{"id":1093893,"date":"2025-09-21T12:11:59","date_gmt":"2025-09-21T16:11:59","guid":{"rendered":"https:\/\/myscena.org\/norman-lebrecht\/lhebdo-lebrecht-chopin-mazurkas-linn\/"},"modified":"2025-09-21T13:09:21","modified_gmt":"2025-09-21T17:09:21","slug":"lhebdo-lebrecht-chopin-mazurkas-linn","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/lhebdo-lebrecht-chopin-mazurkas-linn\/","title":{"rendered":"L’Hebdo Lebrecht | Chopin : Mazurkas (Linn)"},"content":{"rendered":"

J’ai grandi en \u00e9coutant Rubinstein et Horowitz jouer Chopin, puis les Russes Richter et Gilels. La g\u00e9n\u00e9ration suivante incluait Martha Argerich, Daniel Barenboim et Vladimir Ashkenazy. Au mitan de ma vie, je me suis demand\u00e9 s’il y avait encore beaucoup \u00e0 dire sur Chopin et j’ai pratiquement renonc\u00e9 \u00e0 l’\u00e9couter.<\/p>\n

Et je n’avais pas tout \u00e0 fait tort. \u00c0 moins d’\u00eatre polonais et d’adh\u00e9rer au culte du h\u00e9ros national, Chopin n’a pas grand-chose \u00e0 dire au-del\u00e0 d’une certaine sentimentalit\u00e9 introvertie et d’une tristesse post-co\u00eftale. C’est du moins mon impression.<\/p>\n

\"\"Je n’ai donc jamais assist\u00e9 au Concours Chopin \u00e0 Varsovie, craignant un ennui mortel. Le fait qu’aucun laur\u00e9at ne se soit distingu\u00e9 dans les ann\u00e9es 1990 a confirm\u00e9 mon intuition que nous avions atteint les limites de l’expression chopinienne. Un autre Concours Chopin aura lieu le mois prochain et j’aurai peut-\u00eatre tort cette fois. En attendant, la seule pianiste chopinienne que j’appr\u00e9cie est Ingrid Fliter, une Argentine qui a remport\u00e9 la deuxi\u00e8me place \u00e0 Varsovie il y a un quart de si\u00e8cle.<\/p>\n

L’une des derni\u00e8res solistes \u00e0 avoir sign\u00e9 avec EMI Classics avant sa faillite, Fliter a pratiquement renonc\u00e9 aux concerts publics pour se retirer en Italie et \u00e9lever son enfant. Son nouvel album de mazurkas est, par moments, une r\u00e9v\u00e9lation. Elle per\u00e7oit intuitivement des choses qui \u00e9chappent aux autres pianistes. Il y a dans la sixi\u00e8me de ses mazurkas de la m\u00e9lancolie en bloc. Dans d’autres, Fliter danse jusqu’aux limites de l’amour (\u00ab to the end of love \u00bb, dirait Leonard Cohen). Elle est toujours int\u00e9ressante. Son Fazioli pourrait aussi bien \u00eatre une lyre c\u00e9leste, pure et ang\u00e9lique. L’\u00e9tiquette Linn produit fr\u00e9quemment le son de piano le plus limpide entendu sur disque.<\/p>\n

\n

Traduction : A. Venne<\/p>\n","protected":false},"excerpt":{"rendered":"

J’ai grandi en \u00e9coutant Rubinstein et Horowitz jouer Chopin, puis les Russes Richter et Gilels. La g\u00e9n\u00e9ration suivante incluait Martha Argerich, Daniel Barenboim et Vladimir Ashkenazy. Au mitan de ma vie, je me suis demand\u00e9 s’il y avait encore beaucoup \u00e0 dire sur Chopin et j’ai pratiquement renonc\u00e9 \u00e0 l’\u00e9couter. Et je n’avais pas tout<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":1093886,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[34360,17267,17263],"tags":[1189,63724],"class_list":{"0":"post-1093893","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lhebdo-lebrecht","8":"category-piano-fr","9":"category-romantique","10":"tag-chopin","11":"tag-ingrid-fliter-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Ingrid-Fliter_Linn_1024.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Ingrid-Fliter_Linn_1024-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Ingrid-Fliter_Linn_1024.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1093893"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1093893"}],"version-history":[{"count":5,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1093893\/revisions"}],"predecessor-version":[{"id":1093896,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1093893\/revisions\/1093896"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1093886"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1093893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1093893"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1093893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}