{"id":1086739,"date":"2025-06-04T05:30:19","date_gmt":"2025-06-04T09:30:19","guid":{"rendered":"https:\/\/myscena.org\/?p=1086739"},"modified":"2025-06-09T16:43:42","modified_gmt":"2025-06-09T20:43:42","slug":"critique-de-disque-kapustin-triptych-fedorova-takser-piano-duo","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/bernard-justin\/critique-de-disque-kapustin-triptych-fedorova-takser-piano-duo\/","title":{"rendered":"Critique de disque | Kapustin : Triptych,  Fedorova &#038; Takser Piano Duo"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Le <a href=\"https:\/\/myscena.org\/justin-bernard\/cd-review-xix-the-golden-duets-fedorova-takser-piano-duo\/\" target=\"_blank\" rel=\"noopener\">Fedorova &amp; Takser Piano Duo<\/a> fait parler ici son \u00e9clectisme en offrant la premi\u00e8re audition officielle sur disque d\u2019une \u0153uvre du regrett\u00e9 musicien jazz <a href=\"https:\/\/www.schott-music.com\/en\/person\/nikolai-kapustin\" target=\"_blank\" rel=\"noopener\">Nikola\u00ef Kapoustine<\/a> (1937-2020), <\/span><i><span style=\"font-weight: 400;\">Three for Two. Triptych for two pianos<\/span><\/i><span style=\"font-weight: 400;\">, op. 145, compos\u00e9e en 2012, mais publi\u00e9e seulement en 2024 chez la c\u00e9l\u00e8bre maison d\u2019\u00e9dition Schott.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">Comme son nom l\u2019indique, l\u2019\u0153uvre est divis\u00e9e en trois mouvements, chacun permettant aux interpr\u00e8tes de montrer l\u2019\u00e9tendue de leurs aptitudes. Le premier mouvement se distingue par sa virtuosit\u00e9, son rythme entra\u00eenant et ses longues lignes ornementales, extr\u00eamement libres, comme s\u2019il s\u2019agissait vraiment d\u2019improvisation. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Les duettistes se montrent incroyablement pr\u00e9cis dans leurs attaques, en plus de recr\u00e9er \u00e0 merveille un effet de balancement permanent, typiquement <\/span><i><span style=\"font-weight: 400;\">jazz<\/span><\/i><span style=\"font-weight: 400;\">. Le deuxi\u00e8me mouvement est plus lent, plus s\u00e9duisant aussi, notamment gr\u00e2ce \u00e0 l\u2019excellent \u00e9quilibre entre passages retard\u00e9s et acc\u00e9l\u00e9r\u00e9s. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Enfin, le troisi\u00e8me mouvement s\u2019apparente \u00e0 un tango de Piazzolla, o\u00f9 l\u2019on retrouve des rythmes endiabl\u00e9s et un art de la ligne ornementale qui donne \u00e0 la musique \u00e9norm\u00e9ment de relief. Un petit bijou qui t\u00e9moigne, une fois de plus, du jeu plein de fougue du duo Fedorova et Takser.\u00a0<\/span><\/p>\n<p><iframe loading=\"lazy\"  id=\"_ytid_12736\"  width=\"702\" height=\"394\"  data-origwidth=\"702\" data-origheight=\"394\" src=\"https:\/\/www.youtube.com\/embed\/FLNkw41kH84?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Fedorova &amp; Takser Piano Duo fait parler ici son \u00e9clectisme en offrant la premi\u00e8re audition officielle sur disque d\u2019une \u0153uvre du regrett\u00e9 musicien jazz Nikola\u00ef Kapoustine (1937-2020), Three for Two. Triptych for two pianos, op. 145, compos\u00e9e en 2012, mais publi\u00e9e seulement en 2024 chez la c\u00e9l\u00e8bre maison d\u2019\u00e9dition Schott.\u00a0 \u00a0Comme son nom l\u2019indique,<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/bernard-justin\/critique-de-disque-kapustin-triptych-fedorova-takser-piano-duo\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":3680,"featured_media":1086736,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038],"tags":[62675,62674,62678,28797],"class_list":{"0":"post-1086739","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"tag-daria-fedorova-fr","9":"tag-ilya-takser-fr","10":"tag-kapustin-fr","11":"tag-piano-fr-2","12":"type-critique","13":"type-critique-de-disque","14":"volume-volume-30","15":"issue-vol-30-issue-7-fr","16":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/06\/Kapustin-cover.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/06\/Kapustin-cover-300x141.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2025\/06\/Kapustin-cover.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1086739"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/3680"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1086739"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1086739\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/1086736"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1086739"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1086739"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1086739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}