{"id":1091840,"date":"2025-09-03T08:45:01","date_gmt":"2025-09-03T12:45:01","guid":{"rendered":"https:\/\/myscena.org\/?p=1091840"},"modified":"2025-09-08T14:53:51","modified_gmt":"2025-09-08T18:53:51","slug":"concerts-a-venir-sept-2025","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/la-scena-musicale-team\/concerts-a-venir-sept-2025\/","title":{"rendered":"Concerts \u00e0 Venir : septembre 2025"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">par <\/span>Wah Keung Chan et Gianmarco Segato<\/p>\r\n<h3><strong>Montr\u00e9al<\/strong><\/h3>\r\n<p><strong>Ladies Morning Musical Club (LMMC)<\/strong><\/p>\r\n\r\n<p class=\"p1\">La saison musicale montr\u00e9alaise d\u00e9bute par deux r\u00e9citals dans le cadre de la s\u00e9rie de concerts du LMMC, qui a lieu les dimanches apr\u00e8s-midi \u00e0 la salle Oscar Peterson pour la deuxi\u00e8me ann\u00e9e cons\u00e9cutive, la salle Pollack de l\u2019Universit\u00e9 McGill \u00e9tant encore en r\u00e9novation. Le violoncelliste Alban Gerhardt et le pianiste Steven Osborne sont \u00e0 l\u2019affiche d\u2019un concert le 7 septembre. On retrouvera M.\u00a0Osborne au LMMC, seul au piano pour un r\u00e9cital le 1<span class=\"s1\"><sup>er<\/sup><\/span> mars 2026. L\u2019Isidore String Quartet, vainqueur du Concours international de quatuor \u00e0 cordes de Banff en 2022, jouera le 28 septembre.<\/p>\r\n<p><a href=\"http:\/\/www.lmmc.ca\">www.lmmc.ca<\/a><\/p>\r\n<h4 class=\"p1\">Musica Camerata Montr\u00e9al<\/h4>\r\n<p class=\"p2\">Musica Camerata Montr\u00e9al, un ensemble de musique de chambre canadien de premier plan, est compos\u00e9 de Marc Djokic et Luis Grinhauz aux violons, Elvira Misbakhova \u00e0 l\u2019alto, Eric Friesen au violoncelle et Berta Rosenohl au piano. Ils marqueront une 56<span class=\"s1\"><sup>e<\/sup><\/span> saison par un premier concert le 20 septembre avec le <i>Quintette pour piano<\/i>, op. 26, d\u2019Ern\u00f6 Dohn\u00e1nyi, <i>Trois pi\u00e8ces<\/i>, op. 18, de Benjamin Godard, et le <i>Quintette pour piano<\/i>, op. 44, de<i> <\/i>Schumann.<\/p>\r\n<p><a href=\"http:\/\/www.cameratamontreal.com\">www.cameratamontreal.com \u00a0<\/a><\/p>\r\n<div id=\"attachment_1091791\" style=\"width: 712px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1091791\" class=\"wp-image-1091791 size-large\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Peter-Richard-Conte-e1757355262749.jpg\" alt=\"\" width=\"702\" height=\"702\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Peter-Richard-Conte-e1757355262749.jpg 1666w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Peter-Richard-Conte-e1757355262749-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Peter-Richard-Conte-e1757355262749-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Peter-Richard-Conte-e1757355262749-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Peter-Richard-Conte-e1757355262749-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Peter-Richard-Conte-e1757355262749-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Peter-Richard-Conte-e1757355262749-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Peter-Richard-Conte-e1757355262749-1536x1536.jpg 1536w\" sizes=\"(max-width: 702px) 100vw, 702px\" \/><p id=\"caption-attachment-1091791\" class=\"wp-caption-text\">Peter Richard Conte<\/p><\/div>\r\n<p class=\"p1\">CIOC : Festival du grand orgue<\/p>\r\n<p class=\"p1\">Le Festival du grand orgue du Concours international d\u2019orgue du Canada pr\u00e9sente 15 \u00e9v\u00e9nements \u00e0 Montr\u00e9al et dans tout le Qu\u00e9bec du 6 septembre au 26 octobre avec des prestations de Rashaan Allwood, Sound Rebellion, Inspirationz Ensemble, Maria Gajraj, Henry Webb, Elisabeth Hubmann, Quentin Gu\u00e9rillot, Shen Yuan, Yves-G. Pr\u00e9fontaine et une projection sp\u00e9ciale du documentaire <i>Pipe Dreams<\/i>. Le grand concert du 4 octobre mettra en vedette Peter Richard Conte.<\/p>\r\n<p><a href=\"http:\/\/www.ciocm.org\">www.ciocm.org \u00a0<\/a><\/p>\r\n<div id=\"attachment_1091785\" style=\"width: 310px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1091785\" class=\"wp-image-1091785 size-medium\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Karen-Cargill.-Photo-Nadine-Boyd-scaled-e1757355309331.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Karen-Cargill.-Photo-Nadine-Boyd-scaled-e1757355309331.jpg 1706w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Karen-Cargill.-Photo-Nadine-Boyd-scaled-e1757355309331-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Karen-Cargill.-Photo-Nadine-Boyd-scaled-e1757355309331-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Karen-Cargill.-Photo-Nadine-Boyd-scaled-e1757355309331-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Karen-Cargill.-Photo-Nadine-Boyd-scaled-e1757355309331-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Karen-Cargill.-Photo-Nadine-Boyd-scaled-e1757355309331-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Karen-Cargill.-Photo-Nadine-Boyd-scaled-e1757355309331-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Karen-Cargill.-Photo-Nadine-Boyd-scaled-e1757355309331-1536x1536.jpg 1536w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1091785\" class=\"wp-caption-text\">Karen Cargill<br \/>Photo: Nadine Boyd<\/p><\/div>\r\n<h4><strong>Orchestre symphonique de Montr\u00e9al<\/strong><\/h4>\r\n<p class=\"p1\">Apr\u00e8s l\u2019\u00e9mouvante <i>Symphonie fantastique <\/i>de l\u2019an dernier, maestro Rafael Payare ouvre la saison de l\u2019OSM les 17 et 18 septembre avec <i>La damnation de Faust<\/i> de Berlioz avec Karen Cargill, mezzo-soprano (Marguerite), Andrew Staples, t\u00e9nor (Faust) et sir Willard White, baryton-basse (M\u00e9phistoph\u00e9l\u00e8s). Le violoniste canadien James Ehnes jouera le <i>Concerto pour violon<\/i> de Brahms, tandis que Payare dirigera l\u2019orchestre dans la <i>Symphonie n\u00b0 6<\/i> de Dvo<span class=\"s1\">\u0159<\/span>\u00e1k(25 et 27 septembre).<\/p>\r\n<p><a href=\"http:\/\/www.osm.ca\">www.osm.ca \u00a0<\/a><\/p>\r\n<h4><strong>Orchestre M\u00e9tropolitain<\/strong><\/h4>\r\n<p class=\"p1\">Yannick Nezet-Seguin c\u00e9l\u00e8bre le prochain anniversaire de Mahler en interpr\u00e9tant sa <i>Troisi\u00e8me Symphonie<\/i> avec la mezzo Joyce DiDonato comme soliste, le 23 septembre.<\/p>\r\n<p><a style=\"font-size: 14px;\" href=\"http:\/\/www.orchestremetropolitain.com.\">www.orchestremetropolitain.com.\u00a0\u00a0<\/a><\/p>\r\n<div id=\"attachment_1091779\" style=\"width: 310px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1091779\" class=\"wp-image-1091779 size-medium\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Andrea-Nunez.-Photo-Stephanie-Sedlebauer-e1757355372573.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Andrea-Nunez.-Photo-Stephanie-Sedlebauer-e1757355372573.jpg 1195w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Andrea-Nunez.-Photo-Stephanie-Sedlebauer-e1757355372573-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Andrea-Nunez.-Photo-Stephanie-Sedlebauer-e1757355372573-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Andrea-Nunez.-Photo-Stephanie-Sedlebauer-e1757355372573-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Andrea-Nunez.-Photo-Stephanie-Sedlebauer-e1757355372573-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Andrea-Nunez.-Photo-Stephanie-Sedlebauer-e1757355372573-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Andrea-Nunez.-Photo-Stephanie-Sedlebauer-e1757355372573-768x768.jpg 768w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1091779\" class=\"wp-caption-text\">Andrea Nu\u0301n\u0303ez<br \/>Photo: Stephanie Sedlebauer<\/p><\/div>\r\n<h4><strong>Op\u00e9ra de Montr\u00e9al: Don Giovanni<\/strong><\/h4>\r\n<p class=\"p1\">L\u2019Op\u00e9ra de Montr\u00e9al ouvrira sa saison avec <i>Don Giovanni<\/i> de Mozart, mettant en vedette le baryton am\u00e9ricain John Brancy dans le r\u00f4le-titre. Les sopranos canadiennes Kristen LeBlanc, dans le r\u00f4le de Donna Anna, et Andrea N\u00fa\u00f1ez, dans celui de Donna Elvira, seront \u00e9galement \u00e0 l\u2019affiche. Stephen Lawless assurera la mise en sc\u00e8ne. Le chef d\u2019orchestre am\u00e9ricano-japonais Kenson Watanabe dirigera, quant \u00e0 lui, l\u2019Orchestre M\u00e9tropolitain. 27 et 30 septembre, 2 et 5 octobre.<\/p>\r\n<p><a href=\"http:\/\/www.operademontreal.com\">www.operademontreal.com \u00a0<\/a><\/p>\r\n<div id=\"attachment_1091781\" style=\"width: 712px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1091781\" class=\"wp-image-1091781 size-large\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cris-Derksen-e1757355434608.jpg\" alt=\"\" width=\"702\" height=\"702\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cris-Derksen-e1757355434608.jpg 1399w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cris-Derksen-e1757355434608-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cris-Derksen-e1757355434608-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cris-Derksen-e1757355434608-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cris-Derksen-e1757355434608-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cris-Derksen-e1757355434608-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cris-Derksen-e1757355434608-768x768.jpg 768w\" sizes=\"(max-width: 702px) 100vw, 702px\" \/><p id=\"caption-attachment-1091781\" class=\"wp-caption-text\">Cris Derksen<\/p><\/div>\r\n<h4><strong>Orchestre classique de Montr\u00e9al<\/strong><\/h4>\r\n<p class=\"p1\">Le nouveau directeur musical de l\u2019OCM, Andrei Feher, ouvrira la 86<span class=\"s1\"><sup>e<\/sup><\/span> saison de l\u2019orchestre avec un hommage \u00e0 l\u2019excellence autochtone, le 5 octobre, durant la m\u00eame semaine que la Journ\u00e9e nationale de la v\u00e9rit\u00e9 et de la r\u00e9conciliation. La soprano innue Elisabeth St-Gelais, la violoniste mohawk Tara-Louise Montour et le violoncelliste cri Cris Derksen sont les artistes d\u2019un programme comprenant la <i>Symphonie Jupiter<\/i> de Mozart avec des projections visuelles d\u2019Oneida Alanah Jewell Morningstar, la premi\u00e8re qu\u00e9b\u00e9coise de <i>Spider Being<\/i> de Cris Derksen, des chansons de Tomson Highway et un concerto pour violon de Malcolm Forsyth, compos\u00e9 sp\u00e9cialement pour Tara-Louise Montour.<\/p>\r\n<p><a href=\"http:\/\/www.orchestre.ca\">www.orchestre.ca \u00a0<\/a><\/p>\r\n<hr \/>\r\n<h3 class=\"p1\"><span class=\"s1\">Ville de Qu\u00e9bec<\/span><\/h3>\r\n<div id=\"attachment_1091788\" style=\"width: 310px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1091788\" class=\"wp-image-1091788 size-medium\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Kerson-Leong.-Photo-Marco-Borggreve-e1757357573419-300x300.jpeg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Kerson-Leong.-Photo-Marco-Borggreve-e1757357573419-300x300.jpeg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Kerson-Leong.-Photo-Marco-Borggreve-e1757357573419-100x100.jpeg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Kerson-Leong.-Photo-Marco-Borggreve-e1757357573419-600x600.jpeg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Kerson-Leong.-Photo-Marco-Borggreve-e1757357573419-1024x1024.jpeg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Kerson-Leong.-Photo-Marco-Borggreve-e1757357573419-150x150.jpeg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Kerson-Leong.-Photo-Marco-Borggreve-e1757357573419-768x768.jpeg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Kerson-Leong.-Photo-Marco-Borggreve-e1757357573419.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1091788\" class=\"wp-caption-text\">Kerson Leong<br \/>Photo : Marco Borggreve<\/p><\/div>\r\n<h4 class=\"p1\">Orchestre symphonique de Qu\u00e9bec<\/h4>\r\n<p class=\"p2\">L\u2019OSQ ouvrira sa saison le 18 septembre avec le violoniste Kerson Leong pour le <i>Po\u00e8me pour violon et orchestre<\/i> de Chausson et la <i>Fantaisie sur Carmen<\/i> de Sarasate. Clemens<span class=\"Apple-converted-space\">\u00a0 <\/span>Schuldt dirigera ensuite l\u2019orchestre les 24 et 25 septembre dans la <i>Cinqui\u00e8me Symphonie<\/i> de Mahler et le <i>Concerto pour piano n\u00b0 2<\/i> de Beethoven, avec le soliste Alexandre Tharaud. Le mois d\u2019octobre commencera avec trois repr\u00e9sentations de <i>Harry Potter et la Chambre des secrets<\/i>, les 2, 3 et 4 octobre.<\/p>\r\n<p class=\"p2\"><a href=\"https:\/\/www.osq.org\/\" target=\"_blank\" rel=\"noopener\"><span class=\"s1\">www.osq.org<\/span><\/a><\/p>\r\n<div id=\"attachment_1091778\" style=\"width: 310px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1091778\" class=\"wp-image-1091778 size-medium\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cameron-Crozman.-Photo-Julien-Faugere-scaled-e1757357607871-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cameron-Crozman.-Photo-Julien-Faugere-scaled-e1757357607871-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cameron-Crozman.-Photo-Julien-Faugere-scaled-e1757357607871-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cameron-Crozman.-Photo-Julien-Faugere-scaled-e1757357607871-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cameron-Crozman.-Photo-Julien-Faugere-scaled-e1757357607871-1024x1024.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cameron-Crozman.-Photo-Julien-Faugere-scaled-e1757357607871-150x150.jpg 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cameron-Crozman.-Photo-Julien-Faugere-scaled-e1757357607871-768x768.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cameron-Crozman.-Photo-Julien-Faugere-scaled-e1757357607871-1536x1536.jpg 1536w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Cameron-Crozman.-Photo-Julien-Faugere-scaled-e1757357607871.jpg 1706w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1091778\" class=\"wp-caption-text\">Cameron Crozman<br \/>Photo : Julien Fauge\u0300re<\/p><\/div>\r\n<h4 class=\"p2\">Violons du Roy<\/h4>\r\n<p class=\"p2\">Bien qu\u2019il ait r\u00e9cemment annonc\u00e9 la fin de son mandat de directeur musical, Jonathan Cohen dirigera n\u00e9anmoins trois concerts au cours de la saison 2025-26. Le premier, qui aura lieu le 9 octobre et sera repris \u00e0 Montr\u00e9al le 10 octobre, mettra en vedette la soprano Elisabeth St-Gelais dans trois airs de Gluck et le violoncelliste Cameron Crozman dans le <i>Concerto pour violoncelle en do mineur <\/i>de Vivaldi.<\/p>\r\n<p class=\"p2\"><a href=\"https:\/\/www.violonsduroy.com\/en\/\" target=\"_blank\" rel=\"noopener\">www.violonsduroy.com<\/a><\/p>\r\n<div id=\"attachment_1091790\" style=\"width: 712px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1091790\" class=\"wp-image-1091790 size-large\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Matthias-Goerne.-Photo-Marie-Staggat-1024x683.jpg\" alt=\"\" width=\"702\" height=\"468\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Matthias-Goerne.-Photo-Marie-Staggat-1024x683.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Matthias-Goerne.-Photo-Marie-Staggat-scaled-300x200.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Matthias-Goerne.-Photo-Marie-Staggat-scaled-600x400.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Matthias-Goerne.-Photo-Marie-Staggat-768x512.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Matthias-Goerne.-Photo-Marie-Staggat-1536x1024.jpg 1536w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/Matthias-Goerne.-Photo-Marie-Staggat-2048x1365.jpg 2048w\" sizes=\"(max-width: 702px) 100vw, 702px\" \/><p id=\"caption-attachment-1091790\" class=\"wp-caption-text\">Matthias Goerne<br \/>Photo : Marie Staggat<\/p><\/div>\r\n<h4 class=\"p1\">Club musical de Qu\u00e9bec<\/h4>\r\n<p class=\"p2\">Le baryton allemand Matthias Goerne a pr\u00e9sent\u00e9 des cycles de lieder de Schubert dans le monde entier. Son partenaire dans cette tourn\u00e9e nord-am\u00e9ricaine est le pianiste russe Daniil Trifonov, une tourn\u00e9e qui commencera au Club musical de Qu\u00e9bec avec le <i>Chant du cygne<\/i>,<i> <\/i>le 13 octobre, passera par Toronto au Koerner Hall avec le <i>Winterreise<\/i>, le 16 octobre, et continuera au Carnegie Hall avec <i>Die sch\u00f6ne M\u00fcllerin<\/i> le 19 octobre.<b> <\/b><\/p>\r\n<p class=\"p2\"><a href=\"https:\/\/www.clubmusicaldequebec.com\/cmq\/\" target=\"_blank\" rel=\"noopener\"><span class=\"s1\">www.clubmusicaldequebec.com <\/span><\/a><\/p>\r\n<hr \/>\r\n<h3><strong>Ottawa<\/strong><\/h3>\r\n<h4 class=\"p1\">Orchestre du Centre national des Arts<\/h4>\r\n<p class=\"p1\">Dans une programmation inhabituelle, l\u2019orchestre ouvre sa saison avec un op\u00e9ra, <i>Tosca<\/i> de Puccini, une production semi-sc\u00e9nique pr\u00e9sent\u00e9e les 10 et 12 septembre. La distribution enti\u00e8rement canadienne comprend Joyce El-Khoury dans le r\u00f4le-titre, Matthew Cairns dans celui de Cavaradossi et Nathan Berg dans celui de Scarpia. Joel Ivany, de l\u2019Edmonton Opera, assure la mise en sc\u00e8ne et Alexander Shelley, directeur musical de l\u2019OCNA, dirige l\u2019orchestre pour sa derni\u00e8re saison en poste.<\/p>\r\n<p class=\"p1\">Il retrouvera le podium pour les concerts des 17 et 18 septembre avec le violoniste canadien Blake Pouliot qui jouera le <i>Concerto pour violon n\u00b0 1<\/i> de Chostakovitch dans un programme qui comprend \u00e9galement la <i>Symphonie n\u00b0 2 en D majeur <\/i>de Sibelius. Le pianiste Lang Lang se joindra \u00e0 l\u2019orchestre pour un concert enti\u00e8rement consacr\u00e9 \u00e0 Beethoven, d\u00e9j\u00e0 complet, le 29 septembre. Le compositeur, chanteur, improvisateur, artiste drag queen et chercheur Gabriel Dharmoo pr\u00e9sentera <i>Wanmansho<\/i>, une \u0153uvre th\u00e9\u00e2trale pour chanteur solo et orchestre, le 2 octobre, dans un programme qui comprendra \u00e9galement <i>Ein Heldenleben<\/i> de Strauss.<\/p>\r\n<p><a href=\"http:\/\/www.nac-cna.ca\">www.nac-cna.ca \u00a0<\/a><\/p>\r\n<h4><strong>Ottawa Chamberfest<\/strong><\/h4>\r\n<p class=\"p1\">La s\u00e9rie de concerts de musique de chambre de la capitale canadienne d\u00e9bute le 25 septembre avec le duo CelloFellos, compos\u00e9 de Bryan Cheng et Leonard Disselhorst. Ces derniers pr\u00e9senteront un programme vari\u00e9 inspir\u00e9 du tango argentin et du jazz new-yorkais.<\/p>\r\n<p><a href=\"http:\/\/www.chamberfest.com\">www.chamberfest.com<\/a><\/p>\r\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>par Wah Keung Chan et Gianmarco Segato Montr\u00e9al Ladies Morning Musical Club (LMMC) La saison musicale montr\u00e9alaise d\u00e9bute par deux r\u00e9citals dans le cadre de la s\u00e9rie de concerts du LMMC, qui a lieu les dimanches apr\u00e8s-midi \u00e0 la salle Oscar Peterson pour la deuxi\u00e8me ann\u00e9e cons\u00e9cutive, la salle Pollack de l\u2019Universit\u00e9 McGill \u00e9tant encore<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/la-scena-musicale-team\/concerts-a-venir-sept-2025\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2814,"featured_media":1092817,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[394],"tags":[450,24177,418],"class_list":{"0":"post-1091840","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musique-classique","8":"tag-montreal","9":"tag-opera-fr-77","10":"tag-orchestre","11":"type-article-fr","12":"volume-volume-31","13":"issue-vol-31-issue-1-fr","14":"section-a-venir"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/gandr-collage-1.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/gandr-collage-1-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/09\/gandr-collage-1.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1091840"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2814"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1091840"}],"version-history":[{"count":6,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1091840\/revisions"}],"predecessor-version":[{"id":1092820,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1091840\/revisions\/1092820"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1092817"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1091840"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1091840"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1091840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}