-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Yang-1-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Yang-1-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Yang-1-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/Yang-1.jpg 1080w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Yuanfan Yang<\/h4>\r\n<p class=\"p3\">Lors de sa prestation improvis\u00e9e au Con-cours international de piano Casagrande 2025, Yuanfan Yang a int\u00e9gr\u00e9 des suggestions du public, ce qui a donn\u00e9 lieu \u00e0 des compositions originales dans un cadre de collaboration assez singulier. Il a ainsi remport\u00e9, sans surprise, le prix du public. Ses compositions adoptent souvent une approche narrative, s\u2019inspirant d\u2019all\u00e9gories et de contes populaires qui lui permettent de susciter de profondes \u00e9motions chez le public.<\/p>\r\n<blockquote>\r\n<p class=\"p6\">Retrouvez Honens sur <a href=\"https:\/\/www.honens.com\/\" target=\"_blank\" rel=\"noopener\">www.honens.com<\/a>.<\/p>\r\n<\/blockquote>\r\n<p class=\"p1\"><\/p>","protected":false},"excerpt":{"rendered":"<p>Le Concours international de piano Honens 2025 se d\u00e9roule \u00e0 Calgary du 16 au 24 octobre. En lice pour les \u00e9preuves finales, 10 jeunes pianistes de divers horizons socioculturels et professionnels\u00a0: artistes multidisciplinaires, auteurs, enseignants, \u00e9tudiants et militants. \u00c1d\u00e1m Balogh Laur\u00e9at du prix Honens 2022 pour la meilleure interpr\u00e9tation de l\u2019\u0153uvre command\u00e9e, Balogh est l\u2019un<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/hal-kowalewski\/concours-international-de-piano-honens-et-les-demi-finalistes-sont\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":39653,"featured_media":1095936,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[31862,394,63412,17267],"tags":[63869,63875,38102,63874,63870,63871,37408,63872,55674,63873,63876],"class_list":{"0":"post-1095951","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-concours-musicals","8":"category-musique-classique","9":"category-ouest","10":"category-piano-fr","11":"tag-adam-balogh-fr","12":"tag-anastasia-vorotnaya-fr","13":"tag-carter-johnson","14":"tag-chaeyoung-park-fr","15":"tag-derek-wang-fr","16":"tag-elia-cecino-fr","17":"tag-elisabeth-pion","18":"tag-giorgio-lazzari-fr","19":"tag-honens-international-piano-competition-fr","20":"tag-sandro-nebieridze-fr","21":"tag-yuanfan-yang-fr","22":"type-article-fr","23":"type-evenements-prochains","24":"volume-volume-31","25":"issue-vol-31-issue-2-fr","26":"section-la-releve"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/featured-image-5-1.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/featured-image-5-1-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/10\/featured-image-5-1.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1095951"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/39653"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1095951"}],"version-history":[{"count":2,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1095951\/revisions"}],"predecessor-version":[{"id":1096095,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1095951\/revisions\/1096095"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1095936"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1095951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1095951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1095951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}