{"id":1089491,"date":"2025-08-05T12:46:58","date_gmt":"2025-08-05T16:46:58","guid":{"rendered":"https:\/\/myscena.org\/?p=1089491"},"modified":"2025-08-05T12:46:58","modified_gmt":"2025-08-05T16:46:58","slug":"julien-proulx-devient-le-nouveau-directeur-artistique-de-lorchestre-de-la-francophonie","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/julien-proulx-devient-le-nouveau-directeur-artistique-de-lorchestre-de-la-francophonie\/","title":{"rendered":"Julien Proulx devient le nouveau directeur artistique de L&#8217;Orchestre de la Francophonie"},"content":{"rendered":"<p><b>Montr\u00e9al, le 5 ao\u00fbt 2025<\/b>\u2014\u00a0Dimanche apr\u00e8s-midi, lors du grand concert final pr\u00e9sent\u00e9 \u00e0 la Maison symphonique, l&#8217;<b><a href=\"https:\/\/marellecommunications.us20.list-manage.com\/track\/click?u=bea62750ee6d4c32a3c6e1a13&amp;id=86aa5cbce2&amp;e=f1e28d9ca7\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/marellecommunications.us20.list-manage.com\/track\/click?u%3Dbea62750ee6d4c32a3c6e1a13%26id%3D86aa5cbce2%26e%3Df1e28d9ca7&amp;source=gmail&amp;ust=1754492714115000&amp;usg=AOvVaw3c000HnK9KijGHMjdR0AAB\">Orchestre de la francophonie<\/a><\/b>\u00a0(OF) a annonc\u00e9 la nomination de Julien Proulx \u00e0 titre de nouveau directeur artistique et laur\u00e9at de son concours de direction d\u2019orchestre. Ce concert venait clore une s\u00e9rie de trois prestations organis\u00e9es dans le cadre du concours.<\/p>\n<p>Jean-Philippe Tremblay a dirig\u00e9 l\u2019OF pour une derni\u00e8re fois en tant que directeur artistique attitr\u00e9. Pour souligner son engagement exceptionnel, une bourse a \u00e9t\u00e9 cr\u00e9\u00e9e en son nom.\u00a0Jean-Philippe Tremblay a symboliquement confi\u00e9 la baguette \u00e0 Julien Proulx, qui a eu l\u2019honneur de diriger en grande premi\u00e8re la pi\u00e8ce d\u2019ouverture de ce concert final, la Symphonie n.3 de Jacques H\u00e9tu.<\/p>\n<div id=\"attachment_1089488\" style=\"width: 1310px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1089488\" class=\"size-full wp-image-1089488\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-5.jpg\" alt=\"\" width=\"1300\" height=\"731\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-5.jpg 1300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-5-300x169.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-5-600x337.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-5-1024x576.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-5-768x432.jpg 768w\" sizes=\"(max-width: 1300px) 100vw, 1300px\" \/><p id=\"caption-attachment-1089488\" class=\"wp-caption-text\">Photo : Pascal Gigu\u00e8re<\/p><\/div>\n<h4><b>Un nouveau directeur artistique et\u00a0une vision \u00e0 d\u00e9fendre<\/b><\/h4>\n<p>Les trois concerts ont permis \u00e0\u00a0<b>Emmanuelle Lambert-Lemoine, L\u00e9a Moisan-Perrier<\/b>\u00a0et\u00a0<b>Julien Proulx<\/b>\u00a0de faire valoir \u00e0 tour de r\u00f4le leur savoir-faire artistique et leur capacit\u00e9 \u00e0 inspirer l\u2019ensemble des musiciens de l\u2019OF, compos\u00e9 de jeunes professionnels dipl\u00f4m\u00e9s des plus grandes institutions musicales. La nouvelle direction artistique de l\u2019orchestre a \u00e9t\u00e9 remise entre les mains de Julien Proulx, d\u00e9termin\u00e9e\u00a0au terme du concours pour un mandat de trois ans.<\/p>\n<p>Fid\u00e8le \u00e0 sa mission d\u2019apprendre, d\u2019innover et de partager, l\u2019Orchestre de la francophonie a fait de son concours de direction artistique une\u00a0<b>exp\u00e9rience participative<\/b>\u00a0: le processus de s\u00e9lection impliquant les musicien.ne.s de l&#8217;orchestre et un jury sp\u00e9cialis\u00e9 a \u00e9t\u00e9 enrichi par un vote du public.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-1089486\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-1-150x150.png 150w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-1-300x300.png 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-1-100x100.png 100w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-1-600x600.png 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-1-1024x1024.png 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-1-768x768.png 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-1.png 1275w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>Julien Proulx\u00a0<\/b>dirige l\u2019Orchestre symphonique de Drummondville depuis 2014. Laur\u00e9at de plusieurs Prix Opus, il est r\u00e9put\u00e9 pour ses choix artistiques audacieux, son esprit d\u2019innovation et son engagement aupr\u00e8s des communaut\u00e9s musicales r\u00e9gionales.<\/p>\n<div id=\"attachment_1089484\" style=\"width: 2310px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1089484\" class=\"wp-image-1089484 size-full\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-6.jpg\" alt=\"\" width=\"2300\" height=\"1725\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-6.jpg 2300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-6-300x225.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-6-600x450.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-6-1024x768.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-6-768x576.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-6-1536x1152.jpg 1536w, https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/unnamed-6-2048x1536.jpg 2048w\" sizes=\"(max-width: 2300px) 100vw, 2300px\" \/><p id=\"caption-attachment-1089484\" class=\"wp-caption-text\">Photo : Pascal Gigu\u00e8re<\/p><\/div>\n<h4><b>Une bourse au nom de Jean-Philippe Tremblay<\/b><\/h4>\n<p>Afin de souligner son engagement ind\u00e9fectible et l\u2019id\u00e9e fondatrice \u00e0 l\u2019origine d\u2019un projet qui perdure depuis 25 ans, l&#8217;Orchestre de la Francophonie a le\u00a0grand plaisir d\u2019annoncer la cr\u00e9ation de la\u00a0<b>bourse Jean-Philippe Tremblay<\/b>. Cette bourse permettra chaque ann\u00e9e \u00e0 de jeunes chef.e.s\u00a0aspirant.e.s\u00a0de se former au sein de l\u2019Orchestre, perp\u00e9tuant ainsi la mission de transmission ch\u00e8re \u00e0 Jean-Philippe. Ce sont plus de\u00a01\u202f200 musicien.ne.s qu\u2019il a accompagn\u00e9\u00a0avec passion, tant dans leur carri\u00e8re que dans leur engagement citoyen.<\/p>\n<p>\u00ab L\u2019avenir de la musique classique passe par l\u2019audace et l\u2019ouverture. Ce processus participatif t\u00e9moigne de l\u2019esprit d\u2019innovation et de partage qui anime l\u2019OF depuis sa fondation.\u00a0Cette saison 2025 \u00a0est non seulement\u00a0un moment fort sur le plan musical, mais aussi une c\u00e9l\u00e9bration de la transmission et du renouveau\u00a0\u00bb, d\u00e9clare Jean-Philippe Tremblay, directeur musical \u00e9m\u00e9rite de l\u2019OF.<\/p>\n<h4 dir=\"ltr\"><b>\u00c0 propos de l\u2019Orchestre de la francophonie<\/b><\/h4>\n<p dir=\"ltr\">Depuis 2001, l\u2019Orchestre de la francophonie (OF) pr\u00e9pare les jeunes musiciens dipl\u00f4m\u00e9s d\u2019\u00e9tablissements de renom \u00e0 jouer un r\u00f4le de premier plan au sein d\u2019orchestres de r\u00e9putation nationale ou internationale. Sa d\u00e9marche repose sur trois piliers : apprendre, innover, partager.<\/p>\n<blockquote><p><a href=\"https:\/\/orchestrefranco.com\/\">www.orchestrefranco.com<\/a><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Montr\u00e9al, le 5 ao\u00fbt 2025\u2014\u00a0Dimanche apr\u00e8s-midi, lors du grand concert final pr\u00e9sent\u00e9 \u00e0 la Maison symphonique, l&#8217;Orchestre de la francophonie\u00a0(OF) a annonc\u00e9 la nomination de Julien Proulx \u00e0 titre de nouveau directeur artistique et laur\u00e9at de son concours de direction d\u2019orchestre. Ce concert venait clore une s\u00e9rie de trois prestations organis\u00e9es dans le cadre du<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/newswire\/julien-proulx-devient-le-nouveau-directeur-artistique-de-lorchestre-de-la-francophonie\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":1089482,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[16922,31862,394,17275],"tags":[62388,62966,62967,48392,56700],"class_list":{"0":"post-1089491","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-communiques","8":"category-concours-musicals","9":"category-musique-classique","10":"category-musique-orchestrale","11":"tag-emmanuelle-lambert-lemoine","12":"tag-jean-philippe-tremblay-fr-2","13":"tag-julien-proulx-fr-3","14":"tag-lea-moisan-perrier","15":"tag-orchestre-de-la-francophonie-fr-2"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/OF_feature.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/OF_feature-300x144.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/08\/OF_feature.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"group_select","label":"Group","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1089491"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1089491"}],"version-history":[{"count":2,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1089491\/revisions"}],"predecessor-version":[{"id":1089493,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1089491\/revisions\/1089493"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1089482"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1089491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1089491"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1089491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}