{"id":1092044,"date":"2025-09-03T08:44:32","date_gmt":"2025-09-03T12:44:32","guid":{"rendered":"https:\/\/myscena.org\/?p=1092044"},"modified":"2025-09-03T08:44:32","modified_gmt":"2025-09-03T12:44:32","slug":"rentree-en-danse","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/nathalie-de-han\/rentree-en-danse\/","title":{"rendered":"Rentr\u00e9e en danse"},"content":{"rendered":"<h3 class=\"p1\">Montr\u00e9al<\/h3>\n<p class=\"p2\">Jouant avec les st\u00e9r\u00e9otypes du patriarcat, Fr\u00e9d\u00e9rick Gravel reprend le marquant et tr\u00e8s rock<i> Tout se p\u00e8te la gueule, ch\u00e9rie<\/i>. Musique de St\u00e9fan Boucher. Quat\u2019Sous, 10-13 sept. <strong><span class=\"s1\">www.quatsous.com<\/span><\/strong><\/p>\n<p class=\"p3\"><b> <\/b>M\u00ealant rythme et mouvement, avec 4 interpr\u00e8tes et 3 percussionnistes, Sasha Kleinplatz propose <i>Making Time<\/i> et le corps devient caisse de r\u00e9sonance. La Chapelle, 10-13 sept.<strong> www.lachapelle.org<\/strong><\/p>\n<p class=\"p3\">Entre rite sacrificiel et spectacle pop-rock, Catherine Gaudet pr\u00e9sente <i>Ode<\/i>. Ce spectacle pour 11 interpr\u00e8tes qu\u2019il faut voir s\u2019inspire des processions pa\u00efennes. \u00c9difice Wilder, 24-26 sept. <strong><span class=\"s1\">www.agoradanse.com<\/span><\/strong><\/p>\n<p class=\"p3\">Montez sur sc\u00e8ne parmi les interpr\u00e8tes de Margie Gillis, H\u00e9l\u00e8ne Blackburn et Andrea Pe\u00f1a gr\u00e2ce \u00e0 l\u2019\u0153uvre immersive <i>Koros<\/i>. L\u2019exp\u00e9rience en r\u00e9alit\u00e9 virtuelle de 40 minutes fait aussi l\u2019objet d\u2019une vaste tourn\u00e9e qu\u00e9b\u00e9coise. Gratuit. \u00c9difice Wilder, 24-26 sept. Information et r\u00e9servation au <strong><span class=\"s1\">www.koros.ca<\/span><\/strong><\/p>\n<div id=\"attachment_1092032\" style=\"width: 310px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1092032\" class=\"size-medium wp-image-1092032\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/hsane-Photo-Thomas-Amoureux-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/hsane-Photo-Thomas-Amoureux-scaled-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/hsane-Photo-Thomas-Amoureux-scaled-600x400.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/hsane-Photo-Thomas-Amoureux-1024x683.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/hsane-Photo-Thomas-Amoureux-768x512.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/hsane-Photo-Thomas-Amoureux-1536x1024.jpg 1536w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/hsane-Photo-Thomas-Amoureux-2048x1365.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1092032\" class=\"wp-caption-text\">Ihsane<br \/>Photo : Thomas Amoureux<\/p><\/div>\n<p class=\"p3\">Pour <i>Ihsane<\/i>, mot qui signifie bienveillant en arabe, Sidi Larbi Cherkaoui s\u2019est entour\u00e9 de 25 interpr\u00e8tes, dont 2 chanteurs et 4 musiciens, qui<span class=\"Apple-converted-space\">\u00a0 <\/span>joueront la musique du compositeur et violoniste tunisien Jasser<span class=\"s2\">\u202f<\/span>Haj<span class=\"s2\">\u202f<\/span>Youssef. Au Th\u00e9\u00e2tre Maisonneuve, 1-4 oct. <span class=\"s1\">www.dansedanse.ca<\/span> Ottawa, 9-10 oct.<strong><span class=\"s1\"> www.nac-cna.ca<\/span><\/strong><\/p>\n<p class=\"p3\">Un programme double voit les 6 interpr\u00e8tes de <i>T\u00eate-\u00e0-t\u00eate<\/i> (Jessica Joy Muszynski) exprimer leur rage face aux torts commis \u00e0 leur \u00e9gard et r\u00e9clamer justice. Le tandem Savage &amp; Samuelle propose ensuite <i>u go, i go<\/i>, une r\u00e9flexion sur l\u2019\u00e9quilibre entre soi et l\u2019autre. \u00c9difice Wilder, 9-12 oct. <strong><span class=\"s1\">www.tangentedanse.ca<\/span><\/strong><\/p>\n<p class=\"p3\"><i> Soul\u00e8vement<\/i> de Dani\u00e8le Desnoyers sonde la relation entre les corps de huit femmes et la musique de Richard Wagner, suscitant un dialogue entre son \u0153uvre et les paysages sonores \u00e9lectroacoustiques de Ben Shemie. Usine C, 16-18 oct. <strong><span class=\"s1\">www.usine-c.com<\/span><\/strong><\/p>\n<p class=\"p3\">\u00c9tienne B\u00e9chard revisite les fr\u00e8res Grimm avec <i>Blanche-Neige et le Miroir<\/i>, un ballet contemporain construit sur les notions de v\u00e9rit\u00e9 et d\u2019illusion. Les 43 musiciens de l\u2019Orchestre des Grands Ballets interpr\u00e9teront des \u0153uvres de Bach, Saint-Sa\u00ebns et Dukas. Salle Wilfrid-Pelletier, 22-25 oct. <strong><span class=\"s1\">www.grandsballets.com<\/span><\/strong><\/p>\n<p class=\"p3\">Dans<i> Theatre<\/i> <i>of Dreams<\/i>, Hofesh Shechter sonde l\u2019imaginaire et le fantasme. Entre th\u00e9\u00e2tre et danse, 13 interpr\u00e8tes se d\u00e9cha\u00eenent sur une bande-son percussive d\u2019Hofesh Shechter lui-m\u00eame, interpr\u00e9t\u00e9e en direct par trois musiciens. Seul spectacle du chor\u00e9graphe au Canada. Au Th\u00e9\u00e2tre Maisonneuve, 4-8 nov. <strong>www.dansedanse.ca<\/strong><\/p>\n<p class=\"p3\"><i>Danses vagabondes<\/i> de la grande Louise Lecavalier convie le public \u00e0 une c\u00e9l\u00e9bration ludique et sans limites du mouvement. En reprise apr\u00e8s un passage au FTA \u00e0 guichets ferm\u00e9s. Usine\u00a0C, 5-8 nov. <strong><span class=\"s1\">www.usine-c.com<\/span><\/strong><\/p>\n<p class=\"p3\">Sofia Nappi s\u2019inspire de Pinocchio pour <i>Pupo<\/i> et scrute, avec 7 interpr\u00e8tes, le passage de l\u2019enfance \u00e0 l\u2019\u00e2ge adulte. La bande sonore marie folklore et musique de Chopin. Cinqui\u00e8me Salle, 11-15 nov.<b> <\/b><strong><span class=\"s1\">www.dansedanse.ca<\/span><\/strong><\/p>\n<p class=\"p3\"><i> Black Lights<\/i> est le spectacle manifeste plusieurs fois prim\u00e9 de Mathilde Monnier. Avec d\u00e9termination, il s\u2019appuie sur 10 textes de femmes et raconte les violences qu\u2019elles rencontrent pour enfin tourner la page. Incontournable. \u00c9difice Wilder, 22-25 oct.<b> <\/b><strong><span class=\"s1\">www.agoradanse.com<\/span><\/strong><\/p>\n<p class=\"p3\"><i>Burn Baby, Burn<\/i> de Guillaume C\u00f4t\u00e9 se penche sur la probl\u00e9matique des changements climatiques et l\u2019urgence d\u2019agir pour un avenir durable. Au Th\u00e9\u00e2tre Maisonneuve, 25-29 nov. <strong>www.dansedanse.ca<\/strong><\/p>\n<p class=\"p3\">L\u2019art peut-il aider \u00e0 surmonter le deuil\u00a0? C\u2019est ce que demande, apr\u00e8s l\u2019homicide de son partenaire, la performeuse et chor\u00e9graphe Thea Patterson dans <i>Un-nevering.<\/i> \u00c0 voir.<i> <\/i>\u00c0 l\u2019Espace Libre,<i> <\/i>27 nov.-6 d\u00e9c. <strong><span class=\"s1\">www.espacelibre.qc.ca<\/span><\/strong><\/p>\n<p class=\"p5\">Premi\u00e8re \u0153uvre solo de Sora\u00efda Caron, <i>Les petits d\u00e9sordres<\/i> est entrecoup\u00e9e de courts monologues et \u00e9voque l\u2019adoption internationale. \u00c9difice Wilder, 3-5 d\u00e9c. <strong><span class=\"s1\">www.agoradanse.com <\/span><\/strong><\/p>\n<h3 class=\"p1\">Ottawa<\/h3>\n<p class=\"p2\">Inspir\u00e9e par les espaces ext\u00e9rieurs, Dani\u00e8le Desnoyers a con\u00e7u <i>Les Sc\u00e9nographies-Paysages<\/i>. Le domaine historique Mackenzie-King de Gatineau est le point de d\u00e9part de cette proposition. Domaine Mackenzie-King, 27-28 sept. <strong><span class=\"s1\">www.nac-cna.ca<\/span><\/strong><\/p>\n<p class=\"p3\">Pour <i>Hansel et Gretel<\/i>, une relecture du conte des fr\u00e8res Grimm, Loughlan<span class=\"s2\">\u202f<\/span>Prior s\u2019inspire de l\u2019\u00e2ge d\u2019or du cin\u00e9ma muet et d\u00e9veloppe une vision enfantine et surr\u00e9aliste. L\u2019Orchestre du Centre national des Arts interpr\u00e8te la musique de l\u2019artiste n\u00e9o-z\u00e9landaise Claire Cowan<b>. <\/b>Salle Southam, 23-25 oct.<strong><span class=\"s1\"> www.nac-cna.ca<\/span><\/strong><\/p>\n<p class=\"p3\">Sur une sc\u00e8ne transform\u00e9e en parc de planche \u00e0 roulettes, Mette Ingvartsen revisite sa jeunesse danoise et la vitesse des figures de style de la contre-culture du <i>skate<\/i>. Th\u00e9\u00e2tre Babs Asper 6-8 nov. <strong><span class=\"s1\">www.nac-cna.ca<\/span><\/strong><\/p>\n<p class=\"p5\">Accompagn\u00e9e de Mauricio<span class=\"s2\">\u202f<\/span>Pauly au son, Justine<span class=\"s2\">\u202f<\/span>A.<span class=\"s2\">\u202f<\/span>Chambers s\u2019int\u00e9resse au dandysme noir et place l\u2019improvisation structur\u00e9e <i>The Brutal Joy<\/i> dans un espace inspir\u00e9 d\u2019un club de jazz. Studio de la Cour des arts, 20-22 nov. <strong><span class=\"s1\">www.nac-cna.ca <\/span><\/strong><\/p>\n<h3 class=\"p1\">Toronto<\/h3>\n<div id=\"attachment_1092028\" style=\"width: 310px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1092028\" class=\"size-medium wp-image-1092028\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Compagnie-de-la-Citadelle.-Photo-Kendra-Epik-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Compagnie-de-la-Citadelle.-Photo-Kendra-Epik-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Compagnie-de-la-Citadelle.-Photo-Kendra-Epik-600x400.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Compagnie-de-la-Citadelle.-Photo-Kendra-Epik-1024x683.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Compagnie-de-la-Citadelle.-Photo-Kendra-Epik-768x512.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Compagnie-de-la-Citadelle.-Photo-Kendra-Epik-1536x1024.jpg 1536w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Compagnie-de-la-Citadelle.-Photo-Kendra-Epik-2048x1366.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1092028\" class=\"wp-caption-text\">Compagnie de la Citadelle<br \/>Photo : Kendra Epik<\/p><\/div>\n<p class=\"p2\">La directrice artistique de la Compagnie de la Citadelle, Laurence Lemieux, pr\u00e9sente sa nouvelle cr\u00e9ation, qu\u2019elle interpr\u00e8te sur une composition d\u2019Aidan McConnell. Ross Centre for Dance 1-4 oct.<strong><span class=\"s1\"> www.citadelcie.com<\/span><\/strong><\/p>\n<p class=\"p3\">La programmation internationale et inclusive du 11<span class=\"s3\"><sup>e<\/sup><\/span> festival international Fall for Dance North (FFDN) propose plus de 30 artistes canadiens et internationaux, r\u00e9partis dans huit programmes mixtes distincts. Diff\u00e9rents th\u00e9\u00e2tres, 15-26 oct. <strong><span class=\"s1\">www.ffdnorth.com<\/span><\/strong><\/p>\n<p class=\"p3\">Le programme double <i>La goddam Voie lact\u00e9e<\/i> et<i> Confession publique<\/i> de Mayday et M\u00e9lanie Demers est \u00e0 (re)d\u00e9couvrir. Sur des musiques originales de Frannie Holder. The Theatre Centre<i>, <\/i>24-25 oct.<strong><span class=\"s1\"> www.danceworks.ca<\/span><\/strong><\/p>\n<p class=\"p3\">Le Ballet national du Canada ouvre sa saison avec <i>Procession<\/i>. Bobbi Jene Smith et Or Schraiber fusionnent mouvement contemporain et partitions d\u2019inspiration baroque. Premi\u00e8re mondiale. Four Seasons Centre for the Performing Arts, 1-8 nov.<strong><span class=\"s1\"> www.national.ballet.ca<\/span><\/strong><\/p>\n<p class=\"p3\">L\u2019\u0153uvre prim\u00e9e d\u2019Eric Cheung <i>Contra<\/i> examine le d\u00e9sir universel de d\u00e9passement.<b> <\/b>Scotiabank Dance Centre, 28-29 nov. <strong>www.thedancecentre.ca<\/strong><\/p>\n<p class=\"p3\">Aux c\u00f4t\u00e9s d\u2019une brillante distribution, Alyssa Martin propose <i>Sex Dalmatians\u2019s Hot Holiday Spectacular<\/i>. Ada Slaight Hall, 17-21 d\u00e9c.<b> <\/b><strong><span class=\"s1\">www.citadelcie.com <\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Montr\u00e9al Jouant avec les st\u00e9r\u00e9otypes du patriarcat, Fr\u00e9d\u00e9rick Gravel reprend le marquant et tr\u00e8s rock Tout se p\u00e8te la gueule, ch\u00e9rie. Musique de St\u00e9fan Boucher. Quat\u2019Sous, 10-13 sept. www.quatsous.com M\u00ealant rythme et mouvement, avec 4 interpr\u00e8tes et 3 percussionnistes, Sasha Kleinplatz propose Making Time et le corps devient caisse de r\u00e9sonance. La Chapelle, 10-13 sept.<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/nathalie-de-han\/rentree-en-danse\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":2943,"featured_media":1092030,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[395,53514,53995,53515],"tags":[63584,63521,58970,18674,35390,63551,43922,32807,63550,51691,50669,63552,23972],"class_list":{"0":"post-1092044","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-danse","8":"category-montreal","9":"category-ottawa-fr","10":"category-toronto","11":"tag-indigenious-theatre-fr-2","12":"tag-4sous","13":"tag-agora-danse-fr","14":"tag-ballet-national-du-canada","15":"tag-rolando-villazon-fr","16":"tag-dance-works-fr","17":"tag-danse-danse-fr","18":"tag-grands-ballets","19":"tag-koros-fr","20":"tag-la-chapelle-fr","21":"tag-tangente-danse","22":"tag-the-dance-centre-fr","23":"tag-usine-c-fr-24","24":"volume-volume-31","25":"issue-vol-31-issue-1-fr","26":"section-la-rentree"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/featured_image-6-1.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/featured_image-6-1-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/featured_image-6-1.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1092044"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2943"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1092044"}],"version-history":[{"count":3,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1092044\/revisions"}],"predecessor-version":[{"id":1092048,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1092044\/revisions\/1092048"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1092030"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1092044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1092044"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1092044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}