{"id":1092012,"date":"2025-09-03T08:44:52","date_gmt":"2025-09-03T12:44:52","guid":{"rendered":"https:\/\/myscena.org\/?p=1092012"},"modified":"2025-09-03T08:44:52","modified_gmt":"2025-09-03T12:44:52","slug":"theatre-anglais-la-saison-commence","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/nathalie-de-han\/theatre-anglais-la-saison-commence\/","title":{"rendered":"Th\u00e9\u00e2tre Anglais : La saison commence"},"content":{"rendered":"<h3 class=\"p1\">Montr\u00e9al<\/h3>\n<div id=\"attachment_1092002\" style=\"width: 310px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1092002\" class=\"size-medium wp-image-1092002\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Stone-Bone-Spectacular-Centaur-Theatre-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Stone-Bone-Spectacular-Centaur-Theatre-scaled-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Stone-Bone-Spectacular-Centaur-Theatre-scaled-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Stone-Bone-Spectacular-Centaur-Theatre-scaled-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Stone-Bone-Spectacular-Centaur-Theatre-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Stone-Bone-Spectacular-Centaur-Theatre-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Stone-Bone-Spectacular-Centaur-Theatre-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Stone-Bone-Spectacular-Centaur-Theatre-1536x1536.jpg 1536w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Stone-Bone-Spectacular-Centaur-Theatre-2048x2048.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1092002\" class=\"wp-caption-text\">Stone &amp; Bone Spectacular, Centaur Theatre<\/p><\/div>\n<p class=\"p2\">Fruit de la premi\u00e8re r\u00e9sidence artistique autochtone du Centaur, <i>Stone and Bone Spectacular<\/i> est une pi\u00e8ce \u00e9crite par Ange Loft. Elle offre une perspective \u00e0 la fois ludique et profonde sur l\u2019histoire de Tioh\u2019ti\u00e0:ke, \u00e9galement connue sous le nom de Montr\u00e9al, mettant en sc\u00e8ne des amoureux qui se retrouvent et des castors danseurs. Ancr\u00e9e \u00e0 la fois dans les longues ann\u00e9es de colonialisme et dans l\u2019h\u00e9ritage du peuple kanien\u2019keh\u00e1:ka, \u00e9galement connu sous le nom de mohawk, la pi\u00e8ce invite le public \u00e0 d\u00e9couvrir les nombreux aspects du patrimoine de Montr\u00e9al. Th\u00e9\u00e2tre Centaur, 15-26 oct. <strong><span class=\"s1\">www.centaurtheatre.com<\/span><\/strong><\/p>\n<p class=\"p3\">Quatre femmes tr\u00e8s diff\u00e9rentes se rencontrent dans un grand magasin. Elles se mettent \u00e0 plaisanter sur leurs bouff\u00e9es de chaleur, leurs trous de m\u00e9moire, leurs sautes d\u2019humeur, leurs rides et leurs envies de sucre. Une sororit\u00e9 se cr\u00e9e entre elles lorsqu\u2019elles se rendent \u00e0 l\u2019\u00e9vidence que la m\u00e9nopause n\u2019est plus un tabou, mais une \u00e9tape de la vie de chaque femme. <i>Menopause The Musical<\/i> comprend 25 chansons des ann\u00e9es 1960 et 1970 dont les paroles ont \u00e9t\u00e9 remani\u00e9es. Centre Pierre-P\u00e9ladeau, 7-15 nov. <strong><span class=\"s1\">www.pierre-mercure.uqam.ca<\/span><\/strong><\/p>\n<p class=\"p3\">Laur\u00e9ate du prix Tony 2023 de la meilleure com\u00e9die musicale, <i>Kimberly Akimbo<\/i> raconte l\u2019histoire extravagante d\u2019une adolescente soup\u00e7onn\u00e9e de crimes et aux prises avec une maladie rare. Avec Louise Pitre, acclam\u00e9e pour ses r\u00f4les principaux dans <i>Les Mis\u00e9rables<\/i> et <i>Mamma Mia!<\/i> Th\u00e9\u00e2tre Sylvan Adams, 23\u00a0nov. au 21\u00a0d\u00e9c. <strong><span class=\"s1\">www.segalcentre.org<\/span><\/strong><\/p>\n<p class=\"p4\"><i>Kisses Deep<\/i> raconte l\u2019histoire d\u2019Hugo, qui vit et travaille avec sa m\u00e8re, propri\u00e9taire d\u2019un magasin de tissus. Son monde bascule lorsqu\u2019elle est accus\u00e9e d\u2019agression. Passionn\u00e9 de mode, il d\u00e9cide d\u2019habiller sa m\u00e8re pour le proc\u00e8s, mais il d\u00e9veloppe un \u00e9trange comportement\u00a0: il embrasse les gens et ses baisers suscitent des sentiments ambigus. La directrice artistique du Centaur, Eda Holmes, met en sc\u00e8ne la premi\u00e8re anglophone hautement attendue de la pi\u00e8ce de Michel Marc Bouchard. Th\u00e9\u00e2tre Centaur, du 26\u00a0nov. au 14\u00a0d\u00e9c. <strong><span class=\"s1\">www.centaurtheatre.com<\/span><\/strong><\/p>\n<h3 class=\"p1\">Ottawa<\/h3>\n<p class=\"p2\">Inspir\u00e9 du livre d\u2019Andr\u00e9 Alexis, laur\u00e9at du prix Giller, <i>Fifteen Dogs<\/i> imagine deux dieux grecs qui r\u00e8glent un pari en donnant \u00e0 quinze chiens une conscience humaine. \u00c0 partir de 14 ans. Azrieli Studio, du 17 au 27 sept. <strong><span class=\"s1\">www.nac-cna.ca<\/span><\/strong><\/p>\n<p class=\"p3\">Dans <i>The<\/i> <i>Turn of the Screw<\/i>, une jeune gouvernante engag\u00e9e pour s\u2019occuper de deux orphelins dans une maison de campagne commence \u00e0 voir des fant\u00f4mes effrayants. Elle est d\u00e9termin\u00e9e \u00e0 assurer la s\u00e9curit\u00e9 de ses jeunes prot\u00e9g\u00e9s, mais ces spectres pourraient revenir. Ottawa Little Theatre, du 29\u00a0oct. au 15\u00a0nov. <strong><span class=\"s1\">www.ottawalittletheatre.com<\/span><\/strong><\/p>\n<p class=\"p3\">Le DJ, auteur de romans graphiques et r\u00e9alisateur montr\u00e9alais Kid Koala a cr\u00e9\u00e9 <i>The Storyville Mosquito<\/i>, une exp\u00e9rience cin\u00e9matographique th\u00e9\u00e2trale qui raconte l\u2019histoire d\u2019un humble moustique qui r\u00eave de devenir une superstar. \u00c0 partir de 7 ans. Th\u00e9\u00e2tre Babs Asper, 3-13\u00a0d\u00e9c. <strong><span class=\"s1\">www.nac-cna.ca<\/span><\/strong><\/p>\n<p class=\"p4\">Apr\u00e8s la mort de Moriarty, Sherlock Holmes sombre dans la d\u00e9prime, jusqu\u2019\u00e0 ce qu\u2019on lui demande d\u2019enqu\u00eater sur la mort \u00e9trange d\u2019Ebenezer Scrooge. <i>A Sherlock Carol<\/i> est un polar qui r\u00e9unit Dickens et Conan Doyle. Ottawa Little Theatre, 3-20\u00a0d\u00e9c. <strong><span class=\"s1\">www.ottawalittletheatre.com<\/span><\/strong><\/p>\n<h3 class=\"p1\">Toronto<\/h3>\n<p class=\"p2\">La production <i>King Gilgamesh (and the Man of the Wild)<\/i>, r\u00e9compens\u00e9e par un prix Dora, qui combine une <i>bromance<\/i> moderne \u00e0 Toronto avec la plus ancienne saga du monde, est de retour. Cr\u00e9\u00e9e et interpr\u00e9t\u00e9e par Ahmed Moneka et Jesse LaVercombe, aux c\u00f4t\u00e9s du groupe de jazz arabe d\u2019Ahmed, nomin\u00e9 aux prix Juno 2025. Michael Young Theatre, du 13\u00a0sept. au 5\u00a0oct. <strong><span class=\"s1\">www.soulpepper.ca<\/span><\/strong><\/p>\n<p class=\"p3\">Deux histoires d\u2019amour s\u2019entrem\u00ealent au-del\u00e0 de l\u2019espace et du temps \u00e0 Beyrouth. <i>The Green Line<\/i>, finaliste du prix litt\u00e9raire du Gouverneur g\u00e9n\u00e9ral\u00a02024, r\u00e9v\u00e8le un r\u00e9cit <i>queer<\/i> qui a toujours exist\u00e9, mais que certains ont cherch\u00e9 \u00e0 transmettre ou \u00e0 effacer. Buddies in Bad Times Theatre, du 19\u00a0sept. au 4\u00a0oct. <strong><span class=\"s1\">www.factorytheatre.ca<\/span><\/strong><\/p>\n<p class=\"p3\"><i>Slave Play<\/i> de Jeremy O. est une satire provocante sur la race, le sexe, les relations de pouvoir, les traumatismes et les relations interraciales. Une premi\u00e8re canadienne \u00e0 ne pas manquer. Berkeley Street Theatre, 28\u00a0sept. au 18\u00a0oct. <strong><span class=\"s1\">www.canadianstage.com<\/span><\/strong><\/p>\n<div id=\"attachment_1092000\" style=\"width: 310px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1092000\" class=\"size-medium wp-image-1092000\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/The-Comeuppance-Soulpepper-Theatre-Photo-Dahlia-Katz-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/The-Comeuppance-Soulpepper-Theatre-Photo-Dahlia-Katz-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/The-Comeuppance-Soulpepper-Theatre-Photo-Dahlia-Katz-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/The-Comeuppance-Soulpepper-Theatre-Photo-Dahlia-Katz-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/The-Comeuppance-Soulpepper-Theatre-Photo-Dahlia-Katz-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/The-Comeuppance-Soulpepper-Theatre-Photo-Dahlia-Katz.jpg 640w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1092000\" class=\"wp-caption-text\">The Comeuppance, Soulpepper Theatre<br \/>Photo : Dahlia Katz<\/p><\/div>\n<p class=\"p3\">Lorsqu\u2019un groupe d\u2019anciens camarades du secondaire se r\u00e9unit pour sa 20<span class=\"s2\"><sup>e<\/sup><\/span> r\u00e9union de promotion, la nostalgie c\u00e8de \u00e0 des id\u00e9es plus sombres. <i>The Comeuppance<\/i> oppose des mill\u00e9nariaux d\u00e9chir\u00e9s entre ce qu\u2019ils \u00e9taient, ce qu\u2019ils sont devenus et ce qu\u2019ils n\u2019avaient pas pr\u00e9vu. Premi\u00e8re canadienne. Th\u00e9\u00e2tre Michael Young, 30\u00a0oct. au 23\u00a0nov. <strong><span class=\"s1\">www.soulpepper.ca<\/span><\/strong><\/p>\n<p class=\"p3\"><i>Fulfillment Centre<\/i> est une pi\u00e8ce qui raconte l\u2019histoire de quatre individus solitaires que leur qu\u00eate du bonheur rapproche. Coal Mine Theatre, 16\u00a0nov. au 7\u00a0d\u00e9c. <strong><span class=\"s1\">www.coalminetheatre.com<\/span><\/strong><\/p>\n<p class=\"p3\">Dans <i>Moonlight Schooner<\/i>, la dramaturge Kanika Ambrose, laur\u00e9ate d\u2019un prix Dora, raconte comment les forces coloniales ont d\u00e9lib\u00e9r\u00e9ment bris\u00e9 des hommes noirs et les victimes laiss\u00e9es derri\u00e8re elles pendant la g\u00e9n\u00e9ration Windrush. Berkeley Street Theatre, 21\u00a0nov. au 14\u00a0d\u00e9c. <strong><span class=\"s1\">www.canadianstage.com<\/span><\/strong><\/p>\n<p class=\"p3\">Cr\u00e9\u00e9 par Lauren Gillis et Alaine Hutton, <i>Public Consumption<\/i> \u00e9voque les p\u00e9rip\u00e9ties d\u2019un c\u00e9l\u00e8bre acteur censur\u00e9, condamn\u00e9 \u00e0 lire des milliers de pages de fiction \u00e9rotique afin de former une intelligence artificielle apte \u00e0 reconna\u00eetre les contenus obsc\u00e8nes. Buddies in Bad Times Theatre, 27\u00a0nov.au 7\u00a0d\u00e9c. <strong><span class=\"s1\">www.factorytheatre.ca<\/span><\/strong><\/p>\n<p class=\"p3\"><i>Holiday! An Improvised Musical<\/i> est enti\u00e8rement improvis\u00e9 et inspir\u00e9 par les suggestions du public. Ainsi, chaque soir, une nouvelle com\u00e9die musicale est cr\u00e9\u00e9e. Buddies in Bad Times Theatre, 10-20\u00a0d\u00e9c. <strong><span class=\"s1\">www.factorytheatre.ca<\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Montr\u00e9al Fruit de la premi\u00e8re r\u00e9sidence artistique autochtone du Centaur, Stone and Bone Spectacular est une pi\u00e8ce \u00e9crite par Ange Loft. Elle offre une perspective \u00e0 la fois ludique et profonde sur l\u2019histoire de Tioh\u2019ti\u00e0:ke, \u00e9galement connue sous le nom de Montr\u00e9al, mettant en sc\u00e8ne des amoureux qui se retrouvent et des castors danseurs. Ancr\u00e9e<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/nathalie-de-han\/theatre-anglais-la-saison-commence\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2943,"featured_media":1092004,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17288,53514,53995,401,53515],"tags":[63522,63542,63544,54730,54739,54738,57118,54731,63543,58956,63541,37424],"class_list":{"0":"post-1092012","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-comedie-musicale","8":"category-montreal","9":"category-ottawa-fr","10":"category-theatre-fr","11":"category-toronto","12":"tag-azrieli-studio","13":"tag-babs-asper-theatre-fr","14":"tag-bad-dog-theatre-fr","15":"tag-berkeley-street-theatre-fr","16":"tag-bluma-appel-theatre-fr","17":"tag-buddies-in-bad-times-theatre-fr","18":"tag-centre-pierre-peladeau-fr","19":"tag-coal-mine-theatre-fr","20":"tag-michael-young-theatre-fr","21":"tag-ottawa-little-theatre-fr","22":"tag-sylvan-adams-theatre-fr","23":"tag-theatre-centaur","24":"volume-volume-31","25":"issue-vol-31-issue-1-fr","26":"section-la-rentree"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/featured_image-5-1.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/featured_image-5-1-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/featured_image-5-1.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1092012"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2943"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1092012"}],"version-history":[{"count":3,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1092012\/revisions"}],"predecessor-version":[{"id":1092020,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1092012\/revisions\/1092020"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1092004"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1092012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1092012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1092012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}